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@rainydayshirts wrote:

New track on SoundCloud.

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@blue wrote:

Hi,

I have a personal project in the works which generates music based on user input and outputs the music in the form of MIDI files. The project is written in Python 3 and uses midiutil to create the output.

I only use MIDI as a way of previewing the music, but the goal is to create something that is compatible with Renoise for tracking and arranging.

I noticed that Renoise does import MIDI files pretty nicely, but none of the files I import have correct LPB or pattern length values. I’m assuming there is no way to control these within the MIDI file since they aren’t a part of MIDI, but if I’m wrong please correct me.

That said, I want to somehow make my program compatible with Renosie. The only two ways I can see this happening are (1) I create an intermediate format and write a LUA tool to import the intermediate format, or (2) find some API which can be used to create the XRNS files pragmatically. I can’t see myself writing directly to XRNS since the format seems very complicated and there’s no spec available.

It is looking like I’ll have to choose the former but I don’t want to since I’m not interested in learn lua, plus it’s a great deal of extra steps in the first place. Before drawing this conclusion I was hoping maybe someone here who knows better can confirm my reasoning? Is there no way to create XRNS files pragmatically, or to get MIDI and Renoise to work nicely with each other?

Thanks

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@Dex1 wrote:

(topic withdrawn by author, will be automatically deleted in 24 hours unless flagged)

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@toimp wrote:

Currently, scales are only affected by incoming notes and not for outcoming notes from phrases:
Auto-scales and phrases: which comes first? Help, Support & Bugs So: you have the auto-scale feature, right (not sure if that’s the right word for it) where you can select a scale, G major or whatever, and it will limit the range of notes that can be selected to the ones in that scale. What I’m wondering: if you create a phrase, how does that interact with the auto-scaling? Does it ignore it, or do the notes generated by the phrase get filtered by the auto-scaling in the same way as any other note would? Will auto-scaling filter out notes _before_the phras…

Would be nice, when we could have it for outcoming, too. So we could programming melody lines to play them on keyboard and it will be always in current selected scale.

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@Chris_Edberg wrote:

Like the title suggests, is it possible and if so where in the preferences can I assign these actions?

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@idem345 wrote:

When I Ioad up iZotope Neutron it only shows around 5 % CPU usage in Renoise. If I look up in Windows task manager it’s almost 40 %. How come that there is such a vast difference?

Vice versa, standard not so CPU hungry VSTs take up around 10% usage in Renoise while they’re only around 3 % in task manager.

Can someone explain this?

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@mholloway wrote:

Hi folks,

Wanted to see if the experience I’m having running Massive X in Renoise is the same for others. In Renoise only, I’m getting very choppy graphics on knobs most of the time. E.g. turning knobs – especially when sound is playing back from the synth – results in choppy UI graphics, that is, the knob doesn’t move smoothly at all, it moves in chunks. It doesn’t effect the sound at all, but graphically, it’s a mess.

Meanwhile, running Mx in Ableton Live 10, there are zero issues, the knobs all animate smoothly. So something seems to be up with Massive X + Renoise, at least on my system – iMac / OSX (low) Sierra.

if anyone has MX and can check this out as well, let me know what you find, thanks!

-Michael

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@tw1psy wrote:

one of my hs8 monitors cut out for miliseconds when I play sub heavy tunes on it loudly. it happens on this tune for example:

Since my boxes no longer have warranty is there anyone out there who knows what is the problem and how to fix it.

Thanks

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@zekeyheathy wrote:

Hi there,

Just wanted to quickly report a small thing happening when I join patterns together in the pattern sequencer. When there are repeated patterns in the sequence some of the other patterns are not included in the new joined-up pattern. Here’s how to reproduce it:

1. Create a sequence involving 3 unique patterns, one of them being repeated (i.e. 0-1-0-2)
   

2. Use Organize>Join from the context menu to create one pattern…

• I expect the result to involve every pattern in the correct order

• Unfortunately the pattern after the second repeat is not there. It’s just the first two patterns played twice (i.e. 0-1-0-1)

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@LofiMat wrote:

I need som cool Backround Atmonsphearz & Noizes like people talking or just a Room or Place.

For LoFi Productions & should be royalty free to use - are there Websites that offer these?

Dank

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@renoisenoob wrote:

Hi I’ve uploaded the issue here: https://youtu.be/jDRza7TnVJc

As you can see I’m duplicating the track but this new copy mutes the original, is this a bug? Thanks

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@LofiMat wrote:

Fröhliche WEIHNACHTN ALLEMANN!!

Dank nochma::Sorry, new users can not upload attachments.
https://www.mediafire.com/file/1mylg5kh8qynmn6/SUPAH_VHS.xrdp/file

LoFi Vibes from a Strange Decade

As kids of the 80s, the Baby Audio team have always been drawn to the sound of slightly out-of-tune synths, warm tape saturation, gritty samples and grainy reverbs.

So they set out on a mission to capture the lofi spirit of our favorite decade — and bring it into a new decade. Meet a complex algorithm with eight simple knobs. They named it ‘Super’ for its powers and ‘VHS’ for its sound.

A chain of six meticulously crafted ‘one-knob’ effects:

• 1. STATIC — Static noise synthesizer
• 2. HEAT — ‘Analog tape’ saturator
• 3. SHAPE — Sample rate reducer
• 4. MAGIC — Dark chorus FX
• 5. DRIFT — Pitch fluctuation LFO
• 6. WASH — ‘Bad hall’ reverb

ReModeled with renoise fx after this pluginn:: Super VHS

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@uilome1 wrote:

Here is my 2019 work on renoise. This part is purely musical, it’s a triptych composed of three song:
Sunken Memory
Timeless Sound
Umplumbed Art
It’s part of Severson scroll:
It’s now music from my interactive website: seversonscroll

Someone may recognize the samples, someone may understand what I meen, someone may have fun !

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@dspasic wrote:

Hi guys, after some time, i did create one instrumental
(all in renoise)

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@dr_looney wrote:

Hello Trackerz!

So, is it possible to have Cut selected by defaut.

thanks by advance!

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@KR1SP wrote:

Hey all! so ive been using Renoise for about 2-3 months and been producing music for around 6 months (Im a beginner to this stuff). I started with MilkyTracker and then found Renoise off of a Venetian Snares vid.

so I’ve made around 4 songs using renoise but i haven’t really been proud of them until i made this one!

it was a pretty big change for me because i usually made sub-par breakcore.

I arranged the orchestral music and drew out the dubstep elements by drawing waveforms because i dont want to pay 189 dollars for serum.

Feel free to give criticism/feedback!

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@trueschool wrote:

Do a lot of us make our own Doofers?

Some of my favorite Renoise tools are Doofers made by others, like

• Spatialize (a gorgeous reverb)
• DJ Filter (nice simple cutoff and resonance filter)

I’ve been getting in the habit of saving some useful strings of effects, knowing that I’ll likely use them on later tracks. Usually, these are just simple combos like:

• LFO+Gainer (with some interesting useful custom curves saved)
• LFO+Filter (same)
• KAOSS Pad – An XYPad+DJ Filter for tactile control of filtering

I think it’d be interesting to hear about the strings of effects you use so often that you’d make them into Doofers.

It’d be cool to start nominating useful Doofers to be bundled into the core Renoise download to give newbies a larger set of commonly-used tools to start with.

What do your Doofers doofer you?

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@stoiximan wrote:

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@thebinarycollective wrote:

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@AliGhamar wrote:

hi . i’m new to renoise and i made this .
hope you enjoy !

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