Feed aggregator

@Megnusin wrote:

I’m on MacOS 10.15.2 Catalina running Renoise 3.2.1 (licensed).

When I enter fullscreen mode in Renoise (alt+enter), the MacOS Dock remains visible on the bottom, covering some of the controls. It’s generally the case for MacOS apps that have fullscreen modes that the dock disappears completely and becomes inaccessible as long as the app is in fullscreen (you need to exit fullscreen mode to access it again).

I’ve noticed this previously when I first ran Renoise on a Mac, but now that I’m primarily using Mac, it’s kind of an issue.

Did I miss some option to hide the Dock, or is this a bug (am I really the first person to report this)?

Posts: 1

Participants: 1

Read full topic

@dspasic wrote:

Hi guys,
Is something like this available in renoise?
Xxy Extra fine portamentos: ( from milkytracker manual)

Posts: 2

Participants: 2

Read full topic

@midierror wrote:

Hi
This would be such a nice addition to when you’re auditioning loops in your sample library. If they’re the same tempo but different lengths its frustrating to keep enabling this.

Please god!!!

midierror

Posts: 2

Participants: 1

Read full topic

@moodorf wrote:

Posts: 1

Participants: 1

Read full topic

@rafa1981 wrote:

Hello,

I started my days into computer music with Impulse Tracker more than 20 years ago. I always wanted something like Redux, as the tracker workflow has many advantages sometimes.

Long ago I was speaking and giving ideas to Chris Nash, revisit’s author, about triggering patterns (phrases) from the DAW via MIDI, having multiple outputs, etc.

Unfortunately even though Revisit’s idea was right, the implementation didn’t work out for me. I have since long ago wanted to do a version of Revisit myself (e.g. Starting from a core based on OpenMPT and seeing where it goes).

Now I’m evaluating Redux and I found that it works as it is, nice work, I pass you a list of ideas and suggestions of what I found:

• When using modulation filters/effects there are only 3 parameters, Frequency, Resonance and Drive. A “Dry/Wet” parameter would be very useful to be able to make an effect start acting only at some points. A clear useful example is e.g. having a looped synth instrument and to make the filter start acting after the note is off while on the release phase of the amplitude envelope.

• A trick I’m using since the stone age to make fat sounds is to place copies of the same sample at different panning points and to slightly detune each copy and maybe to slightly alterthe envelopes. If I’m using only two samples or a stereo sample I e.g. only slightly detune the left sample. Things works as-is for me, but maybe some kind of automation to allow discovering this technique to people would help your product. What I have found is that the “Finetune” adjustment is to coarse for this.

• When working with drum kits, sometimes it would be nice to have a “mute/solo” button for samples to be able to mix the sample levels within the instrument. Now I’m workarounding this by using the volume fader.

• When working with drum kits, it is not uncommon to have some samples of the same instrument at different velocities (hit strength). It would be nice to be able to import some samples to the same note layered by velocity on the Keyzones screen, so one doesn’t have to manually place the samples on the same note. Something similar to what “create drumkit” does on the “Y” axis (notes) but for the “X” axis (velocities).

• On the Phrase editor the cursor position (with orange background) is constant and the pattern scrolls, this is nice for playback, but when writing towards the bottom end of the pattern makes the first rows disappear while having as much as half screen unused. This is suboptimal usage of the screen real estate. It would be nice to have a checkbox somewhere to change the behavior.

• Related to the pattern scrolling. The most optimal setting would be to have cursor position in the middle of the pattern (or another fractional value towards the end), but it seems to be fixed at 32 rows. My screen can show 97 rows, so when writing patterns I see mostly empty rows and what I wrote before becomes hidden easily.

Posts: 1

Participants: 1

Read full topic

@TheDamnChicken wrote:

I had a fun time with putting lots and lots of plucks on top of drones. Also a random brass section because that’s a thing that just keeps happening atm…

Posts: 1

Participants: 1

Read full topic

@TheDamnChicken wrote:

Hey Renoisers,

Since my last thing, I’ve thought about making a video about how get going with orchestral in Renoise, since online info on the subject is sparse, and there are many little things to consider to have a smooth experience with it.

Would there be ANY interest at all on this topic?

Posts: 1

Participants: 1

Read full topic

@LofiMat wrote:

Hello my Homiezzz - LofiMat is Back with a Brandnuu Loopaaa!! Ja!!

Its like Taktikz LooperEcho wich come in Renoise BUT I made it loop longeeerrr much loooonnnggeerr.

So ALL funktionzz the same as yu kno already BUT this TIME it loops 5Sekondzz NOT juztz 2.

• Lines
  . Choke
  -Feed

All wrokz the same as before. This uses 1 TAP of the Multitap so we can LOOP 5SECZZ NOW!!

It alwayzz botherd Me that I can only loop 2 sekzz becaue my Trap beatzz need 4,5Sekz or soo not 2.

I hope Yu like my new Doofer & let me know

Love you guys from Berlin!!
PEACEEEEEEEEEEEE:space_invader:

Posts: 2

Participants: 1

Read full topic

@PirkoAaro wrote:

Now I have been struggling far to long with the bass that I felt I really needed to ask the community, I don’t know how many “songs” I have totally scrapped cause at some point I get totally sick of the bass I have worked up on, change the sample and voi’la next project.

I just recently managed to start using Renoises own sampler/modulator and DPS chain thanks to the videos by Land of Bits/A-Type, must really say that I am mighty impressed of his teaching skills the absolutely best person at explaining sound design I have ever seen!

So I am really feeling like I should try to use vst as little as possible just in order to get a hang of Renoise, it’s such an amazing software that I after playing with it on and off for a year I am growing to love it more and more! Using external plugins feels more okay!

