Renoise Forum

I can assign my mouse using the MX master mouse to any keyboard shortcut using the software for every program I want but renoise, can anyone help? I am on a mac

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Originally, this song was prototyped using Renoise but I switched to Buzz Tracker for extra effects.

Please vote this track on Spinnin Records Talent Pool site. The song is about data science and mathematics (a bit alternative/intellectual when compared to mainstream).

Despite the name this track is really about data science and analytics. This yet another mathematically themed track by me doing something alternative.

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Hi! I have a simple script that works ok but has much more potential to be a great little tool with a little bit of love and some extra features added.

If you know how to script Renoise and are interested in some paid work please drop me a DM

Many thanks

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https://www.youtube.com/embed/r3OcB512Fjc

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I have a couple different VST/AU effects plugins now that cut off the audio of the track they’re on after being added to a track.
That list includes:

• Surge XT Effects
• Aberrant DSP Digitalis
• Clark Plugins Textures

Initially I had reported it to the plugin makers, but it seems not to be isolated to any one plugin or maker. Please investigate, thanks!

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Hi guys, I hope you are well.

I would like to create my own waveforms based on mathematical functions. Is there a way to use the pencil to paint points and do all this from the API?

I hope so, that would be great but I haven’t found this in the API.

Cheers.

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指出，太多的品牌傾向於低估外部機構的價值——導致關係出現更大的裂痕。“第三方供應商被視為可消耗品，而不是在流程中被視為可信賴的合作夥伴，”他解釋道。“這破壞了成功參與所需的信任因素。” 所有這些挑戰甚至都沒有考慮到可能出現的更多後勤障礙——比如必須不斷地與新人一起工作。“當您與大型機構合作時，分配給您帳戶的人員可能會因人員流動而發生變傳播和營銷部門經 說。這使得已經很困難的情況變得更加複雜。 如何為您的品牌改善協作 與公司以外的人成功合作顯然有很多障礙。

但是，如果您願意實施一些最佳實踐，則可 电话号码列表 以這樣做： 1. 尋找合適的合作夥伴。 無縫協作早在您簽署合同之前就開始了。並非所有代理機構和第三方都是相同的，重要的是您開始為自己的品牌尋找合適的合作夥伴。 “找到合適的合作夥伴並長期培養這種關係，”克雷文建議道。“有許多才華橫溢的創意專業人士和偉大的機構。但要使合作夥伴關係的延伸——發揮作用，需要對您的品牌、公司文化和營銷團隊成員有深入的了解。該機構應該是團隊而不是第三方。” 在您與潛在的代理機構或合作夥伴坐下來之前，您應該花時間考慮以下。

您需要哪些特殊技能來補充您的團隊？提供者是否專門從事這些事情？ 該機構應具備哪些價值觀才能使其融入自己的企業文化？ 她應該採用何種團隊合作方法才能使這種工作安排成功 通過提前考慮這然後根據這些標準尋找供應您將能夠更好地獲得長期成功. 就個人目標進行誠實的討論。 此過程中的一個必要步驟是始終了解項目目標的最新情況（稍後會詳細介紹）。但是，同樣重要的是，您還要考慮每個人在此安排中的個人目標。 “第一步是讓每個人都把牌擺在桌面上， 說。每個人都努力從一起工作中獲得一些東西甚至不僅僅是薪水和好的結果。

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Hi,

I am working with a new MacBook Pro M1, and dual screen. I use the internal screen as second screen, and a 4k screen as main. Now I would like to open Renoise always on the 4k screen, and also the plugin popping up on the 4k screen. If I start Renoise from the start bar on the 4k screen, I would expect the GUI to open here, too. But it seems to open always on the internal screen. Is this a system issue, or could Renoise support multi monitor in a better way?

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I struggle with the mixing of a metal track i made and i was hoping i could lend your ears and try to figure out what i’m doing right/wrong.

My first attempt was this:

There are obviously something wrong with the mix so i did another attempt thinking that this sounded a lot more balanced:

Just to realise this one sounded even worse than the first one…
So i started from scratch and re recorded everything and tried to apply some of the tips i got from stoiximans’ song thread and here is the result so far:

Is it getting any better? I don’t trust my own ears…

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this is a nifty little project some guy did, making a plate reverb out of IKEA parts for 100 bucks. But if you, like me, live inside of the computer and never come out to the physical world, you might also be interested in the convolution reverb impulses that he released for download for free. I loaded these up in the Convolver and they sound pretty great.

Can't afford a pricey plate reverb? Use some IKEA shelving and piezos and get something that sounds amazingly good in this simple DIY tutorial. Best of all - you can do it for under $100 in parts, and it's not a complex build.

Est. reading time: 2 minutes

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Hello!

