Renoise Forum

@EatMe wrote:

hi there!

new music: “Play Again” by EatMe - www.eatme.pro

https://soundcloud.com/eatme/play-again

EatMe_-_Play_Again.mp3
EatMe_-_Play_Again.flac

download link for Final Track: EatMe - Play Again.xrns
download link for Basis: EatMe - Play Again.xrns

some rights reserved (CC) BY-NC-ND 3.0 - music by EatMe - please mention website: eatme.pro with a broadcast or share

please drop your comments below:

Posts: 1

Participants: 1

Read full topic

@natraj wrote:

Hey guys,

I spent the weekend writing my first lua script, and it became a renoise tool

This tool adds some assignable keyboard shortcuts under Global/Tools. These shortcuts are effecting only the currently selected note or effects column in a track.

The shortcuts are:

• Repeat: The block of lines above the cursor is repeated until pattern end, starting from the currently selected line. For example you type in some notes or effects in line 1-7, place the cursor in line 8, and have the first two beats repeated. Notes and effects are repeated independently.

• Increase/Decrease Instrument: Sets the instrument for a note column. Do it repeatedly, and you can simply browse through all available instruments for your song

• Increase/Decrease Shuffle: Increases or decreases the delay column value of every 2nd and 4th line.

• Rotate up/down: Rotates the column content up or down. Notes and effects are rotated independently.

I wrote these to speed up editing of basslines or drum tracks. As a Renoise noob I’m pretty sure I have reinvented some wheels, but it was great practice.

Hope you find it as useful as I do. Have fun!

de.sycokay.coltools_V1.xrnx (2.7 KB)

Posts: 1

Participants: 1

Read full topic

@rpls wrote:

There are ase crimes against Finland and Finland police and Army must activate because of defence / army laws! (Crime report to police)!!!

https://archive.org/details/rikosilmoitussota2019https://archive.org/details/rikosilmoitussota2019

I’m murdered. I need help!

Oheisen rikosilmoituksen mukaan Suomea vastaan käydään sotaa ja armeijan on hyökättävä presidentti Sauli Niinistön määräyksen ja lakien mukaan hyökkääjien kimppuun turvatakseen maan toimintakyky.

Englannissa Theresa May tapaa armeijan edustajia ja he kertovat haluavansa tuhota yrityksemme, poliittiset järjestelmämme, pankkimme ja maamme (Suomi) ihmiset.

Lontoon alueella kidutetaan ihmisiä ja levotonta. Maan turvallisuuspalvelu ei toimi. Ihmisiä kauko-ohjataan ja hätätila julistettava kuten Ranskassa. Suomessa oikeuslaitos ei käsittele enää sille annettuja/lähetettyjä oikeustapauksia!

Meillä on myös puhelinäänitteitä keskusteluista viranomaisten kanssa.

Minua (Tomas Erno Ukkonen) murhataan ja 30.000 euroa on varastettu minulta. Aivotoimintojani tuhotaan ja minua estetään käyttämästä Riihimäen asuntoni!

Olen vannonut 1999 sotilasvalan ja syntynyt 1980 Suomessa. Armeijan on hyökättävä käskyn ja lakien mukaan.

USA:n Washington Post kertoo haluavansa tuhota demokratian (“Democracy dies in darkness”).

I have worked in Ekokem, TKK, Growth Curves, Ministry of Employment, Teknillinen Korkeakoulu, Posti, Helsinki University, Neutral Line demoscenegroup, Citibank, Osuuspankki Bank, Absolutions, Valtion Rautatiet, ALMA Media, Aurinkomatkat, Maatila Nurhonen, Oitti Library, National Library of Finland, Novel Insight (tmi), Elance/Upwork freelancer sites, New York logistics company, GE Heakthcare Finland, Emotiv EEG company.

