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@stoiximan wrote:

This one is a little crowded so i dont know how it will sound in your speakers.

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@Neuro_No_Neuro wrote:

@taktik

So, I’ve been pestering the board for an effect that does this here (watch the red portion):

After much experimenting, I figured out how to get the deprecated Stutter effect to mostly do this. It’s pretty much the same, less the ability to automate the movement of the read/write head. Also, because it seems to be delay-based, versus just moving an automated playhead, there are some delay artefacts depending the settings (phasing/lo-fi sound).

With the Stutter effect and two LFOs, I can get the effect to

1. Loop small segments of audio
2. Change the size of the playhead

Stuff those into a Doofer, and it’s ready-to-go whenever I need it.

As you know, Stutter is not at all the same as the Repeater. It’s much more adjustable, subtle, and softer on the ear due to the dry / wet effect level settings.

What I’m asking for is for the Stutter effect to actually be moved back to the regular effects. No other effect, no matter how much I modulate it with LFOs does what the Stutter effect does. It’s excellent for ambient flittering of audio, and is actually a fairly advanced tool to use properly. It’s not a toy.

If the capability of reversing the audio were added into this effect it would be optimal for creating ambient washes / haze. If it used a buffer and a moveable audio head instead of delay, it would be able to do even more, such as pitch-shifting (and it would get rid of the lo-fi and phasing). Pair that with the time-stretching that’s been attached recently, we’d quickly move into some even more amazing audio effects (especially if that could become an effect in it’s own right).

Please reinstate the Stutter effect? I have been using it via the ffx.tools.NativeDSPContextMenu plugin. It really shouldn’t be hidden, though. It’s very valuable.

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@Skolskoly wrote:

Hello everyone!
I’ve just released a new album of electronic music. Very happy with this one. Enjoy!

Sampler:

Download it from bandcamp.
Read more on my website.

Big ups to anyone that recognizes the intro on the fourth track.
(One of the first things I posted to the forums here.)

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@KnownUn wrote:

and this is how the night ended…

Its all love!

Enjoy your Friday night!

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@LegendaryTaunt wrote:

Loading up an Izotope Ozone 8 plugin crashes when you try to tweak the plugin in Renoise.

It works fine in Reaper and Ableton.

OS: macOS Mojave 10.14.6

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@michaelfishwick wrote:

i’ll happily pay for it if there is thamks in advance. i’ve already looked on youtube but and groove3 but couldn’t find anything.

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@dspasic wrote:

Hi guys, wanted to thank you for your effort and involvement but i’m considering to go to 3.1 for a while. as i’m having few issues:

1. Loading projects from 3.1 doesn’t remember (FX plugins) nor instrument remember presets (VSTi) when opening in 3.2
2. Sometimes it hangs, when opening projects (freezing, being unresponsive) after i wait a while, i just kill process, and i open renoise and it works great.
3. Loading simple projects without plugins sometimes take a while, idk why

I’m interested in optimizing pc for it and i’m asking you guys to sum up some performance-related setup within renoise/os.
Thanks in advance!!

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@gracz_1 wrote:

!

The new Renoise 3.2 looks great! However, do you have any idea why after I loaded one of my previous version projects and opened one of the VSTs there is a black screen only (plugin is still working but without showing the control panel) ??

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@Neuro_No_Neuro wrote:

Some truly inspiring pieces here, far out, not ordinary. Really great stuff!

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@Tumulte wrote:

When I try to load a heavy VST, or track or whatever… renoise will “hang” and whenever I click, Windows 10 will prompt me to “Wait” or “close the program”.

After a normal loading time, it will work fine…

The problem here being that Windows thinks renoise’s stuck, while it’s actually just loading stuffs. Probably some kind of miscommunication between the software and the OS.

Users might think Renoise is broken when it’s not

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@SlambertAnders wrote:

I could really use a wet knob, either on the doofers, or on all plugins inclussive third party. They have done this in Reaper and it’s really usefull. But I need it in renoise too as it’s my favorite DAW

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@beatsgo wrote:

I’m a big fan doing automated things. One thing that’s been bugging me for the past years is how to do randomize phase offsets. With my research and scientific approach to this problem I figured out two methods that can work:

1. Randomize phrases
2. Randomize samples

(1) was discussed in a different topic but I have a different approach for the doofer which makes it more efficient and lowers CPU usage.

