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@actor wrote:

This is my second Renoise song, don’t know if it’s any better than the first one. It’s different though, a kind of electronic-ironic 140 bpm fun song with a deep meaning when you take a look at the song title. And I tried to get a better sound somehow.

Here you go:

So, what do you think?

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@raulsanchez wrote:

I have been using Renoise for a while, after some months out… I would like to know which effects do you use in Mixer (or which ones do you normally use for each concrete track) to get a great sound

This is my last recent try… the original https://soundcloud.com/raul-sanchez-42/the-ofis-haster-2019

And same piece, after some tuning (some volume adjustments for some tracks, adding Maximizer effect & disabling Global Groove / Mastering checkboxes in Mixer) https://soundcloud.com/raul-sanchez-42/the-ofis-haster-2019-v2

With this, I am using Bus Compressor (with Mastering A option selected), LADSPA DJ Eq & Maximizer (default) in Mixer

In both cases, I apply some other adjustments post Renoise, using Audacity, such as Normalize / Compress & some equalize

Any tips? Thanks!

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@Tasruff wrote:

l dc v rv rv v v rv rv fv fv fv fv fvf vf vf

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@robotrobot wrote:

My single, Evether, came out today on Genetic Trance
https://archive.org/details/GT1103

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@bigmanfrompolska wrote:

Guys, do you have any tips on how to use this approach to generative music in Renoise ?

Are there any specific features which would allow me to do something similar ?
It would be interesting to know if you do something similar and how you do it.

Thanks

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@Neuro_No_Neuro wrote:

OK! So, I posted a video of a Max/MSP standalone app called “Ultomaton”, and I took a video of a particular piece of it called a Micro-Looper:

So, got really close to it using the Phrases section to gather random sample start times. Here’s a pic (pretty small text):

Then, I crafted a random stutter device, here:

Native MicroLooper.xrdp (6.2 KB)

Now, the only thing I’m missing is an automatable volume envelope. Here’s the envelope I’ve got:

As you can see, it’s nice and tight, about 20ms. What I’d like to know how to do is this - make that envelope expand and contract via a random LFO.

OR

Find a way to implement something like that in some part of the track via some command in the pattern device somewhere. Ideally, it would be able to be done with an LFO.

Is there any way to have the volume envelope look like something in the initial video - you can see the sample selection being adjusted at random - some are small, some are large - watch for the shifting green portion on the Micro-Looper section in the video.

This would be just spectacular if there is some way to achieve this!

Thank you!

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@natraj wrote:

Hi devs,

I would love to have the option of a different way editing and scrolling is done.

At the moment, the cursor is always in the middle of the screen. When you move up or down, the whole pattern is scrolling up or down. This may be good when dealing with large patterns - but 64 lines do fit perfectly fine on my screen even with big font size, is is unnecessary to scroll at all.

It would be really a convenience if I could lock the screen, and just move the cursor around. Would be way easier on the eyes, the moving parts only be the song position and cursor, you would have always the whole pattern in view.

Pleeeaase

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@brinemeister wrote:

I want to cut up the SQ80 and ESQ1 waveROMs into single cyle waveforms.
Someone did the Monowave and the first of the SQ80 waveROMs already here:

Monowave and EnsoniqSQ80 wavpacks, instrument packs, wavemaps (free download) General Discussion I cut up the monowave and SQ80 full ROMs into individual waves and oneshot samples. I also included ‘wavemaps’ showing the start and end points of the individual waveforms in the full ROMs for anyone who wants to try and scan a loop accross them them using the ‘loop control’ tool. There is also tuning information ( check the readme ). I tuned all the waves, saved them all as renoise instruments inside a renoise song file. They are great, please enjoy. Get the wavs, tuned renoise instruments …

There are another 3 SQ80 waveROMs and 2 ESQ1 waveROMs to be chopped into single cycles on this website (under ‘SQ80 waveforms’ and ‘ESQ1 waveforms’):

http://www.buchty.net/ensoniq/

These should be great single cycle packs to build custom synths from in renoise but I cant get the .bin (which are contained in the .zip downloads) converted into .wav.
How can I do this? I have tried converting them to .iso and mounting a virtual drive. It doesnt work. I have tried several .bin to .wav converters online. They dont work. Any idea how I can convert these .bin waveROMs to .wav successfully? Then I can start chopping them up into single cycles, finally I can put links to download the single cycles on renoise forum when Im finished

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@stoiximan wrote:

Still fighting with repetition and mixing properly.

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@t35513r wrote:

Hoping this is legit a “beginner’s” question and something more complicated is not going on. Sometimes when I render a song, I hear what sounds like bits from the end of the song playing at the beginning. Like, maybe if there is a reverb or whatnot on the last few notes it seems to “echo” into the beginning of the song too?

Anyone else experience this? Any advice?

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@ArturRembe wrote:

The only thing i miss in renoise ist the apreggiator in the effect channel.
A typical apreggiator with octaves 1-4 up /down /up-down/ random and “user” to type noten in 64?! Steps.
I would say, this should be possible.
@dblue @taktik
Könnte man das zukünftig erwarten? Wäre es möglich?

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@gentleclockdivider wrote:

For all those who wonder >

Don’t get me wrong , I love renoise too bits …always have always will
But this is something else
Seven instances of abl3 before crapping out on me ( I have a an old pc , I know )
Studio one 4.5 , 18 instances and still going strong , no crackling at all

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@midierror wrote:

Junkyard Percussion is a series exploring a diverse range of foley sounds, turning them into beats and percussion at tempos fro 90-175BPM!

Recorded at metal works, farms, garages and junkyards - this series has perfectly pitched organic percussion you wont find anywhere else.

https://www.loopmasters.com/search?utf8 … q=junkyard

Use the following coupon codes, all valid until the 30th of June!

Volume 1 - JunkPerc1
Volume 2 - JunkPerc2
Volume 3 - JunkPerc3

Enjoy!

midierror

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@EatMe wrote:

EatMe - With The

House music made on 2019-06-10

free download: http://eatme.pro/music

EatMe - With The on soundcloud

Luv you with plucks…

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@BrainClaim wrote:

This is probably the first Dark Ambient Ritual Techno I have ever made, I hope you like it, any feedback will be appreciated.

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@marbangens wrote:

I remember i could download and upload instruments on renoise.com? Where is it now?

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@PPH wrote:

I now the subject has been discussed, but I haven’t found any recent posts (the latest is more than six months old). So: does Renoise work well in a 4k monitor? Is it usable?

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@dspasic wrote:

Hi rnzrz!

amazed by quality of these tracks, stumbled upon this dude on soundcloud…

seems so smooth to me, synths are spacey, bass is juicy…
What is this genre called? anyone aware of similar tunes to share?

Thanks

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@LofiMat wrote:

Hi there

I was wondering if it is possibel to implent a Sidechain-funktion in the next Renoise - Version.
But not with using Audio as the Input (vst3) instead using Midi - In as the SC - Trigger (vst)?

Miight be another Noob-Q but Renoise already can send Miditriggers to an Instrument and VST3 will not be implement the next Version, like TakTik already said. Also the vst2 workaround using audio in as the trigger doesnt seem easy to do in Renoise as many posts say.

So is a Midi-Trigger as inputsignal for Sidevhaining an Option for Renoise? Maybe it is already possibel too in Renoise 3.11 and I just don have thhe right Plugs to do so? Dank

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@brinemeister wrote:

Is it worth it to start studying?
I checked the ultra beginner tutorial, looks a bit complex with the ‘bangs’ and stuff

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