Tomas Erno Ukkonen
Tomas.Ukkonen@iki.fi
Tomas.Ukkonen@protonmail.com
TomasUkkonen1000@gmail.com
Facebook , VK, ello.co/tomasukkonen, bat.org/ewilyn
LinkedIn, Skype
+358-44-977837558
+358-46-5945165
+358-45-6696890

Novel Insight
Tomas Ukkonen

RikosilmoitusSota2019.pdf (43.7 KB)

Posts: 1

Participants: 1

Read full topic

@Redman wrote:

Was considering buying Xfer Serum for some sound design creation, but I see that Native Instruments released Massive X and it look pretty damn good.

Anyone got any experience/opinions on the two?
Can Massive X do everything and more that Serum can do?
Which would have more potential for sound design exploration? And not just dubstep growl bass sounds like every Serum video on youtube

Posts: 2

Participants: 2

Read full topic

@James_Britt wrote:

I released a new album today, made (of course) with Renoise.

Today it’s name-your-price because it’s my birthday : )

Posts: 2

Participants: 2

Read full topic

@Neuro_No_Neuro wrote:

Brand new pre-release! All tracks are brand new material under my moniker Neuro… No Neuro. All tracks made in Renoise. Mastered by Autistici and on the label Audiobulb Records!

Scans

Posts: 1

Participants: 1

Read full topic

@stoiximan wrote:

Like the title says should I and how to do it in Renoise?I see a maximise volume in the sample editor is that it?

Posts: 2

Participants: 2

Read full topic

@dspasic wrote:

Is anyone willing to participate in some “sample battle” alike challenge, let’s say - per month/ 2 week?
just for creative purposes, nothing serious indeed?
rules would be to use just given sample and - let’s say certain drum break?
or just sample?
Cheers!

Posts: 1

Participants: 1

Read full topic

@EETTEE wrote:

(topic withdrawn by author, will be automatically deleted in 24 hours unless flagged)

Posts: 1

Participants: 1

Read full topic

@Redman wrote:

Didn’t sleep at all last night so I made a fairly quick ambient track instead. Based the idea off of loop pedals where sounds don’t follow set rhythms, but pop in and out, yet still sound rhythmically right.

Posts: 1

Participants: 1

Read full topic

@Bunker wrote:

Hello all! Long time Renoise user but first time poster!

I downloaded to demo of Reaper today hoping to use it as a multitrack linear recorder to capture the output of renoise. I’ve installed rewire and I can load a rewire input into the master channel of a renoise project, select the device as Reaper, thats opens reaper fine and hitting space bar starts both renoise and reaper. However I can’t see any audio coming into reaper? I insert a track, enable record but nothing? In the routing box on the reaper track I can see all the inputs on my Focusrite interface but no rewire input from genoise. If I click on the fx box I can see all of my vst’s but no reference to rewire? In the reaper pref’s I’ve got all boxes checked in the rewire section?

Maybe I’m missing something obvious…Most likely! But just to clarify is it possible to send multiple renoise tracks to reaper? And am I doing the correct thing by inserting a rewire input (Surely this should be a rewire ‘send’ or ‘output’??) as a vst in the mix window on a per track basis?

Cheers in advance!

Posts: 1

Participants: 1

Read full topic

@lilith wrote:

Very often I wonder if there’s an easy method to mute or delete the instruments of a bunch of lines in several tracks. I usually mark the notes with the mouse and cut them, but is there something more fast? Let’s say delete all notes between Line 10-15 in track 1-12. What would help here if it would be possible to reduce the number of lines per pattern from the top, but not from the end. I guess that’s not possible due to Renoise design, at least this is what I read here somewhere.

Posts: 1

Participants: 1

Read full topic

@Garrett_Wang wrote:

Is there a way to work out how many samples per beat at different BPMs?

How do I work out the exact length in samples of different musical notes’ single-cycles? (standard western equal temperament).

Im looking for a musical note whose single-cycles, when multiplied by 4s or 8s, will fit perfectly into one beat at a certain BPM…This question is pertaining to writing bytebeat formulas which result in something in rhythmical time and in tune…below is the question from caustic forums (the 8bitsynth module there is a bytebeat formula synth)

"Just trying to work this out, this is what Im thinking so far:

The caustic 8bit synth bytebeat formulas can create waveforms of the standard length for waveforms which can be tuned perfectly, that is waveforms which are 256 samples in length.

