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@Denim wrote:

Hi, if anyone here is a drummer or knows a drummer in the Hamburg area, please let me know. My band is flying to Hamburg for a gig this forthcoming friday/saturday and we need to rent some drum equipment (for € of course). No luck with rental shops yet, and taking equipment on the airplane is a no-go, as it looks now (crazy expensive).

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@phobium wrote:

Hello!

Here is my latest album/track/EP. Not sure what to call it since it’s just a single track, but it is a 30 minute long track. Everything done in Renoise, with great help from Ted’s mastering template.

Free download:

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@gentleclockdivider wrote:

Pretty great sounding .
It only works standalone and it needs a midi loopback device when sequenced from the included sequencer .
The soundengine is stand alone and can be sequencedfrom your hardware seq ( if you have any )
Lot’s of parameters to tweak and it sounds pretty great too

vector808 ページ！ About Us

We the Analog Mafia, lead by Tadao Kikumoto, is the original R&D staffs who developed the Mid-O Series from Roland Corporation. We would like to express full gratitude and respect to all the people who were in Roland, and supported us at that...

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@Neuro_No_Neuro wrote:

The microtonal tunings really bumped up a lot of what I can do melodically, but now I’d like to know if I could incorporate that into a sampler that has a few samples used in a round-robin fashion?

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@Neuro_No_Neuro wrote:

I’m on OS X, don’t know where this “Deprecated” folder is located, because in my searches throughout my hard drive (even in the hidden folders), I cannot seem to find this. Does anybody have a clearer path to these files?

I have the tool, it’s neat, got all kinds of effects, but some of them on the list in the forum do not appear in this list.

I was researching the allpass filter and see that it technically can do some neat stuff. Not much info on it here in this forum.

Thank you for your help!

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@Kubbi wrote:

So I’m about to collect a ton of Renoise project files to prepare an album. However, some of these tracks were made a few years back meaning there were different plugins used, different versions of the plugins and, worst of all, a big portion was made before I made the switch to Mac.

So now I’m trying to load tracks where I can’t get my Serum presets to load. Not due to version incompatibility, but because the song is trying to load “Serum_x64” and not just “Serum” which it for some reason is called on my Mac… seemingly. It’s been the same issue with other VSTIs and effects as well. Cause I can’t really extract the vsti settings in any way and the name of the preset doesn’t tell me which changes I’ve made.

So the fix I want to try now is finding a way to either edit the “name” of the VSTs on my MAC just to be able to collect the presets or to edit the names on the Renoise project files so it loads the right version of the plug. Anyone know how to do this or if there are better fixes?

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@malevito wrote:

I am a newey, I like to install the beta option of Reaper in ubuntu 19, in te Cockos page (https://www.reaper.fm/download.php ) I can download a “build” ( I don’t know what is it) that include a script to install, but I cannot do it;
Someone can help me in a step by step way to install it?
I 'll be most agreee

Than You in advance

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@Neuro_No_Neuro wrote:

Wanting to get more out of Renoise as an ambient music / generative sequencing system, I used the Scala tuning importer to increase the amount of tunings available. Once a pattern had developed that I was pleased with, I exported that, and placed it in Reaper to stretch / flesh it out. Video created via an unsequenced oscilloscope pattern generator found on itch.io

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@ffx wrote:

See this post: The connection between 'chiptune' and fascism?

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@Noise1 wrote:

I am was worried about some information “sexdrugs” of Scientologists?! They use drugs to have sex with teens ??

Quote by HumTec Scientology:

Quote: “Sex with sleeping teens - use some recommend drugs”

Hello my friend, Thank you for being on *Sexdrug Board … *

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Best regards and wish you „really“ good luck (-:

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“quote end”

They really use drugs to have sex with teens ??

Can that really true?

Does anyone know these legal sex drugs?! … …

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@brinemeister wrote:

Im trying to get the same exact tuning to A4-440Hz with the monowave and sq80 single cycle samples, which I can get in renoise, inside milkytracker.

It doesnt seem to be possible. Renoise tuning gives me an exact 440Hz for all the waveforms but milkytracker tuning will not. Maybe the finetune in milkytracker is less precise or something?

I wonder why milkytracker tuning defaults to relative note F6, finetune -28?

Does anyone know why this is the default? seems a strange choice.

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@midierror wrote:

Can anyone point me in the direction of any beginners guides to OSC? How do I use it to connect two programs…? Never used it, would appreciate any help!

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@joule wrote:

I stumbled upon something that seems like weird behavior… (example attached)

1. The phrase glitches, mostly in pattern 1 at line 104
2. As seen in pattern 2, this can be fixed with GFF effects. Tedious but… ok…
3. Change the tempo from 140bpm to 139bpm and pattern 1 suddenly works.

Is it a possible rounding error with the shuffle algorithm? Maybe the glitch is partly due to the main pattern note not being aligned with the phrase shuffle grid (I don’t think so… ). And it’s still weird that 139bpm works better than 140bpm.

phrase_weird.xrns (5.8 KB)

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@KnownUn wrote:

enjoy!

