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@getit wrote:

Hello there!
I was thinking about merge some xrns files to share its structure and patterns. Is there any tool to do this?
My project working method is below:
I begin with a loop small idea, any chopped sample.
I record performing any live idea with stringed instrument (guitar, lute, bouzouki etc)
After that I tend to rec midi with noodle trap (disabling any previous instrument). Say 7 or 8 phrases for each instrument: bass, strings, lead, drums
When I have free time I start building my material through matrix.
I start from loop pattern, after that solo stringed instrument patterns. In my method I have a matrix of 4x4 array to play around:
(90) stop ZT00
(91) C4-03 z01, C4-04 z01, C4-05 z01, C4-06 z01
(92) C4-03 z02, C4-04 z02, C4-05 z02, C4-06 z02
(93) C4-03 z03, C4-04 z03, C4-05 z03, C4-06 z03
(94) C4-03 z04, C4-04 z04, C4-05 z04, C4-06 z04
in this example 03, 04, 05, 06 are bass, strings, lead, drums
I enable some patterns I like and reuse them as aliases (91,92,93,94 are my pattern numbers, autoseq is off).
If I use for example bass 91 pattern and phrase 08 is better, I remap z01 to z08 in any alias z01 (there is such a tool)

I want to reuse some phrases but with other multisample instruments. The only solution is to export phrase and realign new samples.
How to reuse my 4x4 matrix in other projects? (I managed this with copy-paste in AE)

Ideally I would start with a template like in my image, and replace instruments or (and) phrases! if it was possible

I could change my instruments with double click in previous projects, keeping my style unique!

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@Thundard wrote:

Now it’s easy

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@ffx wrote:

I really have problems to understand what the cause is for this: Lately one of my audio interfaces failed, so I had to switch to an interface only supporting non-symmetrical connections to the speakers (2 wires instead 3). Now at this place here, I again can hear now the cpu and harddrive accesses in the speakers as kind of digital “noise”. And the more cpu load, the louder it gets . Though on the other place I do music, using the same audio interface and computer, I do not get those noises. The only difference is the speakers and the place/electrical wires. I also tried to switch the power sockets, it seems to be a bit quieter then, but no real change.

So is it caused by poor shielding in the speakers? The current speakers are Presonus Eris E8. I think Presonus hardware usually is pretty nicely shielded, but I don’t know. I also checked the grounding of the power sockets with a multimeter, seems to be alright.

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@ffx wrote:

Here is a list of feature improvements for 3.2, which may be relatively easy and quick to implement. Feel free to add your own ideas and comments to others’ posts in here, but please only try to add easy stuff (no pianoroll, no changes requiring API changes etc.), stay on topic and only one post per person. Thanks. This also is not meant to be very important, but nice to have. So since Taktik’s time is limited, it probably won’t be added.

1. VU meters The peak bar currently falls down always. Instead it could behave just like Melda plugins, so the bar stays on peak and resets each 3 seconds or so. Then you could read the actual peak value much more easy. Additionally the exact peak value in dB will be shown in the tooltip on mouse-over

2. PDC report It currently lacks a bit of useful info, e.g. even a empty track will be listed with the maximum latency, so the report actually does not show the actual latency of the track, but instead the internal latency calculation or so. It also could be somehow sorted and displayed in a table

3. Sequence section If you add a section to the sequence, it will be usually displayed on the right, with enough horizontal space. But if you also expand the comments in the sequence, the section title moves to the column of the comments, which is very limited in space. Instead the section title could stay in the right area.

4. Copy/paste automation Each slider automation indicator could provide “copy automation in song/copy automation in pattern” and “paste automation” in its context menu, so cross copying of automation was nicely easy and integrated into Renoise. Currently it is only possible with a lot of clicks and actions or using a tool.

5. Moving fx automation If a plugin/fx was moved to another track, it should keep all automation. You still then can delete the automation.