To tune a waveform of 256 samples in length to exactly A4 = 440Hz I must transpose -5 semitones and finetune +30 cents, this results in a perfect A4-440Hz wave-cycle which is exactly 100 samples in length…(maybe this is 141Hz, but its the closest I can get… 99 samples is out of tune, so is 101 samples single wave cycle length)

So anyway, if I use bytebeat formulas which are based around cycles of 256 samples in length, I can definitely tune to A4 afterwards and be perfectly in tune.

However to be in time (with all the bubbling, sizzling, dial up modem-like rhythmical shit that bytebeat formulas can produce) I now have to work out which BPM value will give me a beat-length which is divisible by exactly 100samples…any ideas? Or another note may be better than A4? A note whose wave cycle repeated a certain number of times (probably if its multiples of 8 its best for most rhythms) fits exactly into a particular BPMs beat length

Is there a way to work out how many samples per beat at different BPMs?

How do I work out the exact length in samples of different notes’ single-cycles?"

Posts: 1

Participants: 1

Read full topic

@Redman wrote:

Was playing around with FM synthesis today to kind of back up my efforts to study music theory, and I got kind of confused about the relationship between fm ratios and notes / scales.

I used a sine wave operator (ratio of 1.0000) as the root note and stacked four more sine wave operators at the 3rd (ratio 1.2599), 5th (ratio 1.4983), 7th (ratio 1.8877), and 12th intervals (ratio 2.0000). The result was fine, everything sounded clean as expected. Then I imported a midi file with a few harmonies of a guitar track I was noodling around with and tried playing it with the above FM setup and it sounded pretty bad.

The first harmony were the notes F#5 / A5, both played at the same time like a two note chord I suppose you could say. When the notes are played together using just the root operator (1.0000) they sound fine. When they are played together and the 3rd, 5th, 7th, and 12th intervals get introduced they sound dissonant. However when the notes are played in isolation with the 3, 5, 7, & 12 intervals they sound fine again.

My music theory knowledge is pretty limited and I’m trying to understand why this is? Is it because while F#5 and A5 sound good together with just the root operator, their individual harmonies on 3, 5 , 7, & 12 do not and so clash causing dissonance?

If this is right then how do you use FM synthesis to create sounds that can be played using chords without clashing harmonics? Or is FM really just for creating big thick sounds with harmonics that are played using only single notes?

Posts: 1

Participants: 1

Read full topic

@RiDylan wrote:

Hey guys, I’m having a bit of trouble. I can’t play keys on my keyboard after tweaking a knob on a VST. I just hear a ding. I feel like renoise thinks I’m trying to type something into the VST. I remember this was not a problem before so does anyone know how to toggle this?

Posts: 2

Participants: 2

Read full topic

@Land_of_Bits wrote:

hey this is a new song im working for a side project

style : (chillwave, chillsynth)

Posts: 1

Participants: 1

Read full topic

@Dry_Eyes wrote:

Dedicated to victims of anti-depressant related suicide. Suicide is no joke, and if you’re feeling suicidal, take a long, hard look at what drugs you’re on and their side-effects!

Posts: 1

Participants: 1

Read full topic

@Redman wrote:

Bit of a longer track this one, near the 3 min mark. Bit stumped on where to go next with it so I’ll leave it at this for now. Been mixing on shitty $13 earbuds and Macbook speakers, so probably might not sound the best, I can’t really tell.

Posts: 2

Participants: 2

Read full topic

@stoiximan wrote:

A little on the emotional side this time

Posts: 1

Participants: 1

Read full topic

@natraj wrote:

I really like the automation editor.

Could we define, let’s say 4 MIDI parameters (may it be CC or NRPN, 7 bit or 14 bit) for an Instrument and just draw? Enter a resolution (e.g two messages per line) so it doesn’t clutter up the bus?

Entering a filter cutoff LFO or ramp in the editor with MIDI commands is tedious work

Posts: 2

Participants: 2

Read full topic