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@Tumulte wrote:

If I had to select one easy improvment for the next version of renoise, this would be it :
A detachable mixer window.

For some reason, the sampler, the plugin, and the midi (??!!) windows are detachable, but what we all expect to have on a second screen is the mixer.

Pliz.

Thanks

(add to this, hi-dpi support, multi-track recording, MPE support, and unlimited vst folders and you got an actually fully featured modern DAW)

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@Ledger wrote:

When trying to print the active_preset_data on a loaded VSTi instrument, renoise will completely hang with no time-out, requiring user to manually crash.

To test, load a VSTi into the instrument list and run the following snippet in testpad:

local device = renoise.song().selected_instrument.plugin_properties.plugin_device print(device.active_preset_data)

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@ags wrote:

Users muted on old forum are visible again.

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@Juno wrote:

Hello fellow Renoisers and Renoise Devs,

I have this issue on my previous and current studio computer.

Whenever I’m moving the mouse over the GUI, over certain elements, I have crackles in the audio. At first I thought they were random, but I noticed a pattern. It’s whenever the mouse moves over from van GUI region or element to another.

For example, when I move the mouse cursor from the scopes, over to the main tracker editor, when I crossover the border separating scopes and editor a crackle occurs. Likewise when I move towards the file browser, FX editor, the dragbar to the right of the main editor.

So it seems to be triggered by moving over a visual boundary.
Or is it still related to the audio driver somehow ?

I have this issue on two separated machines;

Specs old studio computer;

• Intel Core i7-4770
• nVidia Geforce GT 630 Silent video card 2GB VRAM
• 8GB RAM
• Sandisk 240 GB OS-Software SSD
• 2 x WD Black 1TB hard drives
• Windows 7

Specs new studio computer;

• Intel Core i7-8700k
• Intel UHD 630 integrated graphics
• 32GB RAM
• 500GB SSD for OS-software
• 500GB SSD for VST-audio
• 2TB Seagate hard drive (projects, audio)
• Windows 10 Pro

Common on both machines

• Firewire 400 PCIe addon card with texas instruments chipset (legacy driver)
• 2 x Motu 828 MKII FW audio interfaces
• Dual monitor 24" LG setup connected through HDMI

The Motu drivers used : MOTU Audio Installer v1.6.73220 (Release Date 2017-07-01) (latest available) and ASIO is used in Renoise.

The crackles occur always, no matter if buffer is set at 128 samples or 1024. Also happens when CPU load is really low, for example using a simple VST plugin which only uses 4% CPU as displayed withing Renoise.

I’m a bit clueless, this computer is a beast of a machine. Even the integrated graphics is more than adequate for my usage. But even with the previous machine with a discrete graphics card I had the issue.

It only happens in Renoise. When I’m using Reaper for example or Sound Forge I don’t have this issue.

Is it something that is triggered because of the way that Renoise renders graphics ?
Still audio(driver) related ?
Thus I have to buy new audio interfaces ?

I already tried playing with the settings in Renoise regarding the GUI, but no difference (more compatible gfx setting, FPS setting, …)

It would be a big investment to buy new audio interfaces, and I would hate to have the same issue after buying new interfaces. I don’t have any spare external interface lying around (with different connection type than firewire and different brand/drivers) so I can’t rule this out at the moment.

I’m a bit clueless right now. And it’s sometimes really annoying. It sounds like the audio is clipping sometimes, but it’s just related to this movement over elements. But certainly annoying when mixing / mastering, where you move around a lot.

Any ideas or pointers are really appreciated!

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@creme wrote:

Hi everyone,

Can anyone suggest the best way to play a sample but insert silence throughout please? The effect I’m looking for would almost be an arpeggiator, but rather than retriggering the note each time, it inserts arpeggiated silence. Is it simply the volume command?

Eg
Without

0--------------16---------------32
SAAAMMMMPPLLLEEEEE

With
0--------------16---------------32
SAA M M M P LL L E EEE

Does that make any sense?

Cheers!

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I'm having a total brainfart -- I swear there was an alternate method of inputting a Note Off into the tracker from the keyboard, besides the Caps Lock key. 

 

Right? What am I forgetting ??

 

I really hate using capslock since it toggles that on and off every time....

 

Thanks!

-M

I wonder how you layer drums, e.g. by adding a sine wave for the low end on top of an other sample. It would be cool if it would be possible to show two samples at the same time to adjust the phase, etc.. Is this possible with Renoise or how do you do that? 

Anyone plays here? Good for asm comparatives and logic tests.

https://gcc.godbolt.org

Hi,

 

what exactly will happen if I double-left-click the Renoise stop button, esp. regarding VSTs? There will be send a midi reset message (what is this exactly), and what happens additionally? And will this reset always automatically done before a rendering?

 

Background: In UVI Falcon, one commercial preset will be almost destroyed, as soon as I do a reset, or a render. The support was so kind to analyze this issue and they told me, it is because Renoise uses MIDI CC120 while resetting, so lot of the parts of the sounds are muted or something. So I should unlearn midi cc 120.

 

Hello,
Is it possible (is there already a tool) to be abble to open vsti (with the preset) that i used in other track directly from the library (as it is already makable with samples) ?

thnks by advance

Many young electronic music producers of today, especially young EDM producers, tend to make countless remixes of the latest tracks and trends, including other people's tracks. I just deeply suspect that a really major part of that is to make it commercially satisfactory, especially in the clubs.

