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@EatMe wrote:

drumroll…
A competition in here.

deadline: submit before 2019 oct 20 24h00 GMT+2

-create at least three sitemaker websites
sitemaker can be found at http://eatme.pro/sitemaker
https://forum.renoise.com/t/sitemaker-creates-a-website-for-you-as-artist/

-share the 3 links to your sites with sitemaker as basis in this topic

• you can share a link with the “share created page” after clicking the “make website” button, you do not need to host your site. please make a http://tinyurl.com shortlink to your creation instead of sharing the full link if it is from sitemaker directly.

the most original entries win a prize

• GTA Vice City PC (2dvd (europe) + original casing)
• GTA San Andreas PC (1dvd (europe) + book + original casing)

The games are in used but perfect condition.
I will send them via snail mail…

Please keep it decent.

Post your 3 sitemaker creations in the topic below before the deadline to maybe win a prize!

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@weizenkeim wrote:

I always wondered, why is the frequency tooltip in the spectrum analyzer displaying a note one octave higher than one would expect?

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@Evda wrote:

Hi.

Im in the process of learning how to use Renoise, and im having trouble with note-off commands not working when using a VST, and i can’t seem to figure out why that is right now.

All columns have a note off command at the end of the pattern, but they keep on playing in the next pattern anyway. When i open a new song and put in a note of the same VST, and a note off command, it does work, so there must be something going on im not seeing.

I took a picture with my phone, because i also don’t know how to take screenshot in renoise yet.

Note off?

Anyone got any idea’s? Maybe it has something to do with the effect commands in the last column? (I haven’t figured out what these are yet, but they appear when i use the pedal while recording with my digital piano)

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@Tumulte wrote:

polyrythm.xrns (42.5 KB)

Hi,

on another topic, some people asked about how to achieve polyrhythm (like TRUE polyrhythm, not polymeters). Which means having any type of tuplets over a straight 4/4

Which means that when a straight plays 4 quarter notes, you can have 3, 5, 7, 11 23 or any number of beats evenly distributed during the same bar

It gives a weird feeling of being on time and completely off.

It’s very easily done in renoise by creating a phrase and setting the LPB (line per beat) parameter to the desired subdivision. Be careful : the LPB is located right above the modwheel/pitchwheel of the virtual keyboard, NOT TO BE CONFUSED with “step length” on the lower left corner.

On my example:
Track 1 plays a straight 4/4 (to contrast with the polyrhythm)
Track 2 has 5 phrases :
1 : 3/4 (3:4 over 4:4 is extremely common in pop music, can be achieved with any DAW),
2 : 5:4,
3 : 7:4
4: 11:4
5: 21:4 (yeah, that means that when a standard bar plays 4 quarter notes… this one plays 21 even notes)

Of course, this works exactly the same in redux

Have fun

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@Logical_Impulse wrote:

It is my understanding that the “snappy” adjustment on drum machines represents the adjustments present on an actual snare drum. I see this adjustment on all drum machines. I am in the process of building some drum machine instruments within Renoise and am wondering if anybody has any ideas as how to recreate this within Renoise. or is snappy even a feture that needt to be included. I am looking forward to see other’s thoughts on this. Has anybody else created drum machine style instruments? If so what are your must includes.

Many Thanks to all Renoisers!

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@chemeleon wrote:

I’ve been working on this song for weeks and weeks. I’m finally just about happy with it. I’d really like to know if I’m making mistakes with the mastering, as it sounds ‘good’ but there’s always room for improvement. Also if you heard the previous version, do you like the direction I took it in? It’s pretty out there, even by my standards…

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@mouglie wrote:

I looked around the Renoise forums for a tools that would allow me to jump custom line amounts on the page up and down control and was super happy when i found the custom pattern navigator plugin. But sadly after installing 3.2 it throws an error whenever it gets to the bottom of a row.

I dont know if this is the right place to ask, but is there anyway to try and fix it myself or is such source code only available for the owner? … or is there a way to report the bug to him so he might fix it or ? … well like i said im kinda new here so not sure this is the right place to ask.

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@bzakirasantjago wrote:

hi,

my Freak Tracks made with Renoise :

Bz

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@00.1 wrote:

Windows 10 updated over the weekend. Renoise is scaled at 250% (Also tried Auto). Other Audio Damage VST’s (Grind and Eos 2) looks fine. Anyone else seeing GUI issues ? Unscalable and looks small inside the VST shell.

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@LegendaryTaunt wrote:

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@beublo wrote:

Brings support for the X-Touch in native mode (XCtl) to Renoise.

It should be considered alpha, because the features, API, and default bindings are not final yet.

This tool has two parts, a driver and a default set of bindings (“program”). The driver supports multiple programs, so anyone can code their own logic in addition. It might ship with more programs by default in the future, who knows. The driver provides a fully observable model of the X-Touch, as well as an event system to easily register callbacks to events such as a button press, a fader move, or an encoder delta. I’m not detailing it more here as the API is going to slightly change soon.

Configure your X-Touch in XCtl mode over MIDI, open the dialog from the Tools menu, select the proper MIDI devices in the dialog and press RESET. Your X-Touch should come to life. A click on the ? button next to a program name in the dialog displays the bindings that it defines. A click on the gear icon shows the configurable stuff for this program.

