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@4tey wrote:

Not a big thing. I was wondering why ‘General Discussion’ has such a dull ‘color’ associated with it? IDK yellow, something maybe a little more colorful? I assume that Ideas & suggestions and Tips & Tricks have the same category color because they are loosely connected?

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@ffx wrote:

Just as the title says. Is it an admin exclusive functionality?

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@ffx wrote:

Hi,

there is a constant LPB used in ConnerBW’s MidiConvert tool in line 491 of export.lua.

It should be instead:

It says in the description:

Does it mean that it only support M0 XXYY, or was M0 XXYY different in Renoise 2.8, and M1 XXXX was not taken into account yet? Since my pitch slides do not seem to be exported…

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@AdamWysokinski wrote:

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@bigfake wrote:

Sample start / end point automation by curves / lfo / randomizer - it would be very creative way to obtain interesting glitchy sounds. What do you think, guys?

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@milkyheart wrote:

i might still work on this one, but it’s listenable

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@Raul wrote:

Is there any way to eliminate complete conversations within the Inbox or within the Archive?

I miss a Recycling Bin. This would help not to fatten the forums. Have a little maintenance by the user with their private conversations.

Is there any way to erase them and not see them anymore?

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@Artie_Fufkin wrote:

I’m trying to emulate the shift distortion with a VST. I’m using the Robin Schmidt FuncShaper VST with an absolute value function and high pass filter(to get rid of DC offset). Getting close, but there’s just a little bit of extra grit with the shift distortion, even when I’m just about matching levels.

Can anybody shed some light or provide conjecture on the implementation?

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@Micah_Lawrence wrote:

https://drive.google.com/file/d/1sQkdOCjZGQNyv0CXPwqJr5fnzarqCDK_/view?usp=sharing

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@fredeke wrote:

Hello everyone.

Here’s my issue: I’m controlling an external synth with Renoise via MIDI (a Moog Sub37, if you need to know). The preset on the synth uses glide in a legato fashion, which means that it glides only when MIDI notes overlap each other. That is how I want it, and it sounds great when I directly play the synth’s keyboard.

But when sending MIDI notes from a Renoise sequence, there is no glide. That is because Renoise always sends a Note Off message just before the next Note On. So there’s no overlap.

The obvious solution would be to create two columns in my track, and alternate notes between them. I don’t like it because it’s ugly and confusing to look at, and twice more keyboard gymnastics to write down.

Is there a way to delay the Note Off messages ? Or some other way that would result in short overlaps (even a 1ms overlap would do) ?

Note that I also use manual Note Offs in the composition from time to time, so that a last note of a phrase doesn’t go on indefinitely. This I obviously would like to keep

Thanks for reading so far

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@ffx wrote:

Hi,

today Ableton 10.1 was announced, featuring very interesting features like VST3 support and magic trackpad gestures support:

Also this new delay device looks great:

See those new modes “Fade” and “Jump”, it looks to me like Taktik made it (which I don’t know of course). Did they manage to implement a working multi-fade mode (also smooth while delay length changes), or is it a single fading? Once Vojtech of meldaproduction told me that multi-fading was mathematically impossible.

What do you think about it? Does VST3 support mean that note expression already is there, too? Will MPE then follow?

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@digitalpython wrote:

Hello, dear friends!
I humbly present my new electronic project.
Almost everything I compose in trackers.
You are very welcomed to join/subscribe.

https://vk.com/digitalpython
https://www.youtube.com/channel/UCQkoVY … TLYif0bAFw

Best regards from Russia

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@jljosh02 wrote:

What’s everyone’s favourite non-tracker music software? I like FL Studio best. I like it’s native effects/synths and the way it handles arrangement and composing. I’ll admit if it weren’t for Renoise’s far cheaper price tag and better sample manipulation options I probably would have chose FL over it. Maybe when I have enough money someday I’ll pick it up and use it as my secondary DAW.

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@Pansar wrote:

Hey peeps!
A newborn tracker here. Very early days, but im completely sold on the whole tracker paradigm after using Live and such for the last 20 years or so.

Anyway.

My question is, what do mitch murder do to get his pitch bends so smooth/to avoid the stepping? (see image)

I’m guessing he increase the ticks between lines/raising the resolution?

Not sure what the Cut command is about there… Any light on the matter would be cool!

(I get that he is affecting the notes in the left track, but doing so on another track. So he can affect all the notes at once?)

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@Zyl wrote:

Renoise treats all my samples as being note C-4 when most of them are something else. How can I specify what note it actually is so when I put a note in the pattern editor the displayed note will actually match what is being played?

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@Raul wrote:

SLICE IMPORTER. What is this?
Slice Importer include a double function allows copying or pasting the slice markers of the first sample between instruments.

Remember that it is necessary to always work on the first sample! If you copy more slice markers than those allowed by the target sample, they will only be pasted to the last allowed marker.

Access: “Sample Editor/Slices/~Copy Markers… (or ~Paste Markers)”.

Download
https://www.renoise.com/tools/slice-importer

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@oneunkind wrote:

oh well that’s ok though xD ;D

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@4tey wrote:

I don’t know if this is intentional in any way (or just how the commands interact), but I’ll mention it…

I’ve attached a little simple example xrns. 2 Patterns, simple sine wave sample. First pattern is with the Oxx (fade out) command first in the FX order on the left, with the Txx (tremolo) command on the right. Seems ok. Get a fade out with a tremolo. 2nd pattern I’ve swapped the order of the Oxx/Txx commands. Still get a fade out, but (as far as I can hear) no tremolo is applied. Similar replacing Oxx with Ixx

twinkle_trem.xrns (5.1 KB)

Maybe not a big thing, if that’s how it is then keep the tremolo on the right in the FX columns when using Oxx/Ixx commands.

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@boonier wrote:

When trying to fine tune a loop, I find myself wishing there was a key command to jump to the respective boundaries of the loop as it helps to be able to see the relative levels of the sample at each marker. Is this currently possible?

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@zooterman wrote:

This would save me so much time. Wondering if it is possible?

-Thx.

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