6. Selection in sequence In the adv. tools it would be helpful to have a selection in sequence option.

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@slujr wrote:

Hey all,

here’s another jam, a bit higher bpm than usual. 100% renoise dsp and sound design. hope you enjoy!

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@BG42 wrote:

Hello,

sorry for bringing up an old problem but the solutions on this forum so far seem to not help me.

I have a keyboard and an APC mini, on neither of which I can set output MIDI channels.

But I’d like to control the interface with APC and record notes with the keyboard.

So I’d like renoise to differentiate the signals, yet they’re both Channel 1s…

Midi Management Console doesn’t seem to manage. What to do?

Thanks very much ahead.

BG

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@EatMe wrote:

free download on eatme.pro/music

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@delt wrote:

Hello, i haven’t posted here for a while. I find the navigation of instruments, samples, and modules really annoying in renoise, for several reasons:

• Symlinks are ignored: this is MAJORLY annoying. Granted, it’s not often you have many symlinks directly to module or inst/sample files, but there’s no way (other than manually editing the config files) for ex. to use a symlink “renoise” that points to “rns_whatever_version” and therefore i have to update all my “favorites” paths each time i install a new version. I usually just use sed command / regexp on my config files, but it’s still very annoying and makes renoise feel like a “cheap ho”.

• Can’t type a path directly, even without tab completion. ie let’s say i know i want to go to /usr/track or /usr/track/samples, it’s much quicker to just type that (about 1 to 1.5 second) than futz around with the mouse trying to incrementally find each successive entry in the list (10 to 20 seconds) - especially when these lists contains hundreds or thousands of items, that are sorted in some weird manner (.xrns first, alphabetical, then .it alphabetical and so on)

• Can’t see current path for modules, instruments, samples: pretty much the same as the previous point. I just see i’m in directory “renoise” - but i have at least 4 or 5 directories named “renoise” on my filesystem in which what i’m looking for (or where i want to save) might be located.

• This is a relatively minor one, but selection buffer / middle-click to paste doesn’t work to/from any text-entry in renoise, including filename or dir/path boxes. To copy/paste, i need to use the mac/windows “1. select, 2. copy, 3. click dest, 4. paste” method which overwrites whatever i have in my copy/paste clipboard, and is also slower.

So, my suggestion (actually i’d consider this a bug report) is to make the file management/navigation so that i don’t need to have a term window or sometimes 2 open, and always compensate for every aspect of renoise’s interaction with my filesystem being limited to the microsoft-imposed, childish and inefficient way of thinking of (and using) computers.

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@lou_ferrigno wrote:

https://synkretic.bandcamp.com/album/bootleg-vol-2 Compilation of tracks I’ve made/remixed in Renoise 3.1 the past few months, check it out if interested

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@bzakirasantjago wrote:

hi,

my new videomusic mashup :

Monster MashUp - Bz Akira Santjago from bz akira santjago on Vimeo . la voce, per alcuni parlati, questa volta me lha prestata il m...

Bz

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@Dry_Eyes wrote:

Check out my newest…the music is as neat as the name!

Also, all recent releases by me are available on the various popular streaming services as well as online stores, so you can listen to the music on many platforms.

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@Neuro_No_Neuro wrote:

I found this web/HTML music sequencer online a few days ago, and thought it would just be a dumb little squidgy Nintendo/Atari sound maker.

I was wrong. Way wrong.

It’s got NES/Square/Harmonics/Spectrum/FM synthesis. And it’s editable. And it runs with little to no pull on your computer on the Internet. I begged the guy to build us some synths for Renoise, but I want to say, if there is anybody out there that can see and hear this amazing little box, would you please make this for us?

Yeah, I’m probably asking for a lot. Whatever, it’s damn cool! Sure I can sample from it, but I’d rather have a tone generator that makes these sounds IN Renoise so I can just make 'em and run with it. It’s amazing.