I know that it should be a very short to none attack, bit of decay, no or very small sustain aswell as a short release. So that part I feel pretty safe with, all tips are much appreciated! I am also very interested about all kind of genres actually but this is the one thing that I have gotten really stuck with, so stuck that I hardly ever do anything else when I am playing with the program.

Thanks for the attention and time!

Posts: 1

Participants: 1

Read full topic

@toimp wrote:

Found a small bug. Always reproducible for me. The playhead in the sample preview doesn’t work correctly when you are using autoseek with beatsynced timestretching.

I know that i’m using transpose in instrument 0, but this seems not to be the culprit here.

Renoise 3.2.1, Windows 10

Steps to reproduce look like this:

1. Load attached demo song
2. Switch to Sample tab of instrument 0, play the demo song
3. You see that the playhead doesn’t fit what you head
4. Switch to instrument 1, where “repitch” is used
5. Everything is fine here

Expected results:

The same playhead rendering in insturment 0 and instrument 1

Actual results:

Different playhead rendering.

sample_playhead_bug.xrns (551.8 KB)

Posts: 1

Participants: 1

Read full topic

@Jonas wrote:

Oy,

Reworking .mid files in Renoise I have come across a problem where songs don’t start at line 0 in the pattern editor, but for example at line 16. The songs are divided up in 64 length patterns, but where you’d expect a chorus or verse to begin on pattern start, you have 16 lines of the last section. It’s workable, but a lill irritating .

I’m looking for a tool, sort a like rotate pattern tool (<- which can cycle a patterns worth of information ( https://www.renoise.com/tools/rotate-pattern )), but now for a songs worth of content! Enabling to shift backwards (or forwards) everything X amount of steps, making it easier to arrange.

Right now manually using the rotate pattern tool on every pattern takes a lot of time, plus you have to manually cut the missing lines from the next pattern back into the previous.

Can above tool be hacked to widen the scope? I understand processing a lot of data will take long for any tool. I have patience .

Grts,

R

Posts: 6

Participants: 2

Read full topic

@Redman wrote:

An old track from a few years back

Posts: 1

Participants: 1

Read full topic

@fladd wrote:

Deat @taktik,

I am aware that this has been discussed before, but I would like to bring this to your attention again, since it has been years now since Redux has been released:
Currently, Redux is still not really usable under Linux, since it does not receive keyboard focus. I know you last time said this is a problem with the host (Reaper back then), but it seems that the situation is not that simple: https://discourse.ardour.org/t/renoise-redux-not-receiving-key-events/88301. If I understand the Ardour developer correctly, then there does not seem to be a standard way for Linux plugins to handle keyboard focus (for some reason). Would it be possible to get into contact with Paul (Ardour) and Justin (Repaer) to discuss a way (standard or not) to handle this at least in their hosts? Once this is in place, other hosts might follow that implementation then, and you could even propose your way as a “standard” for Linux VST. I am sure that selling a product that does not work properly is also not in your interest, and I really hope that a solution for this can be found soon.

Posts: 2

Participants: 1

Read full topic

@Neuro_No_Neuro wrote:

Created entirely in Renoise -

Posts: 1

Participants: 1

Read full topic

@lilith wrote:

Don’t find anything in the help files. When navigating in the pattern editor I very often want to move quickly from track to track to the left or right. It seems that this is only possible with the arrow keys which is quite slow. Is there any workround to jump immediately to the next / previous track?

Posts: 2

Participants: 2

Read full topic

@lilith wrote:

Maybe someone is interested?

Samples From Mars is a Brooklyn based samples imprint founded by producer Eddie Mars, focusing on the highest quality hardware drum & synth samples.

Posts: 1

Participants: 1

Read full topic

@Dry_Eyes wrote:

Project Xaos is my drone project and this is my most interesting drone yet. You might wonder why one should listen to a drone? To be smart, of course!

Posts: 1

Participants: 1

Read full topic

@stygmate wrote:

Can’t view tips:

Can’t view window content until mouse go over:

I’m on Max OSX 10.14.6 on a Macbook Pro 2018.
(last version of redux)
edit: DropDown menu and menu are also affected.

Posts: 1

Participants: 1

Read full topic

@Raul wrote:

Some time ago I tried Musescore, which is a free music notation software, and for some reason it didn’t convince me.

But lately I have given it another chance, and now I think it’s a great software to compose in sheet music.

I would like to know if anyone knows any way to link Renoise song data, which uses XML files, with data to represent notes in the Musescore scores, which also uses the XML format to save data. This would be to handle only text data, which would be very light.

If Renoise had some kind of relationship with Musescore it would be great.

I doubt that an LUA tool can be built that can convert Renoise XRNS songs, into a direct score for Musescore. I guess the only link would be the XML file data.

If someone is interested and knows these issues, it would be nice to investigate all this.

I imagine a tool that can turn you into a score pattern for Musescore, and it would be extraordinary.

Why Musescore? It is a free, open source software and on top of it it is very well done, surprising to be a free software. It is a luxury that such things exist. It has constant maintenance and a long history. It is compatible with MIDI to play several instruments (use the sound card for that) and among other things it allows you to export the sheet music in PDF.

So, does anyone have any ideas on this subject? I find it very interesting for any musician who uses Renoise.

Initially, I have in mind the problem of note offs to determine the duration of the rhythmic figures, as well as the accumulated notes in the same column, the configuration of continuous notes and all those things. It seems very complicated.

Posts: 2

Participants: 2

Read full topic

@stoiximan wrote:

Hello you guys.Here is another one

Posts: 1

Participants: 1

Read full topic