Here’s my latest album. Again very FM8 heavy, but TyrellN6, Sylenth1, Zebralette, ABLPro and ABL2 can also be heard.

Once again Ted’s mastering template was vital for getting this album done.

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My Dat machine has died again after sending away to get it fixed.The format is just not worth it.I use Dat for the FAT saturation it gives off,now I’m aware the tape is digital, It has been said the saturation coming from the machines is from The A/D converters.Can someone out there who owns one or is knowledgeable in this confirm this?the reason I am asking is the sound you get when you drive the inputs is beautiful.You can try replicate this with various soft clippers,saturators, limiters etc etc but it always falls short.in particular the harmonic distortion is always different and the way it handles top end is inferior, also the perceived loudness seems to manage greater levels before reaching ear shredding distortion.If I can get this sound by simply clipping certain types of A/D converters that would be great.I would never bother with DAT again.Clipping the input of a soundcard would do this,no?

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Hi. For giggles I decided to ask here, maybe reduce my ignorance slightly. I am working on a project with an old tracker file. That would be the happy ending except that there’s some corruption in the pattern.

It’s pattern 2 on this file…

http://members.dslextreme.com/users/hwh/files/HKClub_Music.it

I was told to use schism tracker to interpret it. Ok. Pattern 2. I can play it, I can see the moment it screws up. And I have no idea how to fix it. I’m not a composer.

Row 48?? Sample is DLOOP3.WAV. And…

I don’t have a replacement for it. The idea was to replace the damaged section with a similar section, which wouldn’t require a tracker (although one is required to play patterns). But it seems to be a drum sample that is damaged.

I tried some sausagey fill-in of the time covering the damaged section, but that changed the tempo or timbre or whatever it is, it changed all the notes around which is a little astounding, that something seemingly unconnected to the rest of the arrangement would completely screw it up, but it does. That is, an audacity modified DLOOP3.WAV, same length. Plays back as expected in VLC.

Anyway I hate all this and just sort of want to confirm my diagnosis of no help unless someone here can wave a wand and cover it up cleanly.

Thoughts?

Thank you

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I installed renoise on a new laptop and whenever it’s launched it automatically chooses a random bpm , lpb is always 4
Never experienced this in the past

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Hi,

I have found a Bug/unnice Behaviour in actual 3.4 Version of Renoise.

Steps to reproduce:

1. Start Renoise in normal Mode (Not in Fullscreenmode)
2. Undock Mixerview drag it on second monitor and click the window maximize icon of it.
3. Click the window mimimize icon of the Renoise mainwindow. (both windows are minimized)
4. Click on the Renoise Tab on the Windows Taskbar.

Renoise mainwindow will recovered to last dimensions correctly, but the undocked mixerview on second screen is not recovered to last dimensions (maximized window style)

And other unnice Behaviour…

When you click the minimize icon of the Mixerwindow in Step 3. the Mixerwindow is completely go and cant be recovered in normal way. You have to dock and undock again to recover it.

Tested on Windows 7 Last Patchstate

Can anybody confirm this?

happy tracking

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Just purchased Renoise(literally) after using Redux for about a year. I knew this day would come.

I’ve switched DAWs a few times in the past year and Redux was always there. Keyboard shortcuts, pattern sequencing, hexadecimal and raw sample manipulation at its finest. In just a plugin.

I’ve made beats using NOTHING BUT instances of Redux. No external FX Plugins! Only TRIGGERING patterns! In other DAWs! They should be ashamed.

Like I said…I knew this day would come

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I’m positive that after beatsyncing a sample with timestretch option, not repitch, and slicing that sample manually or with the slice tool there is no way to keep the slices in sync with the main sample without adjusting each slices beatsync.

If I’m missing something can someone help me?

Making slice points via my keyboard on a sample I loaded from the browser that autoset the beatsync length is satisfying on so many levels

I get a serious case of beat makin’ blue balls when the slices revert to the original tempo of the sample. I use Redux and it’s so feature rich that I think I might be overlooking something

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Every ride is a gift

https://www.youtube.com/embed/H8F0pOxPv6w

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Hello,

I’m new to Renoise. I come from Ableton, and one thing I enjoy doing is taking a sample, routing it to an audio track and using the Post FX channel to add effects. I can layer the groups in any way I see fit, and it stays neat, tidy, and flexible for mixing. I’d like to be able to do something similar in Renoise.

I’ve uploaded a screenshot from Ableton showing a small example to help explain what kind of organization I’m looking for.

Am I able to do something like this in Renoise?

Any ideas/input are appreciated

Thanks!

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Hi, can anyone help me understanding difference of these options?
i’ve tried both and they show no difference. Both options behave exactly the same.

i’d expect that shortcut - jump to next column would go to next column…
order example: press once to go - note, 2.vol 3.pan 4.delay 5.fx etc

Thanks

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