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… Browse all Tools | Renoise defaults to Renoise version 3.2. Shouldn’t be 3.3?
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I think as soon as Ableton drops their Push 3 and it has full MPE support this will become industry standard. I’ve seen other old threads on it and get that it’s kind of weird to think how it would work with a tracker interface. Perhaps the MPE parameters could just be recorded as pattern automation and then modified visually, kept off the tracker.

This is more of a Renoise 3.6 future standard kind of feature request. It’ll be everywhere like VST3 soon.

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watch on YouTube

I hope more hip hop and trap producers try renoise. It’s great that a license is broke teenager priced. I’m trying to promote renoise so it gets more users & more money for development

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https://processhacker.sourceforge.io/

When using Renoise or any DAW in Windows it’s best to have your programs “priority” in Windows set to the highest level.

With Process Hacker you can save your priority and IO priority for certain applications so they are always highest priority whenever they open.

Renoise will perform better with its priority and IO priority set to highest and with Process Hacker you don’t have to change the settings in task manager every time you open it. Same goes for the windows sandboxed plugins and plugin scanners are hosted in.

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I’m trying to rescan with plugin sandboxing on to see if they works. Some of my vst2s (from ample) take a long time to scan and can make scans hang up.

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I bought Renoise after realizing how AMAZING the tracker workflow is for trap and hip hop music. My previous DAW for beatmaking was Bitwig, so I’ve started to notice a trend that niche DAWs targeted at electronic musicians are typically the best for trap and hip hop, but get missed by the hip hop community due to preconceptions & marketing (I don’t necessarily mean bad marketing by BW or RN, but intense marketing by specialized hip hop tools like MPC/Maschine).

It’s best to track trap drums set at 24 lines per beat, or the next highest or lowest number that is divisible by both 3 and 4, allowing easy switching between normal hi hats and triplets, triplet rolls, etc. You can stagger your rolls as well thanks to the Delay function, producing speeding up and slowing trap drum rolls I’ve achieved before with Bitwig 4’s Operator functions.

But the problem is it’s very unwieldy to track at 24 LPB. That’s where Piano Roll Editor comes in

New tool (3.3.2): Piano Roll Editor v8.5 build 326 (September 2021) Renoise Tools WHAT IS THE “PIANO ROLL EDITOR”? The “Piano Roll Editor” or also called “PRE” as an abbreviation is a tool for the representation and advanced notes editor for the DAW Renoise (current version 3.3.2 of 64 bit, and future). Basically it is a piano roll arranged vertically, with a top bar of controls, a grid that represents the roll and surrounded by two virtual pianos, a small upper one and a larger lower one. In addition, the PRE is much more than a piano roll. Not only is it a great note edit…

By adjusting the shading in PRE side by side with or instead of the pattern editor, you can easily adjust the shading to highlight where your triplets and quarter notes should fall at different speeds in different places throughout the song without having to change your LPB in the pattern editor or getting confused.

I haven’t tried the PRE with phrase editor yet - I assume it works the same - but the phrases are also amaaaaaaazing for trap producers. Using that you can keep your pattern editor LPB at 4 and setup just different phrases’ LPB to accommodate different speeds and divisions for trap rolls.

Renoise is THE daw for trap imo.

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New Alpha,

Needs a bit of care to make sure it works correctly but I’m using this a lot so posting up if useful to others:

ledger.scripts.KickACopy_V0.5.xrnx

Kick A Copy

• Have a drum track
• Render a note from that track, making sure the popup matches the note you are rendering.
• Click the ‘After Render’ Button (make sure original track is still selected in renoise)

A new cloned track is created with your render. You can A/B it with the original with the toggle switch. You can also disable the original track and all its DSPs with the button further down. You need to make sure the original track is selected in renoise before you hit the Disable/Enable button

Once track names are changed the tool won’t recognise an original vd render pair.

Related Tool:

True Track Bypass uses the same method to bypass tracks, so you can get an overview of tracks bypassed by this tool

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This is a project I’m working on. Stream Deck lets u send custom keyboard shortcuts or keystrokes from custom buttons. Makes it very powerful with Renoise.

The background pictures are my family pets.

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Hi guys!

I’m developing a tool for Arturia KeyLab Essential mkI. There is a tool already in place for MkII, but is not entirely compatible with mkI.

I’m a bit disappointed with this keyboard as the keybed doesn’t feel so good for its price, and also since it seems to handle MCU protocol for transport related stuff, is not working out of the box with Renoise.

