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Hello people,
Today my ep was released on the streaming platforms.
I heavily used renoise to make it

Ettin · Single · 2022 · 6 songs.

If you buy it on bandcamp (you can listen it there for free as many times as you want), as a bonus, you’ll find the renoise file with the “what else is there to loose” track.

Thank you

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I’m embarrassed to even be asking this, because it feels like something I should be able to have researched/found, but alas…

So I’m trying to use Stochas (VST plug-in) to record note data into Renoise, and I’m failing miserably. I’ve managed to successfully set up a pathway for Stochas to play an instrument, but even in record mode, Renoise never captures any note data.

If there’s someone patient enough, I’d truly appreciate a deeper understanding of how I should be setting this up. I’ve fiddled with the MIDI routing quite a bit, but I’ve yet to experience any success beyond hearing playback in real-time without any note data capture.

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This is probably a dumb question and I think Im having a brain fart… Anyway, I was jamming out on my Linux box and wanted to load some samples from an external drive. Normally on my windows machine it’s just listed right there. On Linux, however Im having trouble accessing it, so yeah how would I do that?

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Hi, what’s the API call for hiding FX DSP Chain plugins that are visible?

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Hey all, I’m working with various Inst. Automation presets and controlling the parameters via MIDI Mapped inputs from a MIDI Controller, and doing this lets me quickly switch which operators I’m working on for FM Synthesis in a VSTi.

This is super convenient to help me hone in the sound I’m trying to make but if I accidentally cycle through my presets it will wrap back around to the “Init” default preset, doing this completely clears my MIDI mapping. Is there any way I can remove the Init preset from the list? Init clearing MIDI mappings seems like something I’d want as an option, especially since you cannot export DSP parameter MIDI mappings and you can already clear MIDI Mappings elsewhere!

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Not a total noob, but struggling here, and feeling there’s something obvious I’m missing.
Setup = Windows 10 machine with Renoise64Bit V3.4.2 and REAPER64Bit v6.60

REAPER is currently the evaluation edition, Renoise is a purchased edition.

What i want to do is “simply” record the output of a track or tracks, from Renoise into a track or tracks in REAPER.
I have managed to get REAPER to act as the client (or slave) to the Renoise host (or master), but can not get it to work the other way round.

Process goes like this: start REAPER first, create new track, click on FX, attempt to add “ReWire: Renoise”
but am unable to, as the only entry in the ReWire section is ReWire: REAPER which would be creating another REAPER running as a client, not what i want - but could be interesting to experiment with.

So to recap, I want to run Renoise as a REAPER client but can not find the ReWire: Renoise “plugin”.

Is this a just REAPER issue ? or am i missing something that needs to be installed…?

Would appreciate some help.

Cheers

PukekoNZ

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Hello,

This is a new track, very demomaking for demoparty Shadow Party 2 (2nd place)

3mn24 - 130 bpm
VST Synthmaster and Spire + few samples.

Good listening

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Well I’m not sure how to explain this .is there anyway to assign an lfo to an instrument to trigger it? And then tweak rate parameter …

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I asked a question related to this last year and although the Dev gave me feedback (thank you) this is still an issue to me, and the issue is: how resampling is broken on Renoise.

The effects almost always sound weird, have phase issues or worse if I resample an audio in ANY other way that isn’t render song to disk. I have to hope the plugin I picked won’t give me a headache. What is going on? This doesn’t seem to be an issue in any other DAW that I’ve ever used, am I resampling wrong? I don’t think so, I’ve tried every workflow I could have imagined it (render track DSP chain, render sample DSP chain, render selection to sample, etc). What’s even the point of having that many options if they only work sometimes in particular conditions that aren’t even detailed in the manual?!

Should I change something in my settings? Maybe the sample rate? Maybe some weird little hidden option?

I think I’ll just have to quit resampling on Renoise, which is unfortunate.

This is honestly annoying and a bit painful because I love this tracker and use it on a daily basis but still haven’t got a way around this.

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Just a little tool that shows various delay times in the status bar for the currently set BPM, might be handy when setting pre-delay times and such stuff.

Look for the “show Delay Times in status bar” key binding.

com.shockbroker.DelayTimes.xrnx (902 Bytes)

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Its fun to make shapes. I took this idea as far as I could with my renoise skills

osc music.xrns (19.4 KB)

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So, in my never-ending quest to get some sort of granular effect with native devices going, I came up with another couple’a Doofers.

