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Hey
I wrote an article on affordable first synths: Your First Synth

Mine was the Novation A-Station, which I still have and absolutely love! I bought a Darkstar XP2 after that which was…mehhh…not so great!

How about yours? What was it? Do you still have it?

midierror

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Hey,
when I’m opening the plugin window for Pigments 3 (VST3 version) and drag it from my laptop screen to my monitor screen, the synth only appears in the lower left corner while the rest of the window is black. Also I cannot make changes or play the keyboard properly, as my mouse clicks are not applied where I click as the scaling does not work. I don’t have this issue when i am running the plugin in Ableton Live. Any ideas?

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So I wrote some patterns in Renoise with fixed BPM. Then I rewired Renoise to Reaper and created some gradual tempo changes, but noticed that those changes effect sample pitch of some of the tracks.
It’s sounds pretty cool, like when you manipulate a vinyl record, but I’d like to be able to turn it off as it messes up any tonal part.
Another artifact is cutting off notes (making random chords staccato).
Couldn’t find the setting, I’d really appreciate your help!

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hi ! you can find my Renoise songs at the following link : https://soundclick.com/MaurizioAmati; thanks for your comments.

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Hi. Looking for a legit vendor? i fall on this
all i odered arived Sydney Australia my city.
[w.h.a.t.s.a.p.p] them [+1 (865) 888-0381].

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Like topic says my Waves plugins suddenly vanished from Renoise.
I tried reinstalling the plugins, but it doesn’t seem to help. I tried rescanning plugins multiple times to no avail.
I tried restarting my computer several times…no luck.
Does anyone know how to solve this?

I’m on Win 10 btw.
I recently unplugged the power chord from my computer yesterday as i was cleaning and refurnishing and when i started the computer today it booted into a mode where it asked if i wanted to open setup or just start normally. I didn’t think much of it, but could it perhaps have something to do with my issue?

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It would be nice to be able to color code different notes in the tracker.

All C’s red all Ds green all D#s blue etc

Be useful for the same reason color coded notes are useful in the piano roll in HookPad or Bitwig. Just that much more efficient in visually analyzing harmony

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• (1) When playing a Poly-AT compatible instrument with a Poly-AT capable midi-keyboard, the Poly-AT information is transmitted and received correctly as shown by the midi monitor, but it will not trigger the Poly-AT associated function.

• (2) During live play, Poly-AT will partially work, as soon as the same key is pressed an octave higher or lower. e. g.: C-4 alone = no Poly-AT. C-4 + C-5 = poly AT works for C-4, not for C-5.

• (3) Poly-AT data is being recorded in the pattern editor (Volume Column), however only a fraction of the supplied data (transition from one value to another) actually gets recorded, with a lot of void pattern lines, where no entries in the vol column are being recorded

• (4) Channel-Aftertouch works OK when played live, however it suffers from the same low detail when being recorded into the pattern during live play. see (3).

I am pretty certain, that this is not a setup issue, as the same problem persists on two different machines with different midi hardware, yet any other host will handle Poly-AT as expected on both systems.

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So I’ve been using Renoise for a few months now, I’ve recently started to implement destructive rendering to my workflow but to my surprise the DSP rendering on Renoise is quite weird. I don’t know if I’m doing something I shouldn’t but everytime I render track DSP or sample DSP it sound totally different from the live processing/playback. I made two projects exemplifying my problem:

2 files sent via WeTransfer, the simplest way to send your files around the world

(sorry for the external link but I wasn’t able to directly upload them here)

I’m quite disappointed about it, maybe I’m just too dumb. But here some observations about the projects:

1 - The pattern rendering works fine, no difference.
2 - I made left a spare clean sample in the projects in case anyone feels like testing this themselves
3 - My samplerate is set to 48khz.

Can anyone help me on this? I’d highly appreciate any insight on how to make the DSP (both track and sample) works properly.

Cheers!

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Made usinging Surge VSti and some samples

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Sometimes when I open the instrument plugin menu in renoise (linux 64-bit, on the fluxbox DE if that matters) the menu instantly disappears again as soon as I click it. Restarting renoise fixes the problem but then it randomly seems to happen again. Here’s a video capture: bug

1. Open the instrument plugin insert menu

Menu stays open

Menu closes quickly (see video)

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Using Renoise to trigger my Akai S1000. My midi controller is connected to a MOTU midi express 128, then to the Akai.

