Renoise Forum

For those people who sometimes work on music software for portable devices and dont want to work with large monitor headphones, but also dont want to write sequences for export into renoise that are not bassy enough and need to be adjusted because they have been working on ‘bass boost’ earbuds…which earbuds are the best for reference/monitoring?

Just to make sure the sequences exported dont need too much EQing or work on other things such as filtering or volume levels once they reach the computer.

So far the only recommendation I have is:

Etymotic research ER4SR earphones.
https://www.etymotic.com/consumer/earphones/er4-micropro-earphones-373.html

Seems like they are saying they are flat response from 100Hz to 10000Hz.
I guess this means they are not accurate from 10000Hz upwards?

They are not cheap. Any other good ones out there that people know of, or should I just save my money and use normal earbuds 20Hz-20000Hz frequency response with annoying bass boost, which will lead to not enough bass in sequences and songs?

(maybe its just that no earbuds so far are really flat response or good for monitoring, too small to accurately monitor bass frequencies)

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Could You please a Need E-mu Emulator II Sample Libraries Sounds Bring extract?

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Hello friends.So as the title says could you recommend me some quality mixing tools and effects?Like eq ,.compressor,delay,reverb and more but don’t break the bank.

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New COOL Renoise Song called No Illama Music S-550 from the upcoming Album Hey where did my Roland Fanss Indonesia Friend Go?´
Really COOL Mix with extra COOL Bass so you can hear extra much here and there

And of course as always free 4 download right here

Get it NOW and download as many copies as you want and give them away

They are free and lots and lots and lots and lots and it is GOOD 4 you and COOL too!

Get your copy NOW!!! !!! ! ! !!! !!yeah now ! !!! its good 4 you!!! NOw11!!!yeybnow 4 yo1!..:…goNOillamaMusicS-550.xrns (2.8 MB)

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Poor Can’t you a please Want Something could bring Samples ALL RSB Libraries need Found Roland Sound Bank Collection Solution Please Download But i’m sad?

Website Rules I’m not llamamusic & sgroup…

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Hi guys have been trying to get into using Renoise more recently as I like the magic that can be accomplished by using the effect commands, anyway … I have a new song with just 2 tracks so far and noticed that when I switch between soloing both of them, the audio is not continuous, but only retriggers with a note on. Maybe this is by design?

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Probably won’t be of much use to people, but I needed a tool to automate the building of an appropriate song for the narration I record and edit in Renoise. Normally, for each project, I would have to do this by hand before rendering (and then keep resizing patterns to match any edits made).

> Tool Link

Usage: Select an instrument and this tool will do the following to it* and all consecutive instruments* below it in the Instrument Editor:

• Enable Autoseek
• Give the instrument its own pattern
• Set the length of the pattern to the number of lines necessary to accommodate the sample’s length
• Place a C-4 note in the first line of the first track

(* as long as the instrument has a sample)

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Hey, I just released my new track

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I want (for no other purpose than to make music and then Blatantly Self Promote this)

an effect (VST2, maybe internal Renoise)

that does the following

Modulate PHASE DIFFERENCE after FLANGE/CHORUS DIFFERENCE
Modulate FLANGE/CHORUS DIFFERENCE after PHASE DIFFERENCE

of the original signal, in one complete to make WET pass.

This would then go to a WET/DRY knob, to mix the original signal.

The GENERAL PARAMETERS for such an effect would be

• WET/DRY
• GAIN
• CIRCUIT FILTER STEPS (similar like the Phaser Steps) to pass WET signal into combination of filters (*1)

The PHASE DIFFERENCE would have interface options:

• Hz RANGE (min and max) - 2 knobs with value precision display and CTRL precise setting
• FREQUENCY (LFO RATE) - 1 knob with value precision display and CTRL precise setting
  ** (HOST TEMPO LEARN) - checkmarkbox = FREQUENCY knob off, TEMPO STEPS on
  ** (TEMPO STEPS) - options to choose (note divisions like 1/32, 1/1)
• FEEDBACK - 1 knob with value precision display and CTRL precise setting
• STEREO WIDENESS - 1 knob with value precision display and CTRL precise setting
• PHASER FILTER STEPS - value selection, maybe per knob for easy access