So that being said let’s hop into it:

(1) Randomize phrases
The approach as mentioned is similar as mentioned above. You have one/set of sample(s) that you want to execute at the same time per key press. What you do is recreate multiple phrases where each input shows as follows:

C-4 | S00

The next phrase the input will show as:

C-4 | S02

So why the jump to S02? You’re only allow to have up to 126 phrases.
In order to randomize the phrases within an instrument you’ll have to create a doofer that contains a key tracker that triggers the reset of an LFO. This LFO is using the “random” waveform. Previously I set the LFO to run at 1LPB but this is just absurd. It’s better to set the LPC to Infinity. From there the LFO attaches to a hydra dsp which is used to define specific phrase range on the instrument macro DSP.

The result shows as follow:

Of course why would I make you go through the effort of creating this when I can just give you the RANDOM OFFSET.xrni (7.4 KB) file?

(2) Randomize Samples
This IMO is more interesting to me and provides a new perspective on how Renoise instruments works. Let say you have a predefine set of samples that are the same tune waveform…but phased differently and want to use them in one instrument. What you can do is overlap all the audio samples and change this specific settings:

You officially have an RANDOM_SAMPLES.xrni (28.1 KB) instrument that can do random offsets.

…

Did I mention you can combine these two concepts and create even some crazier shit?

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@4tey wrote:

Not a big issue, I don’t think the LPB line highlighting within the phrase pattern is refreshing enough in 3.2.

Should be relatively simple to see. Load in attached xrns. Contains 4 phrases in instrument 0. Each phrase has a different LPB setting. Just click around the phrase selector to change phrases and look at the line highlighting. Forcing a full refresh corrects the problem (i.e. min/max the Renoise window, switch away and then back again to Renoise, or switch to the pattern editor and back etc.)

phrases.xrns (3.9 KB)

Above showing a 4 lpb phrase from a 7 lpb phrase.

I think Redux 1.1 also suffers from a similar redrawing problem.

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@Snares wrote:

Hey so if I make a panning or volume envelope on a sample in the modulation section, it works fine in there but as soon as I go into the edit screen and sequence the sound, it ignores what I’ve done. Is this a bug or is there some new way to engage what you’ve done as far as modulation?

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@beatsgo wrote:

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@LegendaryTaunt wrote:

Novice when it comes to making ambient tracks. I really want to explore this more.

Synth work: Behringer Model-D and Massive

Also found an old foley recording I made years ago just sitting on my drive.

Up for your praise/slaughter.

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@zklaus wrote:

Looking over some of the threads I see it’s an issue for some but I couldn’t find a solid solution for it…maybe I overlooked it, idk…this is a similar to an issue I had on Windows with the ASIO driver. It locks up the sound card…My solution on Windows was just abandon ASIO and use Direct Sound. I’m a hobbyist so for my purposes it worked fine and I never missed ASIO.

But how do I do this on Linux? I need to be able to listen to other audio apps w/o closing Renoise.

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@Neuro_No_Neuro wrote:

Cheese on crackers! All tracks done ONLY in Renoise.

Scans, an album by Neuro... No Neuro on Spotify

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@pastulla wrote:

Hello everyone,

my name is Nicola, I am new to renoise and also new to Midi mapping.
I am trying to use a zoom R8 controller as a midi input device. I read the article about midi mapping and tried to follow the instructions.
It was quite easy to map the buttons on the R8, but it seems impossible to map any faders. Whenever I try to assign a fader nothing happens: I click on the value to be mapped, move the corresponding fader on the R8, nada.
If I switch to the midi in/output view in renoise, I can see the pitch bending signals send by the faders on the R8, so the device must be connected correctly to renoise.

Can anyone please explain to me how to map the faders? Do I have to change the fader signals to something else?

Many thanks in advance!

Cheers,

Nicola

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@Karlozfandango wrote:

I have just come from the past.
My Amiga has passed and I can no longer octahedron.
But wait
Here comes my hero…
Oh why have you not graced my presence my dear Renoise.
I love you already.
This new glitzy tracker software is truely magical.
I wish I knew it before.
But now th3 chops shall commence and there will be bass and drums and squilley noise all day and night until we rise against the Dullard forms of noise masquerading as music!,we shall have peace love and Renoise for all in days to come…
Love peace

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