My specific question is if there are other owners for KeyLab Essential, and if that’s so, which features you will consider useful.

Currently developing under GNU/Linux with the 49 keys version, and having great results so far. The dial knob is great for changing line position, and I’m using one of the right side buttons for switching its behavior from changing line position to instrument selection.

Right now I’m only focused on making it work properly, then perhaps I will add some UI stuff to it. If any of you is interested on this project, I can upload it to Github.

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Hi there! I’m revisiting Renoise again after spending a couple weeks diving back into LSDJ. I’m aware they’re extremely different but I’m curious if anyone has had any success using a game controller to interact with the program?

I did some preliminary searches of the forum and wasn’t able to really find much, and I see some people trying to use the controllers as midi/performance devices, which isn’t exactly what I’m going for.

If not, that’s cool. Just wishful thinking!

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Amazon’s got surface dials 33% off right now and I’m thinking about picking one up to use with elephant to control parameters in renoise. Hopefully I’ll be able to just mouse over parameters and turn them with the dial since Renoise doesn’t support controlling sliders with the scroll wheel.

Does anyone here use a surface dial with Renoise to move sliders? Does everything work as expected?

Amazon’s surface dial sale

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Surface Dial was designed to transform the way you create. It optimizes your workflow by bringing the most used tools directly onto your digital workspace. Store, customize, access, navigate, and reimagine physical tools...

Elephant

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Your Surface Dial as a awesome DAW controller, Elephant control any knob, slider in your DAW in instant way also send MIDI and keystrokes.

Est. reading time: 3 minutes

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It’d be nice to be able to set a plugin’s scale lock to map scales to C Major (ie all the white keys), especially when using a computer keyboard for input. No need to remember which computer key is what, just the z and q rows play in scale notes. This is a simpler input method than a regular scale lock especially with a computer keyboard.

This can be achieved with vst plugins but it’s a great feature in a number of DAWs, allowing instant transposition of entire songs.

You can see this map-to-white-keys way of doing scale lock in Zenbeats, Scaler, Serato Studio, Caustic, etc.

I prefer to work this way because it takes about 30 seconds to transpose entire songs, even from major to minor and back.

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This may a really noob question, but when i “build” a rack in Kontakt6 or Reason, there is no way to play each instrument in the rack? Both Full Versions… In the old times i used Midi, but now? What do i not see?

• or just simply duplicate/create a new instance?

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Bitwig Studio has a great function called remote controls.

You see a big list of all a vst plugin’s parameters and you can assign them one by one to 8 knobs and then create infinite pages of 8 knobs each. The first knob on your midi controller will always turn the first control and the second the second etc as you scroll pages. You select the 8 knobs to use for remote controls in the midi device settings.

It’s like Komplete Kontrol or Nektarine built into Bitwig and mappings are saved by plugin or by preset.

Basically you need 8 visible parameters assigned to 8 knobs and the ability to change which 8 parameters those are with the knobs controlling parameters by slot instead of one knob one control.

Hope this wasn’t confusing!

Anything to get more direct vst parameter control would be great.

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I’m mapping hexidecimal keyboard shortcuts to buttons on a controller and it’s gonna be a mess mapping buttons to all 250 odd possible values just to type in velocity efficiently.

Is there any keyboard shortcut or tool I could use that could just increase or decrease the value in the vol/delay/pan columns by 1 instead of typing a set number?

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Is it possible to use the computer keyboard to select and move the sliders in the Instrument Automation Effect?

I’d prefer scroll wheel control as an option but if I could change a plugin’s parameters keyboard only that’d be nice.

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I’m using Renoise 3.3.2. I had two instances of basic65 running which produced sound, but I tried to open a third and I got an error message that said “Failed to initialize the plugin”. Since then, the plugin won’t load anymore, and old instances of it don’t produce any sound. I’ve tried restarting my computer, deleting the plugin and installing it again, installing it in another folder, another partition and an USB drive (just in case it was a permissions problem) and running jbridge on it (which gives the same error). I don’t understand what happened, because apparently there was no change which could trigger this situation at all.

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What’s good y’all?

My recent album got reviewed and it is completely done in Renoise…. All the music I make is straight Renoise till I die

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New Mixing aid, alpha:

Shortcut: Master Bandpass

ledger.scripts.MasterBandpass_V0.5.xrnx

Simple tool which adds a doofer with a bandpass filter to the master track and gives you a small GUI to control the cutoff with. It means you can navigate around other tracks and focus on frequency areas as you are mixing. Particularly useful when AB-ing with reference tracks.

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