Here at BeepBox.co:

I made this in 5 minutes. It’s out of this world, and it’s saved all the patterns and sounds in the code, just click it and listen!

https://www.beepbox.co/#7n31s0k0l00e03t2mm2a7g0fj7i0r1o3210T3v0u03q1d6f9y1z8C0SU005040woo22190T5v0u05q3d5fay3z8C0c0h0HU70U0000000000T1v0u01q1d1f6y2z2C0c0A0F0B0V1Q0000Pff00E0111T4v0uf0q1z6666ji8k8k3jSBKSJJAArriiiiii07JCABrzrrrrrrr00YrkqHrsrrrrjr005zrAqzrjzrrqr1jRjrqGGrrzsrsA099ijrABJJJIAzrrtirqrqjqixzsrAjrqjiqaqqysttAJqjikikrizrHtBJJAzArzrIsRCITKSS099ijrAJS____Qg99habbCAYrDzh00b4h4h4h4h4h4h4h4h4h4h4h4h4h4h4h4h4h4h4h4h4h4p21BFEYcOSqf3AOVhcOTd7SMmpo2CzS0zwieYzwie38U4zL8U4z0mqfan1BpbQQvN7jgnNqhQQh5u0IQpMqqc3A96S0A9ahLIHJA82h00

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@Redman wrote:

Quick little saturday jam session

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@Raul wrote:

Since I have been in the process of acquiring headphones for my home studio, I need to know all the ins and outs about headphone amplifiers with high ohms.

For example, I am interested in 80 ohm headphones. What happens to the 80, 250 or 600 ohm models and the relatively cheap headphone amplifiers (<€ 100)?

In fact, the headphones that I like have a power of 100mW (Custom Studio), when my sound card (Sound Blaster ZxR) only reaches 80mW at the headphone output. I deduce that I will have power problems at a high volume, around 70-80%, although Creative states that they should support headphones with many ohms.

Do these amplifiers do what they promise? Amplify the sound with enough power to perfectly support 80, 250 or 600 ohm headphones while maintaining a high volume level without distortion?

I have seen compact 4-channel models. It really seems that there are not many options, and manufacturers seem to hide the technical specifications of these devices.

Another issue is how the amplifier can influence the audio quality of the original source. I like how my Sound Blaster ZxR counts, and I don’t want an amplifier to transform the sound in any way. That it was exactly the same as the original, but more powerful, obviously, to support the most demanding headphones.

Although he now chose to acquire 80 ohm headphones, perhaps later he acquires one of 250 ohm. It is always better to look to the future.

Can we discuss these things in this thread? Do you have experience on studio headphone amplifiers for PC?

Here is an example: Auna HA-4CH
https://www.auna-multimedia.co.uk/ HA-4CH Headphone Amplifier

The compact auna HA-4CH headphone amplifier provides up to four connected headphones with sufficient power and also offers independently adjustable volume controls. The compact metal construction is suitable for practically all popular headphone...

Price: GBP 38.99

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@Roppenzo wrote:

Hi there, by default all my vst /vsti opens at my second monitor.
How can I disable this?

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@KnownUn wrote:

Enjoy

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@Neuro_No_Neuro wrote:

There kinda/sorta is an FM modulation in Renoise, under the distortion setting called “Fold”, but it’s not subtle, and not really FM. Sounds fun, though!

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@Redman wrote:

Not had much time for music lately but wanted to put something out anyway for the fun of it. This one needs more mixing, and an end section to finish it off. Any suggestions for improvement welcomed.

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@darnellisatwork wrote:

Rushware, an album by DJ DanceAlone on Spotify

My alias DJ DanceAlone. I am an unconventional audio artist. I use Renoise as a means of forcing myself to think outside the box. My style is based heavily around the micro-sampling possibilities that are inherent to Renoise’s workflow (Sxx command). I made this album entirely in Renoise.

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@haelen wrote:

I’m trying to create a voice sample using either the internal mic or a a USB mic

Whichever I choose, no audio signal shows on the sample recorder’s VU.

No source is indicated either (although the manual says that may happen).

I’m using a Mac.

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