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@Dry_Eyes wrote:

Check out my newest tribal drums and synthesizer opus…tell me what you think!

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@lain wrote:

Did we Reach the end of what can be done with a Tracker DAW?

Throughout my Journey with trackers since 1996, Renoise delivered all that i could ask for in terms of professional music making year after year. Every big update was something very important and needed. (3.0 is my main DAW btw).

Renoise, imo has been the last bastion for what a Tracker DAW should and could be, with features that any music producer working within a Tracker should be happy and contempt with.

Now Sure, there are new developments and new ways to make music making in general easier, faster and more easy to use commands etc that would make Renoise a “better” tracker in terms of Quality of use.

But in my opinion, the reason Renoise has literally stopped updating is the fact that, you can not do that much more in terms of a Tracker.
Alright, 4k double monitor support, Small extra features that improve quality of use… but a 4.0 Renoise?
I don’t see a huge new update that could change the “game” for what a Tracker DAW could be.

In a sense, in my perspective, Renoise is a “Perfect Tracker” DAW… (in b4 PianoRoll).

I want to know if anyone has any “huge idea” change/update ideas, within a Tracker DAW sense.
I don’t mean small changes like (you can flip the Up/Down to Left/Right note progression), I’m talking about something new within a Tracker DAW, something that would rival regular modern DAW’s.

For me at least, im fully happy with 3.0.

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@super8 wrote:

¡Hello!
I’m playing with a nord modular with certain patches configured to control parameters via MIDI and it’s knobs.

If I initialize recording and play, Renoise records automations to the pattern. It perfectly recognizes the parameter changes and records them into the pattern. But it can only record one parameter at a time, so I want to use automation to avoid one parameter changes stepping into the other ones and erasing them.

If I click on the option to write automations into envelopes, then nothing gets recorded. Apparently i have to previously map parameters into the *MIDI control device before being able to automate them.

This greatly diminishes the posibility of improvisation, especially on a synth that’s differently mapped on every patch. Also, I think it’s weird that it works when recording into the pattern and doesn’t work when using the more advanced and newer autmoation.

I hope i’m getting something wrong and it’s possible to automate non previously mapped CC changes in any way.

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@PPLo wrote:

Hi guys,

Here are my speedcomp entries. Feel free to respond with yours!

Cheers!

Speedcomp 34 :

and a soundcloud playlist:

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@stoiximan wrote:

It was a very sunny day so i came up with this little toon.I am having trouble making transitions and stuff but i will get there eventually.

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@Neuro_No_Neuro wrote:

Found an amazing free Max/MSP program that does this particular kind of micro-looping. Is there any way to attain this sound within Renoise without having to use a plugin? I shot a quick video with sound of what is happening.

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@robotrobot wrote:

Stream and download @ https://archive.org/details/GT1098

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@zbouboutchi wrote:

Hi,

I often record instruments with Renoise, hopefully I’m almost always alone, but when playing with friends I can only record 1 sample at a time.
When a I record mono instruments (mic, guitar for instance), I can cheat and route the 2 inputs in a stereo input and then split it in two mono samples, but that’s no more scalable.

I think with some adjustments on the actual record control can handle that. A + button to add more sources, and for each source a new sample output next to the current one in the current instrument would do the trick… ( a little warning if that overwrite an existing one… and go ! )

I have no idea of the complexity of the code behind that… It’s only an idea, I don’t crave for this functionality… So, feel free to bypass

Christophe.

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@brinemeister wrote:

My aim is to set up drumkit instruments on my pads, with more than one sample layered per pad.

My problem is that I want to EQ and process each layer separately so that the separate drum sounds can be ‘mushed’, ‘squashed’ together into one fatter sound nicely.

I was going to do this in sample FX chains but I have realized there is a limitation that you cannot playback samples with FX chains contained within one instrument on multiple tracks simultaneously.

“instruments with DSP chains can, like plugins, only be played back in one track at a given time”

This generally shouldnt be a major problem because most of the breakbeats style drumming is linear drumming…one drum sound at a time, but I have gven it some thought and decided that I would like to get around this limitation anyway because, on occasion, I may want to play for example, a hihat and a kick together or a hihat and a snare together.

I still want to have each type of drum sample on a separate track so that I can process them separately.

With only one sample per drum this is not a problem because I can simply put EQs, compressors and some other FX into the track which a particular drum type sample is on.

However I am confused about what to do when ‘squashing’, ‘mushing’ two drum samples together. I cannot use sample FX chains to EQ and compress them together because then I will not be able to play drum sounds from a particular instrument simultaneously in separate tracks.

