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@Psymon wrote:

Renoise 2.3.1
Vocaloid 5.4.1 with Zero-G Vocaloid Voice Pack: Avanna
Additional VST instruments from DSK Music and Full Metal Bucket

Vocaloid 5 is running as a slave ReWire device. Some vocal effects were applied by Vocaloid itself, but echo and reverb were added in the Renoise mixer.

Post was through a Yamaha 8 channel mixer pad.

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@Raul wrote:

Genesis Pro VSTi, is already prepared!

This seems to be an 8-year project that comes out now, with a symbolic price of €1. What the fuck?

I guess I should comment. It seems a very interesting topic. Hopefully it is available in 64bit and has its own scaling…

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@Heptagen wrote:

I am using the Duplex Recorder. My aim is to get it working like e.g. the BOSS RC-505.
As far as I know there is no way to overdub a recording and I am really missing this feature.

Example: I want to record my voice 3 times right after each other in different pitches to create a group of backup singers. I need these three voices in the same track to be able to toggle them at the same time and to assign the same effects to all of them simultaneously.

If I’m right and its currently not possible to do this out of the box - could you think of a possible workaround?
Of course I could just use three different tracks for the three takes, but that would fill up the columns on my controller way too fast.

@danoise Would you say that it’s possible to implement this in a future update? Or am I asking for something virtually impossible here?

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@sun wrote:

@LBRY: Sun - Echoes

Renoise + Omnisphere / RMX / z3ta+ 2

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@Redman wrote:

wip: feedback appreciated

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@zekeyheathy wrote:

Hey everyone,

Been trying to figure out if there’s a way to customise how a new track is created. I personally would rather the panning & delay columns were not hidden by default. Is there a way round this or do I have to just suck it up? Cheers

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@Dalvidos wrote:

Windows: Inflator 32bit plugin and jbridge not working in 3.2 Help, Support & Bugs Thanks Taktik, Deleting the cachevsts file from AppData\Roaming\Renoise\V3.2.0 did the trick. Now Inflator fires up like I expected, with both ‘sandbox’ on and off. Thanks everybody!

I looked at this thread and this solution did not help me. I did have a bug report page come up too, but since that was after following the instructions on that thread I was not sure if it was worth your time.

A lot of my plugins just don’t work, I’m on windows 10 64 bit Pro-N with media updates installed… Renosie 3.1 works fine with all the plugins. I suspect the issue is that the plugins are 32 bit.

I mean my old version of Glitch doesn’t work… the 1.3 baby (you know aht I’m talking about) yet Glitch 2 works fine… Please help as I love the look of 3.2 but I can’t take the leap this way. Thanks

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@renoisemp wrote:

New Renoise user - I downloaded it earlier this evening, following the tutorial about making a beat, so one sample loaded in 00, then to first track, hit escape to enable edit mode. The transport starts running and it places the same note over and over until I escape out again.

Is this a macOS Catalina issue with Renoise? I’ve tried to figure out if a setting is wrong, but I haven’t changed anything from the way it comes when you open up for the first time.

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@PirkoAaro wrote:

I would never mind, doing a good thing! =)

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@LofiMat wrote:

This things bother me about the intern RECORDER of RENOISE. I cannot REC something there or with - no signal no record no nothing at all. I have allready tried out all the settings and read the manual but I just dont gett it? How do you record a free played in VST Sample into Renoise using that THING?

Right now I actualy just use Voxengo recoders on my baddazzz old WIN7 computer and - this is what I not gett at aLL - With that one all workzz juzzt as expected and now troubles. Everything recs fine! Same Audio settings and setup of vst AND that is what I dont understand.

DANK

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@gentleclockdivider wrote:

When setting a sample to timestretch 512 lines ( textured ) , the playhead cursor in the waveform is totally inacurate
Just hold a note and look at the waveform and notice how it stops
I maximized some parts of the waveform so you will hear the difference easily , yet the cursor never reaches that part
innacurate.xrns (16.4 KB)

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@ffx wrote:

Maybe I asked this already, but what is the difference here? I cannot see any difference in automation editor using draw mode…

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@fladd wrote:

I would like to have the cell colours change in pairs of two, as in the manual: https://tutorials.renoise.com/wiki/File:3.2_sequencer.png.

For me right now all cells have the same colour.