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@Tumulte wrote:

This topic is made to be refered to every time someone goes like : “why don’t renoise do that ? Pianoroll ! Multimike’d (guilty on that one…)………”

Check that amazing deep analysis of Reason’s design :

TL;DR…(more like too long;didn’t watch) :
Reason was amazing because everything behaved in a predictable and consistent way. BUT, this also introduced limitat

ions. So the problem was : how to break limitations without making a complete unlearnable mess ?

Same goes with renoise… but with significantly less ressources.

And we should take a moment to appreciate the smart move that was Redux : encapsulating the consistency and allow user to use it anywhere

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@stoiximan wrote:

How about it?

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@brinemeister wrote:

A lot of people like chiptune because of the emphasis on melody rather than sound design, the portable devices which can be used to write it and the feelings of nostalgia which may come about when hearing a sound from and entertainment system used in childhood.

However, in recent years there has been an increasing presence of fascist, neo-nazi and white supremacist subject matter being purposefully associated with chiptune, nintendo and gaming in general.

Its obvious that this purposeful conflation of chiptune and gaming with far right ideology comes from 4chan and 8chan (and 3chan and whatever other ‘chan’ that pops up as soon as another is closed).

Its a sick way to introduce young people to far-right ideology by associating it with fun games and music.

Humour and comedy are being used to desensitize peoples minds to the suffering of others.
Over and over again, I find myself exposed to little fascist brainwashing flashcards online, namely memes from all the ‘chans’. These memes often use some cute characters from video games and anime cartoons to entice young people. The more they search for this type of ‘comedy’, the more extreme the hatred in the memes and other forms of brainwashing becomes.

Its interesting to note that recent mass shooters have posted their fascist manifestos on 8chan, a website run by supposedly retired US army personel.

I love trackng and even music made with basic waveforms or old technology but I am getting extremely tired of encountering fascist ‘psychological operations’ (psyops) associated with these kinds of music.

Has anyone noticed this as well?
I really dont want tracking to be taken over by these ‘hatefully laughing retards’ and subsequently be seen as far-right or fascist music.
The same thing happened in metal music.
I love heavy guitar riffs and fast double bass drumming but it pisses me off that more and more metal fans are finding it ‘funny and cool’ to say fascist things or laugh at people suffering.

Some memes and stuff may seem funny at first but watch what happens later on.
First its a ‘funny frog’ then its a white-supremecist or nazi symbol. Further down the line some dickhead from an online forum is shooting up south americans for no reason.

Just be aware of it. Little rich kids, just because they understand computers thinking they are the ‘elite’ and the most intelligent people on the planet spreading hateful shit, laughing along all the way…‘how succsessful we are’, ‘see how intelligent we are’, ‘isnt it funny that we have so much money and they dont’, ‘isnt it funny when other people die’…

Its fucking irritating…suddenly trackers and electronic music are inundated with these weird brainwashed retards, laughing and talking shit trying to gain popularity.

As far as I know 8chan, 4chan, 3chan and so on are references to 8channel music, 4channel music, 3channel music etc…so just be careful if your kids are getting into tracking as a hobby, let them know that some fascist pricks online will try to push their young minds towards idiocy and hatred through their music hobby.

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@idem345 wrote:

So basically my question is in the title. I have sliced up a breakbeat and I want to play some hits in a different pitch (lower or higher) without changing the base pitch of the instrument/sample overall. Is there a convenient way to do that?

There is the 0Uxx/0Dxx command but it’s not exactly what I want because there is short pitch slide at the very beginning and it’s very annoying. Second possibility would be automating the pitch modulation of the instrument via macros but it takes ages to set up and create automations which is pretty counter-intuitive.

Honestly, why is there no command simliar to 0Uxx/0Dxx without the annoying pitch slide? It would make things so much easier. Or am I missing something?

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@Neuro_No_Neuro wrote:

For some, there’s a love of OPL3 FM synthesis (hopefully not just me). So, I’ve been fiddling around with the Milkywave waveform generator. It produces really pretty FM sounds, very OPL3. Yet, there was something missing for me. A sense of moment, however subtle it is, that the samples just couldn’t seem to produce. Never stopped me from using them, they’re still really neat for all kinds of stuff.

Today, I read about a Drawbar organ patch. Drawing from the idea, but not with pitch, I decided to use the Milkywave synth to generate “noise” samples as musical notes. They’re not noise, they’re pleasant tones. Using the “Loggy” noise generator, I produced 6 samples, each one with extra cycles within the 168 sample limit. Still musical, just additional harmonics.

I took those samples, each one has it’s own LFO, each LFO goes twice as fast as the sample before it. All slow LFO cycles, just for volume modulation. With all six samples each having their own LFO, and each sample having more harmonics than the next, you get a pad that has movement, “shimmer”, and the capability to turn each one up or down in volume to create all types of OPL3 pad sounds. Combined with a filter and a Lofimat for additional texture, you have a nice FM pad sound. Not true FM, but as close as I could get to a sound from my memories of 1995 using Cakewalk on my computer.

I took the same patch and took away the attack, for a playable piano-esque sound. Hope you can use 'em!

Micro-FM Evolving Pad.xrni (5.7 KB)
Micro-FM Evolving.xrni (5.7 KB)

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@gentleclockdivider wrote:

Altough you can input 255 lines as the maximum for line sync this is not true
At lpb 8 and 110 bpm , delay set to 128 , it will atually repeat at line 72.

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