If I want to EQ and compress two or more drum sounds together into one fat drum sound per drumpad within one instrument ( for example, a single hit from a break ‘mushed’ together with a synthesized kick, snare or FM hihat? ) and I also want to have the option to playback these sounds simultaneously whilst not being inside the same track, what should I do?

I am really perplexed about this…sorry if this is a noobish question. What should I do?

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@U4iC wrote:

Had to go back to try Renoise 2.8 again to be sure I wasn’t losing my mind.

My old workflow included a sample editor that I could select a section and playback looped. I thought this was a part of Renoise, so coming back after a little hiatus without my external editors I’m a little shocked that waveform previewing is so limited. I would like an option to:

1. Have the ability to midi map the sample preview play button in waveform view
2. Have the ability to loop the selection of sample in waveform view (for dialing in on perfect loops/single cycles)

Should be pretty easy to drop into the next version =). Haven’t seen this request yet.

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@EatMe wrote:

from the https://ibb.co/album/jWCsVa album

Space graphics and banners by EatMe

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@feudikbenson wrote:

I’m getting serious about recording vocals and some other things using a mic. I am running arch linux with a real time kernel, an external soundcard (Scarlett 2in2) and a sE X1 mic. The resulting sounds has lots of pollution. Where it comes from I don’t know. I have tried changing the settings for Sample rate and Buffer size and it clearly affects it to the worse. It seems hard to find the correct setting. Since I’m completely new to this I think it is more likely that I have missed something essential. Any directions as where to go now would be appreciated.

I am pretty certain that the issue is renoise related since recording with audacity works like a charm.

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@natraj wrote:

Hi!

I am currently evaluating Renoise. It’s a pity I can’t try ASIO, hope it does work with my interface (Behringer UMC 1820).

Is it possible, if using the ASIO driver, to use more than one Line Input Channels at once? I need 16.

Also, using the MIDI latency correction “MIDI Return Mode” without ASIO has very bad results - the timing is more than 2 beats off, too much for the ±100ms delay that is adjustable. Hope this works better with ASIO?

Thanks in advance!

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@liimo wrote:

Hi,

I’m slowly creeping into modular and would love to route everything into Renoise using multiple channels, for both sampling and live effects. Could anyone say if Tascam US-16x08 would fill the role, and if not, what does it lack? The helpful staff at thomann.de were utter barbarians and had no experience in Renoise.

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@fladd wrote:

There are at least 14 different ways to programme drums in the current version of Renoise:

1. Each sample in own instrument - one sample per track

2. Each sample in own instrument - all samples in one track

3. Each sample in own instrument - each sample in own phrase - one phrase per track

4. Each sample in own instrument - each sample in own phrase - all phrases in one track

5. All samples in one instrument - one sample per track

6. All samples in one instrument - one sample per track (with routing sampler outputs to different tracks)

7. All samples in one instrument - all samples in one track

8. All samples in one instrument - all samples in one track (with routing sampler outputs to different tracks)

9. All samples in one instrument - each sample in own phrase - one phrase per track

10. All samples in one instrument - each sample in own phrase - one phrase per track (with routing sampler outputs to different tracks)

11. All samples in one instrument - each sample in own phrase - all phrases in one track

12. All samples in one instrument - each sample in own phrase - all phrases in one track (with routing sampler outputs to different tracks)

13. All samples in one instrument - all samples in one phrase - one phrase per track

14. All samples in one instrument - all samples in one phrase - one phrase per track (with routing sampler outputs to different tracks)

I like to be able to mix my drums in the mixer, hence I used to do 6, but since I might want to convert my drum patterns into phrases to be used in Redux in Reaper, I am currently leaning towards 8.

Which one do you use? I am curious. Pros and Cons?

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@toimp wrote:

Got inspired in Renoise Did a small liquid dnb tune. Feedback welcome.

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@lilith wrote:

Just tested the Tonelib effects in Debian Stretch and it works perfectly. Very very cool and a real alternative to Guitarix. The effects sound really good!

https://tonelib.net/

If the installer doesn’t work, just extract the zips and look for ToneLib-GFX.so file and put this in your /.vst folder.

Have fun!

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@toimp wrote:

Useful for Song exports with large Reverbs, so i don’t need to create empty patterns to get the tail exported, too.

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@Dry_Eyes wrote:

I was thinking that being able to save an effectchain and then just say “new track using effect chain X” in the standard right click menu on the tracker would be bitchin’

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@toimp wrote:

Maybe i’m wrong but it seems that’s currently not possbile to send midi to an effect, right? Want to trigger Xfers LFOTool via midi for sidechain.

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