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@Land_of_Bits wrote:

i’m excited cause its only going to be 1euro

https://www.oz-soft.com/

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@Dry_Eyes wrote:

In 2018, I was hanging around a bunch of people who thought that underground hip-hop was the future, or the vehicle for social transformation that we should all get involved in. We were all outsiders to the scene, but I produced music as Dry Eyes and decided to give making a beat tape a shot. The results were awful (but you can hear them on Bandcamp)

However, when the idea came up to create an entirely new genre (called “Chicago Downtempo”) based on hip-hop, Bristol downtempo, with 303 squelches, an emphasis on cymbals and thundering beats and popping snares, and just innovating within that framework and making something new that was cool, I came up with this EP. Its some of the finest work I’ve done, I think, and I think it deserves a listen and a chance to gain fans and influence the world of music, which it really hasn’t. It’s my baby, you know?

Anyways, its a free download (But you can give something if you want!) Check it out!

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@Megnusin wrote:

I’m on MacOS 10.15.2 Catalina running Renoise 3.2.1 (licensed).

When I enter fullscreen mode in Renoise (alt+enter), the MacOS Dock remains visible on the bottom, covering some of the controls. It’s generally the case for MacOS apps that have fullscreen modes that the dock disappears completely and becomes inaccessible as long as the app is in fullscreen (you need to exit fullscreen mode to access it again).

I’ve noticed this previously when I first ran Renoise on a Mac, but now that I’m primarily using Mac, it’s kind of an issue.

Did I miss some option to hide the Dock, or is this a bug (am I really the first person to report this)?

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@dspasic wrote:

Hi guys,
Is something like this available in renoise?
Xxy Extra fine portamentos: ( from milkytracker manual)

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@midierror wrote:

Hi
This would be such a nice addition to when you’re auditioning loops in your sample library. If they’re the same tempo but different lengths its frustrating to keep enabling this.

Please god!!!

midierror

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@moodorf wrote:

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@rafa1981 wrote:

Hello,

I started my days into computer music with Impulse Tracker more than 20 years ago. I always wanted something like Redux, as the tracker workflow has many advantages sometimes.

Long ago I was speaking and giving ideas to Chris Nash, revisit’s author, about triggering patterns (phrases) from the DAW via MIDI, having multiple outputs, etc.

Unfortunately even though Revisit’s idea was right, the implementation didn’t work out for me. I have since long ago wanted to do a version of Revisit myself (e.g. Starting from a core based on OpenMPT and seeing where it goes).

Now I’m evaluating Redux and I found that it works as it is, nice work, I pass you a list of ideas and suggestions of what I found:

• When using modulation filters/effects there are only 3 parameters, Frequency, Resonance and Drive. A “Dry/Wet” parameter would be very useful to be able to make an effect start acting only at some points. A clear useful example is e.g. having a looped synth instrument and to make the filter start acting after the note is off while on the release phase of the amplitude envelope.

• A trick I’m using since the stone age to make fat sounds is to place copies of the same sample at different panning points and to slightly detune each copy and maybe to slightly alterthe envelopes. If I’m using only two samples or a stereo sample I e.g. only slightly detune the left sample. Things works as-is for me, but maybe some kind of automation to allow discovering this technique to people would help your product. What I have found is that the “Finetune” adjustment is to coarse for this.

• When working with drum kits, sometimes it would be nice to have a “mute/solo” button for samples to be able to mix the sample levels within the instrument. Now I’m workarounding this by using the volume fader.

• When working with drum kits, it is not uncommon to have some samples of the same instrument at different velocities (hit strength). It would be nice to be able to import some samples to the same note layered by velocity on the Keyzones screen, so one doesn’t have to manually place the samples on the same note. Something similar to what “create drumkit” does on the “Y” axis (notes) but for the “X” axis (velocities).

• On the Phrase editor the cursor position (with orange background) is constant and the pattern scrolls, this is nice for playback, but when writing towards the bottom end of the pattern makes the first rows disappear while having as much as half screen unused. This is suboptimal usage of the screen real estate. It would be nice to have a checkbox somewhere to change the behavior.

• Related to the pattern scrolling. The most optimal setting would be to have cursor position in the middle of the pattern (or another fractional value towards the end), but it seems to be fixed at 32 rows. My screen can show 97 rows, so when writing patterns I see mostly empty rows and what I wrote before becomes hidden easily.

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