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@Trevor wrote:

The timeline keeps moving around after I have loaded a full length track.

What could be the problem?

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@natraj wrote:

Hi!

I am a bit confused. Based on what I am used to I would expect that left-clicking (button down, button up) into a cell will move the edit cursor into that cell, and drawing a selection would work like button down, move to different cell, then button up.

The latter works as expected. But a single click will only select a single cell without moving the edit cursor there.

I found a preferences option that says “Single click to set cursor in edit mode”. That makes the edit cursor move into the column that I have clicked, but not in the right line.

Is there an option to simply single-click a cell and move the edit cursor to it?

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@stoiximan wrote:

Do not listen on monophonic device cause i suck at mixing:sweat_smile:

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@OopsIFly wrote:

Hi I see people started posting Doofer presets here - nice thing. I want to share one I made a while ago.

When the normal distortion isn’t gritty enough for you, this one can have much more character…

It is kind of complex distortion effect, that can sound similar to the classic “Fuzz” type distortion, with asymetric distortion. It can give interesting results on almost any kind of sound…even a simple sine wave lick can become a living being using this little beast…

Dials are:

Drive - main (asym) distortion intensity
Sat - additional (symmetrical) saturation
FLT - a lowpass filter that will reduce the highs and bring in some character when dialed in
Edge - low value = smoother sound, high value = gritty sound
DC - when at 50%, the distortion is symmetrical - dial lower or higher to introduce a DC shift up/down
Uber - when at 50%, sound is neutral - dial lower to put disto focus on bass, dial above 50% to put focus on highs

Though it does use a DC shift, it will also highpass the sound to remove it afterwards. Some peaks might get a bit stronger by the shift, so use Sat or take special care…

Have fun with this little beast!

FuzzleBuerste.xrdp (24.7 KB)

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@EETTEE wrote:

A really popular effect where as a lowpass filter is applied to the sound a bitcrusher with a changing rate is dialed in. When Cutoff is at 100 nothing is being done to a sound except for what an 8n Chebyshev lowpass filter does at 20 khz (pretty much nothing). So unlike the highpass variation of this plugin I posted earlier, it’s safe to let this one chill out on a bass.

Just automate the cutoff from 100 to 0 in a short ramp and you’ve got a really cool effect to see a sound off. This is a hot one bois

Bitcrush-LP Filter.xrdp (7.1 KB)

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@Garrett_Wang wrote:

I heard heard the casio XW-PD1 aka ‘millenium falcon’ was seen on German online shops for under 50 euros?!

I would like to get hold of one at that price but dont speak german, cant locate.
If any one knows where they are please put a link. thanks for your time

these look pretty fun and battery powered for the portable backpacker finger drumming.
at that price I would definitley buy…it actually looks pretty fun has synths and sampling.
…all the other battery powered and finger drummable things are so overpriced and quite shitty to be honest, stuff like boss dr880…mpc500…damn they are expensive for what they do.

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@LofiMat wrote:

I might found a bug in the renoise delay - device (simple one) - it is set to ping/pong LR - Trying to center both L/R seems a struglle, it somehow doesnt work properly (easy) to zero/center the Pan. A doubleclick shift to the right - a right click opens automation.

imo - it should zero/center with double - clicking, which it does not - its mad fiddly to set it to 0.

Dank

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@Garrett_Wang wrote:

Put your lyrical improvizations, poetic sentences, general mumbo-jumbo, bugged out nonsensical rants, haikus etc. in here…

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@helltrack wrote:

(topic withdrawn by author, will be automatically deleted in 24 hours unless flagged)

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@Rex_Sathum wrote:

FYI He’s done it again, 10 years later - all done as part of the RPM challenge in February!

I love what I’ve heard so far, and the making of videos are very inspirational:

https://www.youtube.com/user/Hunzmusic/videos

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@helltrack wrote:

Is it possible when setting up a looped pattern and recording midi to with a keyboard, to only keep last take and not having notes overdub from the last round about of the playhead?

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@helltrack wrote:

How about a simple stepped binaryish Zoom Out only feature, that in essence just hides every second row in the pattern editor (and so on) in the sequencer? Of course notes that fall on the subdivisions of the offbeat would be hidden if you zoom out, but maybe this is also quiet handy because it would allow you to see and work on the backbone of your beat with every zoom level simplying the view of your rhythmic structure.

Also wouldn’t require a complete redesign of the Renoise gui renderer (I would imagine)

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@keiss wrote:

Hi there!

Recently I released my album lamps and bedroom and this track is taken from the album.

I made the track using Renoise. And it was possible to do this using the “ZDXX” command, but the phrases continue to play at the same time.

Here is my attempt to do the visualization myself.
So I would appreciate feedback.

If you are interested in the album you will find it here: https://touched.bandcamp.com/album/lamps-and-bedroom

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@robotrobot wrote:

https://archive.org/details/GT1134

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@Kooshan wrote:

So I don`t see midi learn in instrument automation , it makes it hard to choose the right knob when there are lots of them . or am I missing something here ?

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@Garrett_Wang wrote:

Ive seen people in the past use joy2midi in order to hook up a joystick and control some effect like delay or filter cutoff. People love it. Its doable with any cheap joystick I guess.

As renoise is not so much geared towards live useage I was wondering can anyone recommend some kind of gimmick that I can use to give people something visual to understand?

I was thinking maybe a flight-yoke, as you may use when controlling a flight simulator or perhaps something else?

I saw someone using some balls which had flashing lights inside with i-pad, but it wasnt so great I thought.

Something flashy, with the power to move people, like the lazer harp, but cheap as possible and portable…is it possible to control effects with theremins?..maybe some kind of power-glove like on NES?

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@EETTEE wrote:

Only the first knob is intended to be automated and it controls the cutoff of the filter as well as the resonance and the rate and dry/wet of the lofimat and dry/wet and amount of distortion. It’s meant to be like a one knob effect thing. The other knobs turn various things on and off and control a built-in compressor. The distortion can be turned on and off and is set to Shift by default. It sounds best there.

When the Cutoff knob is at 0.0 nothing is being done to the sound except what a Chebyshev 8n with zero resonance does. So don’t use this on bass sounds unless you want to mess up the phase. I decided not to include “filter on/off” in the cutoff knob (which would solve this issue) because the click would make automation clunky. This works best for leads and such anyways.

Bitcrush-HP Filter.xrdp (9.2 KB)

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@Dry_Eyes wrote:

Check out my latest track! It’s got a tribal cyberpunk kind of vibe to it, like walking through a dark metropolis at night…

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@helltrack wrote:

Hello, is it possible to route Midi from one Renoise Channel to another?

I have a track that has a VST that has an integrated ARP that ouputs Midi and would like to channel the arped Midi Note Stream to another Renoise Channel that has a regular sample instrument.

I’m on macOS if that helps

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@Kooshan wrote:

Hi

actually Im not looking for wave samples which I got so many . Im exactly looking for renoise 3 instruments like the ones you get when you install the demo version (with all those beautiful phrases) . they are actually few of them installed with renoise installation and I unfortunately I didn`t find any anywhere else . so here I have 2 questions : 1- if I buy renoise will I get more ? 2- any other place to find ?

Thanks.

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