The FLANGE/CHORUS would have interface options:

• DELAYRANGE - 1 knob with value precision display and CTRL precise setting,
  0.00000000000000000000000000000001 msec to 100 msec (or alike)
• LFO RATE - 1 knob with value precision display and CTRL precise setting
  ** (HOST TEMPO LEARN) - checkmarkbox = LFO RATE knob off, TEMPO STEPS enabled
  ** ((LFO RATE, HOST) TEMPO STEPS) - options to choose (note divisions like 1/32, 1/1)
• FEEDBACK - 1 knob with value precision display and CTRL precise setting
• DEPTH - 1 knob with value precision display and CTRL precise setting

This new effect would allow a combined, new form of effecting a sound.

I can now replicate the sound of such an effect, by creating a Send track.
I can, however, not mix this back further into a Group or other device chain.

Example:
(NOISE!) wet only, phase + chorus

(NOISE!) 50%wet/50%dry, phase + chorus

here you go

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Hello!

There still seems to be some strange behaviour with [shift] selecting in Renoise 3.2.2 with the rightmost column(s).

• When [shift] selecting (and right arrow)

• more than 3 effect columns
  

• creating (a few) new effect columns after selection
  

Less than in Renoise 3.2.1, still some unexpected selection behaviour is existant in Renoise 3.2.2 for now.

Thanq you tooktiktoqtaqtiq for all the continuous development. (Reminder: Renoise needs a future-usable version for when everything is dead, luckily Renoise is alive, I was able to register! I also still need to look into this myself, as I have to (keep-alive once half a year) all my project file downloads…)

Yours, sincerely,

I am a nearibility because infinity was made measurable by nearibility.

So is E (1, infinity) = meisurable * frequency to two fractions^2

We do meisure mass(ive) versions.

sir EatMe

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Yai, good times with Renoise, download this and have fun, it is good for you. Oh yeah, and it includes the first text file written to taktik himself

so i was playing around with this switch matrix idea I had from the modular world and stumbled across an unwanted noise when switching the receiver on a #send on a send track sending to another send track.
so I wrote taktik. he told me to get in here.
you can see in the file what I’m doing and I kind of made a track from the idea, (with compression and everything)
Maybe I little more explaining?
When sending a signal from a track ModMatrix4x4-0.3smoothGen.xrns (39.3 KB) with the #send is fine. You can automate the receiver as you will and no problem, no noise, pops n crackles. BUT when sending it again, from the send track a, to another send track, with the #send, and switching the receiver, then it gets unpleasant. No anything major, but enough for me to not want that, not in this particular project anyway.
So yeah, I did this instead, to get around it. You can see it on the master. It is essentially one hydra reseting four fully stopped LFO´s simultaneously while each of the four custom LFO´s are sending to four different send tracks gain. And then there are some other instruments that has nothing to do with the original idea but just thrown in there for fun.
So, it is, track 01 called DC to switch, sending to send track S01-04 and S01-04 sending to S05-08 called mod01-04.
Maybe I should post this in Renoise song also?
Oh yeah, and its 3.2 only Renoise effects bla… blah…a blalalha…a.alallblaModMatrix4x4-0.3smoothGen.xrns (39.3 KB)

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so i was playing around with this switch matrix idea I had from the modular world and stumbled across an unwanted noise when switching the receiver on a #send on a send track sending to another send track.
so I wrote taktik. he told me to get in here.
you can see in the file what I’m doing and I kind of made a track from the idea, (with compression and everything)
Maybe I little more explaining?
When sending a signal from a track ModMatrix4x4-0.3smoothGen.xrns (39.3 KB) with the #send is fine. You can automate the receiver as you will and no problem, no noise, pops n crackles. BUT when sending it again, from the send track a, to another send track, with the #send, and switching the receiver, then it gets unpleasant. No anything major, but enough for me to not want that, not in this particular project anyway.
So yeah, I did this instead, to get around it. You can see it on the master. It is essentially one hydra reseting four fully stopped LFO´s simultaneously while each of the four custom LFO´s are sending to four different send tracks gain. And then there are some other instruments that has nothing to do with the original idea but just thrown in there for fun.
So, it is, track 01 called DC to switch, sending to send track S01-04 and S01-04 sending to S05-08 called mod01-04.
Maybe I should post this in Renoise song also?
Oh yeah, and its 3.2 only Renoise effects bla… blah…a blalalha…a.alallbla

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Well. I guess, you know the original

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New Renoise user here.