There are a couple ways in which the tool hacks the current song. One of them is changing the track color blend to hilight the tracks that are currently mapped to the X-Touch in the Mix page (see details below). The other one is to support the VU LEDs, which are off by default. To be able to tap a signal to send to the VU LEDs, the driver will automatically add 8 send tracks, and one send device where the signal should be tapped. The tracks and devices generated by the driver are filtered out from the mappings. This allows to easily tap signals anywhere, including for instance tapping between each device in a chain to monitor the gain structure (see Devices page).

You should refer to the bindings dialog for details. Here is an overview of what each page does in the default program:

(these bindings apply everywhere)
The ENCODER ASSIGN buttons select the current page. The row below the LCD select the middle frame view in Renoise. GLOBAL VIEW toggles the VU LEDs. The TRANSPORT section mostly does what is expected. FADER BANK and CHANNEL buttons move the X-Touch frame around.

ENCODER ASSIGN / PAN/SURROUND (default)

Maps 8 tracks to the 8 X-Touch channels. Select/Mute/Solo buttons, encoders, and faders all do what’s expected. The track name (and parent group name) is displayed on each scribble strip using the track color. FLIP toggles Pre/Post. A “popup” will display volume changes in the second row and panning changes in the first row of the strips.

ENCODER ASSIGN / PLUG-IN
This is like “enter the selected track”. X-Touch channel #1 edits PreFX vol and pan/width (if SHIFT is pressed), channel #8 edits PostFX vol and pan, and channels #2-7 map up to six devices in the device chain. If VU LEDs are enabled, the output volume of each mapped device is shown. Encoders select parameters and faders edit them. A click on an encoder in turn “enters the device” and switches to the Params page. LEFT and RIGHT buttons change the selected track. Popups appear on the strips to display the value changes.

(Encoder click on a device in the Devices page)
Maps up to 8 parameters of the selected device to the X-Touch channels. Scribble strips display the parameter name and value at all times. Encoders and faders edit the mapped parameter. LEFT and RIGHT change the selected track and UP and DOWN change the selected device.

ENCODER ASSIGN / SEND
Makes using sends a breeze (no MB send support yet… It’s coming! Someday.) Maps each send (except sends spawned for the VU LEDs support) on a track to an X-Touch channel. Fader edits send amount, encoder edits panning, SHIFT-encoder edits the receiver. A press on an encoder where there is no send will spawn one. A long press on an encoder where there is a send will delete it. With CONTROL pressed, encoders move the sends around. The device index and receiver are shown where there is a send. LEFT and RIGHT change the selected track.

(I’ll add the device shuffling logic to the Devices view also. It’s just not here yet.)

There’s a lot more that can be done with this controller. If you have any needs or suggestions, let’s talk about it! The right side is mostly still available, more pages can be added, and more renoise can be automated.

Get the tool here dev.bl0b.X-Touch_0.1.xrnx (55.1 KB)

Please report issues on the git repo si I can keep better track.

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@ffx wrote:

I am looking for such a saturation plugin, which lets me control the added harmonics, so I could only add octave harmonics, or even harmonics. I have seen such a plugin, but I sadly cannot remember it. Any ideas?

Melda has such plugins, but I cannot use it, due heavy PDC caused by the used FFT approach. So I need a plugin which also has only little or none PDC.

In theory, if I want to add the exact octaved harmonics to a played sound, would it require frequency or pitch analysis, or is there some kind of magical basic math algorithm?

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@s0ck wrote:

Hi All,

I’m certain this will have ben asked before (although I can’t find what I think I’m looking for from a Forum Search).

So back in the day I used to use AXS - a hybrid Tracker. If this picture has embedded properly, you can see that it was very easy to change the sample duration in realtime by adjusting a knob (highlighted in yellow) - very handy.

I don’t see an easy way to accomplish the same thing in Renoise - what am I missing?

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@Evda wrote:

Right now there’s only a 4/4 beat metronome.

It would be great if you could choose other options, like a 3/4 metronome.

No big deal, as you can always make your own metronome, but it would be even easier than that if it was build into Renoise.

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@Evda wrote:

My suggestion is to add NNA functionality for VST’s in renoise, like with normal samples.

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@Evda wrote:

When using a sample, it is possible to set the NNA (new note action) in the sampler to:

• Note off
• Continue
• Cut

The problem is, these options don’t work when using a VST. Does anyone know if this is possible somehow? Im using a VST, and i don’t want to have the note cut off when a new note gets played in the same track.

(I know you can add seperate note colums in the same track, which would also prevent the notes from cutting, but i would not like to do this if there’s a better way.)

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@TheDamnChicken wrote:

Hello,

I’m experiencing a weird bug where files from backstage is missing. I’m using firefox on a Windows 10 1903 machine. I’ve tried to disable the adblocker to no avail. It also seems like my account information is missing too, even while logged in!

I’ve attached screenshots of the error messages. Maybe that can help!

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@kdgh wrote:

Ability to move the channels in the pattern sequence matrix would be very very helpful!

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@listen202 wrote:

Getting some UI glitches with Native instrument plugins.
Happens in both full screen and windowed.

The plugins load fine but when you navigate the menus inside the NI plugs you get some glitches. Audio is fine. They have been updated recently and I had no issue with a demo version of Renoise 3.1

Renoise 3.2.0
My display resolution is 2560 x 1440
my scaling setting in renoise is 125%

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@ffx wrote:

Would be helpful, if either

• the line was shorted and fully shown on mouse-over
• the first column was using line breaks
• there was more width
• at least the shortcut name was also printed on the settings dialogue below, this time fully readable

Thanks

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