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Kontakt 7 window won't open
NI just released Komplete 14, and with it comes a brand new version of Kontakt (finally).
unfortunately it acts really strange in renoise. when i load it in under the plugin tab, the kontakt window shows up, and it works fine. but for whatever reason, once i close it i can’t open it again. no matter how much i double click on it in the instruments panel, it won’t open.
if i loaded an instrument into it before closing it, i can still play the instrument, i just can’t open the damn window. no matter if i’m in the plugin tab, the edit tab or whatever.
it only exists as VST3 so maybe that has something to do with it? i don’t have any issues with other VST3 plugins however (except massive x, but at least that’s available as VST2 as well).
kind of a bummer as i’ve been looking forward to an updated kontakt player for ages, and now it’s here and it …sorta works? i just can’t see the damn window.
anyone else?
1 post - 1 participant
Samplebrain release
hello,
I’m trying this, but somehow I don’t want to push the sound out
win 11 and behringer usb sound card.
1 post - 1 participant
Note off tool? (issues sequencing korg ms-20)
The envelopes on ms-20 does not retrigger. I often copy a drum groove to the track wich triggers ms-20, wich means that i manually have to enter the off command before every new note.
Is there any tool that automatically insert a off command before every new note? Or other work arounds?
I’ve tried Note Off Tool | Renoise but does not do exactly what i want.
1 post - 1 participant
Audacity takes a “major step towards transforming into a DAW” as it reaches
The free and open-source software aims for "end-to-end production tool" status
I’m not a big user of Audacity, but this might interest some folks.
Lack of MIDI support sort of stops it from being a proper DAW in my mind, but having some other audio tool can be handy.
Can’t beat the price. : )
2 posts - 2 participants
Could a Wet/Dry Rotary/Fader/Whatever be added to the Macro Controls of the Doofer
Would be good to have an additional control at the start of the Doofer Chain that is a Wet/Dry blend for the dry signal and wet signal as it is processed by the contents of the Doofer. I believe, with absolutely no experience of programming or anything of the like, that this would be easier than creating a whole new Parallel FX container.
Would be great. That is all.
1 post - 1 participant
Gentoo Studio real-time Linux audio production system
https://gentoostudio.org Gentoo Studio is an actively maintained, source-based, 64-bit desktop real-time Linux audio production system based on Gentoo Linux.
I’ve first heard about it today. I’d like to try it out. Anyone had any experience using this distro?
1 post - 1 participant
Mappable shortcuts to navigate through slice markers
When adjusting a lot of slice markers it would be helpful if we could have a mappable shortcut to jump to the previous/next slice marker from the currently selected one. Using the list of slices to the left opens the slice in isolation, not offering the option to adjust the slice marker’s position.
1 post - 1 participant
Filter 3 eulogy or why all my mixes suck
Lately I realized again, how fancy the deprecated Filter 3 works as a highpass filter. It seems to me the most balanced filter in this regard, the perceived volume stays the same. Especially if you aim for adding a bit of resonance at the fundamental for compensating the lows you just cut off. Let’s name this kind of mixing the 80s style of mixing. In the end such kind of mix appears more dense and “warm” This filter is the holy grail for adding warmth like a fireplace (esp. mean the “24dB 4Pole” filter type).
The digital filter isn’t bad and very useful, but can’t reach this specific kind of quality.
After I replaced all digitals filters with Filter 3 in all my mixes, the I rock the garage again.
So I would love to see a revised version and a de-deprecation of the fancy Filter 3. Maybe adding oversampling, maybe adding pre-/post drive optionally, or maybe even make it open source? Very likely it is not an algorithmic masterstroke, but instead just very carefully chosen by good ears. At least I find it kind of sad this it was deprecated.
The analog filter sounds nice, but does not seem to be a good replacement, since the filter types are too specific. Or maybe I just need to try it more…
What’s your opinion about this topic?
3 posts - 2 participants
(Middle-click) mute Columns in a Track
Like when Middle-clicking on a track in the Pattern matrix or the PLAY button inside the track to mute it for the pattern it would be nice if you could also Middle-click the PLAY button of the columns too mute them the same way, that’s not possible right?
Just realized it’s possible to rename the ‘Note’ text in the columns
4 posts - 4 participants
MuLab DAW got VST2 plugin version
Yes. At now you can use MuLab DAW with its sequencer and piano roll in Renoise for an affordable price (cheaper than FL Studio). I have tested and worked together seamlessly.
https://www.mutools.com/mulab-plugin-downloads.html
BTW
- you can resize plugin window
- there is a sync button in plugin that allows to start in sync with the main DAW - Renoise
1 post - 1 participant
Disabled Line in device mutes all audio in group
Hey, just wanted to report a rather odd bug i’ve been experiencing in Renoise 3.4.2 - not critical at all but a just little annoying
This only happens in songs created BEFORE v3.4.2, but when loaded in 3.4.2 - and as far as I can tell only in Windows:
If there is a DISABLED line-in device on a GROUP, all tracks in the group gets muted. To get around it I have to either enable the line-in device or delete it.