Load up Renoise. Go to preferences and change audio driver to ASIO. The moment I select ASIO from the menu the software crashes to desktop and vanishes.

PC is i9 10900x , 32GB, win10 home, Marian Seraph D4 PCIe sound,

Youtube vid.

Crash log.

[/details]

System: Using ‘C’ as resource base directory…

CPU: Found 1 enabled unit(s) with 10 core(s) and 20 logical processor(s) per unit. 10 cores, 20 logical processors are enabled in total.

Application: Showing the splash window…
Application: Initializing the API…

IPP: Detected CPU type: 0x46

MIDI: Initializing DirectMusic…

Graphport: Initializing Freeimage…

GraphPort: Running in DPI awareness mode: 1
GraphPort: Initializing DirectX…
GraphPort: Initializing the Font Engine…

ReWire Slave: ReWire engine link (Local Machine) is already installed and up to date…
ReWire Slave: ReWire engine link (Current User) is already installed and up to date…
ReWire Slave: ReWire Panel was initialized…
ReWire Slave: ReWire Slave mode failed to init (no master is running)…

ReWire Master: Successfully opened

Timer: Seems safe to use the ‘QueryPerformance’ counters…

Application: Start running…
Application: Loading the preferences…
Application: Init…

ScriptingTools: Initializing Scripting Tool: ‘C:\Program Files\Renoise 3.2.2\Resources\Scripts\Tools\com.renoise.ToolUpdater.xrnx’…
ScriptingTools: Initializing Scripting Tool: ‘C:\Program Files\Renoise 3.2.2\Resources\Scripts\Tools\com.renoise.UpdateChecker.xrnx’…

DspDevices: Registering native DSP effects…

DirectSound: Initializing…
DirectSound: Using SampleRate 44100
DirectSound: Primary Buffer Format: FormatTag=1, Channels=2, SamplesPerSec=44100, BitsPerSample=16, BlockAlign=4
DirectSound: CreateObjects … OK
DirectSound: Using MaxProcessingBlockSize: 1536
DirectSound: Output Buffer Format: BufferSize=88200, FormatTag=1, Channels=2, SamplesPerSec=44100, BitsPerSample=16, BlockAlign=4
DirectSound: CreateBuffer … OK
DirectSound: Up and running

