Renoise Forum

@orrigans wrote:

I made this album as a tribute to the bizarre and wonderful MSX computer animated movie, “The Flying Luna Clipper”. It’s got a lot of ambient and vapor flavor going on, as well as some noisy textural stuff:

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@jljosh02 wrote:

Ambient techno song made with Renoise. Any constructive criticism is welcome.

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@Donatiel wrote:

Hello, Renoise Forum. I’ve been making music for a few years now just for fun, and I just realized I’ve been using Renoise to do that for the last ten years and never talked about it on this forum.

It’s all over the place in terms of quality and genre, and I’m mostly sharing to share because my partner says no one will listen to my music if I don’t show it off. I’m not a super great Renoise user even after ten years; I’ve mostly learned what I needed and nothing more. But feel free to listen if you wanna!

I make music

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@EETTEE wrote:

This is the first song I’ve finished in Renoise. It was fun

Here is a video of the playback https://www.youtube.com/watch?v=c4bxf2TFIYQ&feature=youtu.be

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@ostrogoth wrote:

it’s be very longtime i didn’t use renoise but after some hiatus i don’t seen the theme xrns doofer dl link on the website this is disapear?

(i search for player pro theme and game boy theme)

thanks

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@bhilde81 wrote:

Hello,

I have several sends to different effects on one track. I want to use Duplex with a BCR-2000 and the effect knoobs to address only the send amounts.

Problem:
Duplex maps all attributes per device. But I want to control all amounts of the existing sends without switching between the devices. I also want fixed controls for REV, DLY, CHORUS on the BCR-2000 for that track.

My plan to use a Doofer to refer to the sends doesn’t work. I have read the discussions.

Does anyone have another idea?
I would like to use Duplex because of the MIDI feedback.

Regards Bastian

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@milkyheart wrote:

very excited to show these to you! these are the first demos for the 8th milkyheart EP, ‘hyper level’. i was mainly exploring the sound design of extreme walls-of-sound compression.

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@aeswaprod wrote:

I have a bunch of plugins that I was using before on a different distro that did work on that. I’ve since changed to Debian, and installed all the plugins, but now a bunch of them either do not show up at all, or they have errors loading. And when I test these plugins in Bitwig, most of the show up, and all the ones that showed up work.

I’m not sure what the error here is, wondering if anyone can help, thanks.

Also whenever I’m opening my old projects, the BPM is getting randomly changed…

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@angeleena wrote:

Hi All! I am new to here!

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@Neuro_No_Neuro wrote:

Working on getting deeper subs and better kick definition while remaining soft, warm, and feathery. All while maintaining my love for Max/MSP-ish clicks and chattering.

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@Neuro_No_Neuro wrote:

Being a fan of mesaelechtele’s Max/MSP projects, I found one that does a method of pattern rotation that I just cannot figure out how to do in Renoise. The bass-line in the video is what I’m looking to do (see example video below).

I can do this manually per pattern, by rotating/wrapping the pattern down by 1 or more steps using the tool called “Pattern Rotate”. In one way, that is really excellent for making sure the patterns in the song sound random, but are truly controlled in the end.

what I’m looking for is a pattern rotator that can do this automatically, as an effect, versus a tool. Is there such a method to do this in Renoise, for version 3.1?

I’ve got the sounds down, now I’d just love to get the patterns to react in a similar manner.

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@PPLo wrote:

Hi guys,

Here is a “soft” track that I made.
I gave my soundcloud link for professional purpose but I realised it was filled with hardcore and violent stuffs. So I quickly made a chill track to not scare the unprepared people.

Here it is, enjoy!

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@toimp wrote:

Its pretty useful in Bitwig, would be in Renoise, too. (For effects and instruments)

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@dspasic wrote:

Hi all,

i’m looking to buy some good-quality portable recorder for pairing it with renoise
recording ambient noises, recording instruments, everyday sounds that i could eventually turn into instruments, and alike creative paths.

I was looking at tascam dr40/dr05 at the moment

Any recommendation, from owners?
Thanks

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@EETTEE wrote:

I use FM8 FX a lot and it has a lot of parameters so it doesn’t let you use track commands for the plugin outside of a certain range. Instead of then resorting to automation you can:

1. Bring up an LFO in the track
2. Set the LFO to control the out of bounds parameter
3. Set Amplitude to 100 and Offset to the center
4. Hit the “custom” button and draw an env that is just a straight line in the middle (50)

Then you can control the parameter with the LFO’s offset slider.

Here is the LFO preset:

THE OL’ WRANGLER.xrdp (798 Bytes)

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@Gilli wrote:

Hello everyone,
I happened to use Renoise in more live situations.
With a real-time-kernel and a good audio interface I can work with descent ~3ms on Linux.

To overcome the nature of added latency when using limiters or compressors, I thought it would be useful to have a 0-latency-limiter.

Signal path:

What it basically does, is to apply a signal follower on a gainer. That alone wouldn’t really limit the signal in time unless we used the lookahead-feature, which in turn would introduce latency again. So we accept trade-off to have an initial clipping until the signal follower finally reduces the volume. The clipping is achieved through a distortion effect at the end of the chain. This way we get a zero-latency brickwall-limiting that only distorts in little (hopefully unnoticed) moments.

So what is it good for? Live processing (e.g. guitar, vocals or even a mix) where any added delay is not acceptable and you still want to avoid a lasting distortion caused by loud signals.

Ther doofer’s macro-knobs represent a basic limiter-funtionality: Input gain (pre-gainer), Threshold (Signal follower’s sensitivity), Release and Output (Distortion’s wet-volume).

Zero-latency-limiter.xrdp (7.1 KB)

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@Medito wrote:

I have a problem with my ES-8 audio interface in Renoise.

It can never be initialized in ASIO mode, only in Direct Sound, which is useless to me since it only support two audio in and outs.
I Have three other DAWs I use (Reason 10, Bitwig 2.5 & 3b, FL Studio 20) and it works like a charm in every single one of them, even in Windows 10 as a Primary sound card, just not Renoise.
I tried various sample rates, reinstalling the driver but none of it helps.
Any ideas or am I just out of luck?

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@Del_Monte wrote:

Hey!

A Psytrance track made using Renoise:

All the best to you, Renoise fellows! ॐ
Tonio

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@Jonas wrote:

Perhaps it already exists somewhere? But I’m looking for a tool (keyboard shortcut) which can render a pattern editor selection to sample, but turns off all trackdsp beforehand and turns them back on after rendering finishes.

Right now you have to manually do this, if you want to achieve a seamless sound, using the pattern renders back in the original track, not sounding like the fx are stacked.

I know I can use pattern renders in a new track which doesn`t have any fx, but sometimes you want to keep things in the same track for better oversight.

Would save a bunch of mouse clicks .

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@nasser wrote:

Hello all! New to renoise and really enjoying it.

I am wondering how to set the local fx of a note column via the Lua API. The documentation covers setting a track’s master fx, but I can’t seem to find how to set local fx. Is this supported?

Thanks

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