The Akai is set up with drums on midi channel 1. Bassline is on midi channel 2.

Renoise has track 1 drums, track 2 bassline. I set up 2 midi instruments - both inputs are express 128 port 1, channel 1 (my controller). One output is express 128 port 1, channel 1, assigned track 1 (akai drums) and the other is express 128 port 1, channel 2, assigned track 2 (akai bassline)

I’m trying to “select” either midi instrument to JUST play the drums or the bassline. Tried a bunch of different stuff -

1. Setting up both instruments input to port 1 channel 1 plays both the drums + bassline at the same time
2. Setting one instrument input to channel 1 and the other input to channel 2 just plays channel 1 (akai drums)
3. If both midi instruments must play at once, it seems the only work around is turning off either track in the “track scopes” pane?

What are my options here? Is there an easier way I’m missing to JUST send either channel 1 or 2 into the akai, so it plays drums or bassline separately?

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I’ve gotta say, I love this track! Sort of feels like the chemical brothers doing a more convetional house-style thing. Super simple but, for me, effective!

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I would like to know if anyone is aware of any (if possible, free) software and plugins that can produce experimental textures and sounds. I am on a mac, by the way.

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I’m new to Renoise and coming from Ableton Live. In Live it’s super easy to do parallel processing within a track with what Live calls racks. Is there any equivalent in Renoise or are sends the only way to do parallel processing? E.g. I want to process a sound though two parallel (not series) comb filters with different settings before going on to the next effect. Thanks for your help.

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I know there is a groove tool for Renoise that can’t work right if the LPB isn’t set to 4. Is it the same with the master groove? If my LPB is 12 or 24 will it swing the right beats or will it swing by line?

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If graphical automation is used to change BPM/LPB/TPL in the Master track (Points mode only obv.) then ZTxx/ZLxx/ZKxx effect commands will not function in the same pattern, even if the command and automation point are not on the same line. I assume this isn’t the intended behaviour since no other parameters behave like this?

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I have an Analog Filter in a track and have automated several parameters on it. Various other effects with automation on the track. Automations on other effects are still working but the automation for the filter is not working. The automated parameters are just static when the track plays. The envelopes still appear in the automation screen and the little “this parameter has automation” check box appears next to the automated parameters. Total noob so I’m not sure what could be going on.

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I’m trying to fade in a retriggered hi hat sound and I’ve run into a couple things I don’t understand about the retrigger function. First off, I want the sound to continue retriggering smoothly until the next note is played but the way I have it right now if I choose certain Y values for the Rxy command there’s an audible stutter between lines. E.g. if I use R07 instead of a smooth stream of 7-tick-long repeats, I get 7-tick-long repeats for one line, then a stutter, then 7-tick-long repeats for the next line and so on. I tried typing R07 for the first line and then R00 for the lines afterward because R00 is supposed to repeat the previous command but then it only retriggers for the first line and then there’s silence. I’m wondering if it has to do with the fact that I’m using a very short sound? If I use short enough retrigger values, e.g. R01, I get what sounds like a smooth stream of 1-tick-long repeats but I’m thinking that’s just because the stutters between lines are too small for me to hear them at that rate. In any case, I’m pretty sure I’m doing this wrong and you guys know how to do it right. I can understand that if the LPB is 12, seven doesn’t divide evenly into 12 so there would be inconsistencies between each retrigger beginning on each new line but is there another way to have retriggers of any length that just continue on until the next note regardless of retrigger-length/LPB?

Also, I want to smoothly volume fade in my smooth stream of x-tick-long retriggers. If I just interpolate between 00 and 7F in the volume column I get an audibly stepped fade in (as makes sense). I tried using the Ixx command on the same line as the note but whatever values I enter there’s no audible difference. I tried doing I01 followed by I00 thinking maybe it would repeat adding 1 to the volume each line but that didn’t do anything either. In fact, I can’t seem to get Ixx to work at all. I tried on a longer kick sound to put Ixx of various values on the same line as the note followed by I00 on subsequent lines and I can’t get it to fade in at all. Oxx works as I would expect so I’m not sure what I’m doing wrong / not understanding.

Thank you for your help

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