MIDI: Enumerating DirectMusic (WDM) MIDI devices…
MIDI: Skipping emulated WDM device ‘Microsoft MIDI Mapper [Emulated]’
MIDI: Skipping emulated WDM device ‘Microsoft GS Wavetable Synth [Emulated]’
MIDI: Skipping emulated WDM device ‘SQ-1 1 MIDI OUT [Emulated]’
MIDI: Skipping emulated WDM device ‘SQ-1 1 CTRL [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDI4x4 [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIOUT2 (MIDI4x4) [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIOUT3 (MIDI4x4) [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIOUT4 (MIDI4x4) [Emulated]’
MIDI: Skipping emulated WDM device ‘Steinberg CMC-CH-1 [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIFACE 8x8 [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIOUT2 (MIDIFACE 8x8) [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIOUT3 (MIDIFACE 8x8) [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIOUT4 (MIDIFACE 8x8) [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIOUT5 (MIDIFACE 8x8) [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIOUT6 (MIDIFACE 8x8) [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIOUT7 (MIDIFACE 8x8) [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIOUT8 (MIDIFACE 8x8) [Emulated]’
MIDI: Skipping emulated WDM device ‘SQ-1 1 SEQ IN [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDI4x4 [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIIN2 (MIDI4x4) [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIIN3 (MIDI4x4) [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIIN4 (MIDI4x4) [Emulated]’
MIDI: Skipping emulated WDM device ‘Steinberg CMC-CH-1 [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIFACE 8x8 [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIIN2 (MIDIFACE 8x8) [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIIN3 (MIDIFACE 8x8) [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIIN4 (MIDIFACE 8x8) [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIIN5 (MIDIFACE 8x8) [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIIN6 (MIDIFACE 8x8) [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIIN7 (MIDIFACE 8x8) [Emulated]’
MIDI: Skipping emulated WDM device ‘MIDIIN8 (MIDIFACE 8x8) [Emulated]’
MIDI: Skipping softsynth WDM out-device ‘Microsoft Synthesizer’ (not supported)
MIDI: Enumerating Windows MME MIDI devices…
MIDI: Adding MME in-device ‘SQ-1 1 SEQ IN’
MIDI: Adding MME in-device ‘MIDI4x4’
MIDI: Adding MME in-device ‘MIDIIN2 (MIDI4x4)’
MIDI: Adding MME in-device ‘MIDIIN3 (MIDI4x4)’
MIDI: Adding MME in-device ‘MIDIIN4 (MIDI4x4)’
MIDI: Adding MME in-device ‘Steinberg CMC-CH-1’
MIDI: Adding MME in-device ‘MIDIFACE 8x8’
MIDI: Adding MME in-device ‘MIDIIN2 (MIDIFACE 8x8)’
MIDI: Adding MME in-device ‘MIDIIN3 (MIDIFACE 8x8)’
MIDI: Adding MME in-device ‘MIDIIN4 (MIDIFACE 8x8)’
MIDI: Adding MME in-device ‘MIDIIN5 (MIDIFACE 8x8)’
MIDI: Adding MME in-device ‘MIDIIN6 (MIDIFACE 8x8)’
MIDI: Adding MME in-device ‘MIDIIN7 (MIDIFACE 8x8)’
MIDI: Adding MME in-device ‘MIDIIN8 (MIDIFACE 8x8)’
MIDI: Adding MME out-device ‘Microsoft GS Wavetable Synth’
MIDI: Adding MME out-device ‘SQ-1 1 MIDI OUT’
MIDI: Adding MME out-device ‘SQ-1 1 CTRL’
MIDI: Adding MME out-device ‘MIDI4x4’
MIDI: Adding MME out-device ‘MIDIOUT2 (MIDI4x4)’
MIDI: Adding MME out-device ‘MIDIOUT3 (MIDI4x4)’
MIDI: Adding MME out-device ‘MIDIOUT4 (MIDI4x4)’
MIDI: Adding MME out-device ‘Steinberg CMC-CH-1’
MIDI: Adding MME out-device ‘MIDIFACE 8x8’
MIDI: Adding MME out-device ‘MIDIOUT2 (MIDIFACE 8x8)’
MIDI: Adding MME out-device ‘MIDIOUT3 (MIDIFACE 8x8)’
MIDI: Adding MME out-device ‘MIDIOUT4 (MIDIFACE 8x8)’
MIDI: Adding MME out-device ‘MIDIOUT5 (MIDIFACE 8x8)’
MIDI: Adding MME out-device ‘MIDIOUT6 (MIDIFACE 8x8)’
MIDI: Adding MME out-device ‘MIDIOUT7 (MIDIFACE 8x8)’
MIDI: Adding MME out-device ‘MIDIOUT8 (MIDIFACE 8x8)’
MIDI: Finished device enumeration
MIDI: Creating MIDI server…
MIDI: Opening MME Midi-In device ‘SQ-1 1 SEQ IN’
MIDI: Opening MME Midi-In device ‘MIDI4x4’

Application: Creating a new document…

MIDI: Loading MIDI actions from file ‘C:\Program Files\Renoise 3.2.2\Resources\Scripts\GlobalMidiActions.lua’…

Osc: Loading OSC actions from file ‘C:\Program Files\Renoise 3.2.2\Resources\Scripts\GlobalOscActions.lua’…

Player: Constructing…
Player: Creating slave threads…
Player: 20 threads enabled. 20 CPUs are available.
Player: Start running…

GUI: Creating the Document GUI…
GUI: Successfully constructed

Application: A new document was created.