1 post - 1 participant
Semi-generative breakcore
How can I record MIDI audio in Renoise?
Hi all
I’m trying to find a way of capturing the audio from my MIDI instruments in Renoise.
Presumably, if I attempt to render my tracks that have midi note data in them they’ll render as silence since I’m not using samples or VSTs. Ideally if I have some way to render the audio of each track individually to give me a multitracks I can work with in another DAW that would be awesome.
But any way of recording the audio from midi would be good.
1 post - 1 participant
What is the difference between a tech assignment and a research paper?
With a tech assignment, you have to use technology as an education tool rather than just write about it. You will be given something to teach or learn from scratch, such as showing how to set up a computer with software, help someone solve a problem they are having using phone support, or produce content for the web. This type of assignment tests your knowledge of technology but also your ability to provide you best ebook service and many more things like communicate, understand, and engage others. It shows them that you can work independently and take responsibility. However, sometimes there’s a big difference in what students say they want vs. what they actually do (aka, don’t know). Many instructors try to force teaching skills onto student writers even if they don’t want to. They may come off as authoritarian or language pedantic. You should avoid this approach and encourage students to share whatever comes to mind. “ Have some fun! ” is better advice for a tech teacher than a grad writing course.
1 post - 1 participant
Beginner question Lua .Function as keybinbing
beginner question here .
as an example i’m using simple but useful "Beatslaughter’s ClearSelection tool.
_AUTO_RELOAD_DEBUG = true
renoise.tool():add_keybinding {
name = “Pattern Editor:Selection:Clear”,
invoke = function()
renoise.song().selection_in_pattern = {}
end
}
renoise.tool():add_keybinding {
name = “Phrase Editor:Selection:Clear”,
invoke = function()
renoise.song().selection_in_phrase = {}
end
}
it works of course as it should . you assign key command to it and it clears selection as per design .
i experimented by substituding renoise.song().selection_in_pattern = {} with renoise.song():redo()
and it workes but if i substitude renoise.song().selection_in_pattern = {} with any other function
for example renoise.song():delete_track_at(index) i get error in LuaTestPad below
*** main.lua:6: variable ‘index’ is not declared
*** stack traceback:
*** [C]: in function ‘_error’
*** [string “local mt = getmetatable(_G)…”]:29: in function <[string “local mt = getmetatable(_G)…”]:24>
*** main.lua:6: in function main.lua:5
you can test it yourself ! why is that happening ?
Thank You
GC
1 post - 1 participant
Use a mid/side EQ when resampling synths or anything
Lately, using TDR Nova to EQ and scoop out the low end of the side channel of any stereo material I resample has been a game changer for me. I do it with u-he Diva and Dexed (one instance panned right and another left with inverted detune values) and is all I do to make synth sounds in Sampler, it also makes it so much easier to make a loop or crossfade as the 0 crossings will be much more aligned, If you ever wondered why your resampled supersaw sounds wonky or you get clicks when looping stereo samples give this a try.
1 post - 1 participant
Does anyone have the zip of the Indamixx "efficient music compo" entries?
Yo, I was wanting to look at some of my old renoise files, but unfortunately, that HD crashed years ago and I was an idiot who didn’t back stuff up.
referring to this competition:
CDM Create Digital Music – 22 Sep 09 Indamixx + Renoise + CDM Music Production Contest: Tracker Ninjas, Now's Your...At work in Renoise. Photo (CC) Federico Reiven [blog]. If you’re ready to show your skills creating digital music, we want your work. UPDATED! New contest entry page, new deadline (10/25): http://www.renoise.com/competitions/indamixx/ Plus tips,...
Est. reading time: 5 minutes
link on the renoise site is dead.
thanks in advance.
3 posts - 2 participants
Ringmod Sidechain
Hey, has anyone messed with ringmod sidechain in renoise? I think it’s a really interesting concept so I wanted to share my current setup for it and see if anyone else has a better idea for it.
Here is a link to the video going over it:
https://www.youtube.com/embed/OzLEwdcDXWo
the basic premise is rectifying your kick negatively, sending that to the sidechain input of a ringmod on your bass. Then you sum the output of the ringmod and the bass to get a waveform with space carved out for the kick.
Here is my renoise snip and file, take note of the rectifier settings if you want to copy. You will need the melda free pack to do it the way I have set up.
ringmod sidechain.xrns (41.6 KB)
Here is where I’d love feedback to try and simplify the process (too many tracks!)
I send the kick sample to two tracks from the sample effects page, one to play and one to send to be rectified and then sidechained to the ringmod. I’m wondering if there is a way to send this to the ringmod without using an additional track.
The ringmod is on a send track so that I can send the bass to it and have it summed in the master.
I’ve looked at the waves in reaper and it looks to be pretty effective at carving out space, I’m going to try it in my next track. I’m curious to hear what others here think.
1 post - 1 participant
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