 

To me, this is totally on the verge of disgusting. As an artistic composer, I really, really detest and despise the whole idea of remixing; it completely spoils the originality, blemishes the creativity, and totally contaminates the artistic integrity of the original track in the first place.

 

I've learned from experience to never let anybody remix my composition pieces ever again, no matter how much they offer, beg, plead, reason, pressure, or even threaten. Many times, many users on Soundcloud have remixed some of my pieces, and unfortunately those remixes seemed to have gotten more popular than the original pieces I composed. It just feels stupid. It is depressing and I wish I'd never let them remix my tracks.

 

If any artist, group, DJ or even record company offered to remix the pieces I composed over the years, I would promptly turn down their offers because I personally DO NOT trust those people who want to make remixes of other people's tracks. I personally hate remixing. It's very distasteful to the artistic music composer, and I'm sorry to say that many young people today do not want to understand the meaning or enjoyment of being an artistic music composer at all. Furthermore, I personally am more influenced by composers like Pierre Schaeffer, Ludwig van Beethoven, Bernard Herrmann and Karlheinz Stockhausen instead of young modern producers like Calvin Harris, David Guetta, Eric Prydz and Nicky Romero.

 

To be honest, these days I feel very, very sorry for the deceased Avicii because he wasn't the kind of boring commercial product I thought he was after all; he was instead a sensitive and fragile artistic soul who loved his fans but shunned the spotlight, and he was NOT made for the music business machine he found himself in. If I only understood his case much earlier before his unexpected death. My gratitude and respect goes to Avicii, a struggling artistic music-painter in the whole cut-throat music industry that finally did him in. It's all the music industry's fault.

 

This goes to prove that all too often many artistic musicians are being weighed down by the commercial of what sells and what's popular, and to me that is highly demoralising and downright demonising against the artistic musician. A true, quintessential artist should have the freedom and liberty to just create music, or any medium of art, that they personally love, and hopefully someone's going to like it.

 

That is all.

MBC #11

GLOBAL WARMING

 

FINAL VOTING

 

 

PRICE

 

- Winner will receive an artistically produced music video made by Komu and his Konnoisseurs

 

 

DEADLINE

 

16th, Midnight +UTC2h

 

 

3:

17:

 

From whats in your (my) mind:

Any Ibanez Players here? Got a old Ibanez Fretless Roadstar II Bass, with "Duo Sound System" don't know how the pickups works, it drives me crazy The Empty Self i have an ibanez gio but its pretty straightforward pick up configuration ..post a picture in a dedicated thread this is cool topic

 

known:

Controlls at the picture: 1 up 2 middle 3 down

 

1 Balance - Center = both pickups are equally balanced (humbucking)                     Clockwise more neck                     Counter-Clockwise more bridge    2 Volume - Push = Single neck pickup

 

3 Tone.    - Push = Single bridge pickup   dont know: How work or is the relationship with 1 Balance or 3 Tone at Single Coil Modus  

new one! 100% renoise dsp

 

lmk whatchu thank

 

Hello all,

This is my first post here. I am a long time user of the DAW Reaper which I have grown tired of using. I have recently purchased some synthesizer modules which I love to use, but it is a pain to sequence with Reaper’s piano roll. Many of my favorite artists have used trackers, particularly Renoise, and as I have looked into it, it has intrigued me. Great price to boot.

I will do my best to explain my workflow and hopefully you experienced Renoise/tracker users can tell me if Renoise would be a good choice for my needs.

- I have synthesizers and drum machines with internal sequencers (which I sequence them with)
- I record them one at a time on separate tracks
- I record vocals and vocal harmonies on separate tracks one at a time
- I want to then sequence my synthesizer modules with my DAW

- arrange the recorded audio. Move audio around, volume automations, fade things in and out, panning, etc
- mix the individual tracks with FX, EQ, compression, etc. Including the ability to EQ and compress my reverb send channels themselves which I find can really un-muddy things
- mastering
- exporting

I would love to hear your opinions.

Thank you

just wondering if there are any speedcore producers here, and if any of you would want to do a collaboration or something

hello,
I know I ask the impossible but : i would like to know if there's a way to use ipad garageband keyboard as a midi controller to play scaled with vsts.

i know i can scale directly in renoise but it doesn't make the wrong key disappearing from my novation midi keyboard ^^ so unless i know the scale it's useless in live...

thanks by advance
 

Hi all! I just bought a Launchpad pro in order to sequence my beats externally. I saw some videos showing how to sequence beats using the launchpad but not the pro. I have been trying with no luck to use the pro as an external sequencer.

 

So my question is: what are some hardware sequencers available where I can easily map tracks and patterns in renoise?

 

My current setup is all hardware synths and drum machines but it would be awesome if I could sequence drums and samples through renoise and incorporate them into a track live. 

 

Happy new year and thanks in advance!

 

i've got an effect chain going on on the track, but i'd like to add some native effect to take it from stereo to mono. how do i crunch it down using Renoise Native fx only, please?

Hi, hope someone can shed some light on this:

I often use my Launchpad (mk1) with Duplex, and mostly the mode "Matrix, Transport, Navigator".
Works fine, except when I have a lot of tracks it's hard to know whats what - all tracks and matrix blocks from Renoise are colored yellow on the LP, and red when muted.

I know it does not matter what colors i've set in Renoise tracks and blocks, so is there any way I can change the pad colours on the LP, and store the settings in the XRNS somehow so that it will load the same setup every time?