RandPan - a randomized panning device, straight up LFOs controlling a Delay with no feedback/repeats. If you want to, you can add some controls to the speed of the panning using Doofer knobs. I didn’t here, because I didn’t need to.

Click Control - One of the main things I use granular plugins for is to create randomized ticks and pops, placed VERY low in the mix. Normally, I would use a noise-source, and reduce the granular tool’s slice size to something like 1ms - 5ms. Well, we can’t do that here in Renoise (yet, anyway @taktik). So, I put my head around the issue and said - "I can make my own 1ms - 5ms tick sounds by just drawing them myself in the sampler, drawing in X individual samples.

Since I don’t have a native granular tool to slice sound, and I created these ticks, I remembered I can randomize the Repeater’s controls with LFOs. I connected a ton of LFOs to a bunch of parameters of the Repeater, placed 'em in a Doofer, added some other bunkum to give me even more control over the sound (added a Gainer to make pretend randomized velocity), and now I have a really fake granular effect that sounds pretty close to the real thing. It’s ‘good enough’. Nobody’d gonna be able to tell, except me.

Now, this doesn’t work well on melodic sounds, because the Delay makes those annoying sounds of a delay changing speed. It’s not cool. Don’t do it. Sounds like a 10-year old messing with the delay speed on a guitar pedal. Only works well on clicks. Basically, it’ll make the sound of tiny, plastic raindrops with whatever clicks you feed it. Probably works OK on tight hi-hats, maybe. Less melodic tones and there’ll be less annoying delay sounds sweeping in pitch.

So, @taktik. Please, please, please may we have some real granular Tools in this beast of a sequencer? Please? I mean it, really. I’ll pay more for it. C’mon. I’m begging now. We could really be making tons of new sounds in Renoise. Granular synthesis is not just ‘all the rage’ anymore, it’s becoming a new norm. And you make this software so well, I don’t want to use plugins. I don’t want to use another sequencer. I want to use YOUR creation(s) alone. Please? Pretty please?

Listen to this stuff - it should be on 12K or LINE or other microsound labels - much of my other Renoise stuff is already on Audiobulb.

Here it is:

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Hi. I’m trying to make sense of my old script Paketti and am just thinking, is there in the year 2022 a way to actually just set

so that it’s always there everywhere all over the script everywhere, regardless of whether there’s a separate sub-script being imported, or if it is called in multiple functions within the script?

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There is a probably a better way to do this, but I thought it worth sharing. The track effects are a mess but it will take me a long time to clean it up.

If anyone knows better techniques regarding the LFO resetting please lemme know. I tried to tie the key tracker to a hydra and split the reset signal from that into different LFO’s but it didn’t work.

dubgenerator.xrns (1.3 MB)

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Hello. I am relatively new but experiencing hardships in the learning curve of Renoise. I’m well of in Logic and MPC territory. I’m relatively good at analog gear and layering / sequencing breaks. Logic doesn’t have the electronic music capabilities that Renoise has, neither MPC. Both have workflows that I don’t enjoy, I usually feel cooked up after a few hours of sound design compared to fleshing out full tracks when I was more of a beginner. Now that I am eager to use Renoise , I feel a lightyear away to memorize the keyboard shortcuts and new workflow. Any tips or advice? I’m not giving up but what is the barrier to breaking into this beast? Thanks!

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Hello,
I think it would be nice if the FX Column could have its header either renamed ( like the note column ) or be able to insert a tag under FX header, like where “play” is under the note column.

That is all, thank you

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Hello,
I just can’t get this to work right.

Scenario:

1. Make a new song at 140bpm
2. Load up factory included “SM101_brk_back II soul_102bpm”
   2.a ( optional, does it even do anything when slicing? set beat sync 128bpm percussion )
3. Auto slice sample using transients ( I used 10%, tried others too )
4. Render slices to phrase, render slice options: 8lpb, no quantize ( tried other settings too )
5. Play phrase

The phrase plays really choppy compared to the waveform editor playback

Am I doing this wrong?

Thank you

Edit: If I change song bpm to 102 it sounds ok. Still not “perfect” as one might expect. So I guess I need to destructively apply beatsync settings to the original SM101_brk_back II soul_102bpm. Do I have to render a pattern to a new sample in the pattern editor or is there an option I’m missing? I tried using rubberbandaid but cannot figure the settings to make it sync like beat sync. Thank you

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Am i missing something here or there is no dark theme for this forum ?My eyesight is problematic and it really hurts me especially at night time

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