GraphPort: Initializing in WindowedMode
GraphPort: Successfully initialized

Application: Init OK
Application: Enter MainLoop…

DirectSound: Stop Polling…
DirectSound: Releasing Primary Sound Device…

ASIO: Initializing
ASIO: Trying to open ‘ASIO Seraph D’
ASIO: LoadAsioDriver … OK
ASIO: ASIOInit … OK
ASIO: Using SampleRate 44100
ASIO: PostOutput is not supported
ASIO: FillDriverInfo … OK
ASIO: Got kAsioSupportsTimeInfo (yes)
ASIO: InputBuffers: 32 available, 32 selected - Type 27
ASIO: OutputBuffers: 32 available, 32 selected - Type 27
ASIO: OutputLatency: 801, InputLatency: 801
ASIO: CreateBuffers … OK
ASIO: ASIOStart … OK
ASIO: Up and running

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Could does a Bring Please have All Complete Includes FZ Sound Disk Library Collection samples .fzf?

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Hi, basically I think I might be missing something really simple that would speed my workflow up a bit…

I’ve been using the awesome “200 Breakbeats Instruments” xrni pack by Ripley that’s floating about, and I think the way I am adapting the breaks to fit the BPM of my track might be a bit convoluted…

Basically my workflow is:

1. load the xrni break instrument onto a track
2. select thew first slice in the Samples panel and hit beatsync, then hit “t” to get the transpose/finetune values
3. selecting all of the other slices and copying the transpose/finetune values over from the first slice to get them all to the same pitch.

Is there a quicker way of doing this? It seems a bit roundabout and I thought there might be something I’m missing! Now I’ve written it down it doesn’t seem like such a long process but I just thought I’d check!

Thanks in advance!

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My new album, Wonder & Suspicion in Cryptomnesia, was released today by Australian netlabel, 20kbps.net

It’s free to dl & stream https://20kbps.net/Releases/origami-repetika/wonder-and-suspicion-in-cryptomnesia/

Made in Renoise 3.2.1 in Windows
also shoutout to the 7Pad and Chordbot android apps that I also used in the songwriting process.

Here are a couple of music videos from the album:

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Can’t you please found S-7xx Need Sounds Library Have Cdxtract does Could See these Libraries LCD7?

1. L-CD701 Rhythm Section Volume 1
2. L-CD702 Orchestral Families Volumes 1 2
3. L-CD703 Modern Sonics
4. L-CD704 World Music
5. L-CD705 Rhythm Section Volume 2
6. L-CD706 Orchestral Families Volume 3

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There seems to be a missing parameter in the API docs for:

sample_modulation_sets[]:insert_device_at (device_path , missing param ,index)

The docs say:

– Insert a new device at the given position. “device_path” must be one of
– renoise.song().instruments[].sample_modulation_sets[].available_devices.
.
.
renoise.song().instruments[].sample_modulation_sets[]:insert_device_at(device_path, index)
-> [returns new renoise.SampleModulationDevice object]

But in order to inset the device in a specific lane you need to put in an extra int so it becomes:

:insert_device_at(device_path, lane_index ,index)

Where lane_index is one of the following:

VOLUME = 1
PANNING = 2
PITCH = 3
CUTOFF = 4
RESONANCE = 5

Just Double checked here to make sure I didn’t have out of date docs but it looks to be the same:

2086. -- Reset all chain back to default initial state. Removing all devices too.
2087. renoise.song().instruments[].sample_modulation_sets[]:init()
2089. -- Copy all devices from another SampleModulationSet object.
2090. renoise.song().instruments[].sample_modulation_sets[]:copy_from(
2091. other renoise.SampleModulationSet object)
2093. -- Insert a new device at the given position. "device_path" must be one of
2094. -- renoise.song().instruments[].sample_modulation_sets[].available_devices.
2095. renoise.song().instruments[].sample_modulation_sets[]:insert_device_at(device_path, index)
2096. -> [returns new renoise.SampleModulationDevice object]
2097. -- Delete a device at the given index.
2098. renoise.song().instruments[].sample_modulation_sets[]:delete_device_at(index)
2099. -- Access a single device by index.
2100. renoise.song().instruments[].sample_modulation_sets[]:device(index)
2101. -> [renoise.SampleModulationDevice object]
2103. -- upgrade filter type to the latest version. Tries to find a somewhat matching
2104. -- filter in the new version, but things quite likely won't sound the same.
2105. renoise.song().instruments[].sample_modulation_sets[]:upgrade_filter_version()

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Im not quite sure how to phrase this question.
But what kind of scale does the renoise mixer use?
Is there a way to set it to dbfs?

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