Feed aggregator

Phrases are nice for some extra FX oomph but when it comes to autoseek and looping (specifically single line holds), I’m expecting the loop to hold even with note-off. It doesn’t.

(gif is small, gotta right click and view it to see in glorious “1080P”)

I would like to see something like a note-off loop that accommodates situations where the modulation has a release. That or maybe I’m dumb and haven’t seen how looping can be done in phrases.

1 post - 1 participant

Read full topic

I am not even going to apologize for linking such a loopy track. I will say this, for what its worth, “this beat has some pretty cool pattern command work.”

Btw, there are vocals in this, I think you have to listen to 8 or 16 bars before you hear the first vocals.

https://soundcloud.com/j-adler10/a-shadow-in-the-moment-final-mix

I am considering ie thinking about, “maybe, maybe,” making a house track. Basically this track, and what is on my SoundCloud, is my continued experimentation with pop beats.

This track is 99.999% Renoise. I dropped a 24 bit render into Cubase to maximize the volume, and dither down to 16 bit… Other than that “pure Renoise.”

Which is why I am not sorry it is so loopy lol, I know it just goes around and around in circles.

Oh that arpeggiated bassline, is a synth rendered to sample…

1 post - 1 participant

Read full topic

Hi,

I’ve recorded short video which explains how Redux freezes the host - Harrison Mixbus32c

Crucial point 0:53

You can see tail of stdout which just spams with line:
Renoise Redux LOG> MacWindowGlue: Window frame changed…

• i think this is the reason why Mixbus gets frozen. You can replicate this issue anytime

• Redux latest

• Mixbus32c v6 latest

• MacBookPro 13’ 2017 OS Mojave 10.14.6

1 post - 1 participant

Read full topic

Hey I’m new to Renoise and I have kind of a noob question. So, I have loaded a bunch of 909 Kicks, some 909 snares, some 808 kicks and snares into the instrument section at the top right. One time when I selected multiple samples, kicks I believe, and pulled them into the instruments section it worked and created a multisampled instrument on the left side and mapped them across the keyboard. But, with the samples that I loaded into the instrument section 1 by 1 are being considered completely separate instruments, which makes sense and I understand. But, how do I take multiple instruments, let’s say some 909 snares which I pulled in individually, and group them in the way that it did when I pulled them in as a group? Basically I want to combine samples in the instrument selector into a multisampled instrument in the left column. Is there a way to make a new sample in the left column, call it 909 snares or something, and drag in the 909 samples from the instrument column and have them mapped into one instrument instead of 5 or 6 individual instruments in the instrument column?

1 post - 1 participant

Read full topic

Hello people,
This is a track made with renoise using the soma laboratorys samples for its 2020 contest.
All fx are native and all the sample manipulation was done in renoise.
I f**ing love this piece of software
Enjoy:

1 post - 1 participant

Read full topic

made for OSC#136 (Odin2 VST)

utilizes:
14x Odin2
9x Renoise Analog Filter
4x Renoise Digital Filter
14x Renoise EQ 10
8x Renoise MultiTap Delay
3x Valhalla Supermassive
4x Epicverb
1x Smartelectronix Ambience
3x Xfer OTT
4x TDR Kotelnikov
1x Loudmax
1x Voxengo SPAN

1 post - 1 participant

Read full topic

Hey, so far Ive just transposed the keys on pad to match the octave where my drum samples are played. Is there a guide on how to do a more permanent setup? Cheers

1 post - 1 participant

Read full topic

It’d be really great if render to sample would render 2 bars of the selection and take the second bar, so that synth and effect tails are included in a loop.

2 posts - 2 participants

Read full topic

Hi. I’m having some problems with the Kontakt Player GUI in Renoise 3.2. The window that contains the plugin seems to be smaller than it should so that it doesn’t show all of its elements: the content doesn’t fit inside. So, for example, if I want to remove a loaded instrument from the rack, I can’t, because the cross I have to click is outside the area I can see.

If I click in the minimize/maximize icon a couple of times, this is corrected, but only until I do something else that causes the GUI to refresh. Also, sometimes the GUI does some weird things (overlapping of images, for instance). I thought this was a problem with the Kontakt Player, but then made a test in Renoise 3.1 to see what happened, and in Renoise 3.1 it works fine. Maybe there’s a GUI setting to take care of these things that I’m not aware of.

1 post - 1 participant

Read full topic

Wasn’t there an option to set the lpb for midi import ?
Now it’defaults to 4lpb , I would like 8lpb

1 post - 1 participant

Read full topic

Hi,

I’ve wanted to give my 2 cents regarding some native devices and how would i see their improvement

EQ/STEREO EXPANDER > SPECTRUM/PHASE SCOPE

0.1 . Integrate eq and stereo expander into the existing frequency spectrum? select eq, and on top you have ready eq to mangle with? (somewhat odd but it came to my mind since there is already spectrum…)
The displayed parameters should be for the selected channel - and there should be option to toggle this on/off also

0.0.1. Implement Stereo expander in the “phase scope” view by adding a one slider/knob like shown:

1. Maximize eq window by clicking a dedicated/detach button? (or like previous idea, just integrate it into spectrum)

2. Eq could reside in separate tab (or something similar), since there are 5 tabs, and the rest of the screen sits empty - i think this should be populated with useful stuff which we use most ofen.
   

COMPRESSORs

1. add 2 sliders (or knobs) for sidechain relax of frequency to both devices (maximizer and distortion could benefit also) (The gate device already have these options!)
   

sorry i’m not visual artist, nor i’ve planned this post, but it came rather like instant idea, i will add items here as i encounter some ideas.
I think that the improvement of native devices could contribute a lot to the whole community

1 post - 1 participant

Read full topic

hello,
i cant setup Trigger Finger PRO device with renoise.
I set pad button to note C2 in pad button prefs
and in MIDI section of Renoise i see on virtual keyboard note C3
and in message window C4 ?

Same problem with M-Audio Axiom keyboard.
Any solution how to set up ?
thanks.

1 post - 1 participant

Read full topic

Hello! I found out that the Plugin Grabber in Renoise is great to render sounds from VST to samples which makes me easier to use those instruments and even get access to MIDI Polyphonic expression. But I have one problem here, the VST’s copyright. Some time, I thought of rendering a Kontakt or Spitfire orchestral library to samples and share the sampled-based instruments with anybody but I’m so worried to do that because I might get involved with the copyright infringement.

1 post - 1 participant

Read full topic

Hello people.
The other day I found that you can render into the sampler the effect chain each sample is using.
If you press the button (it is down in the sampler window, next to the “remove dc offset”, “silence”, “fade in”, “fade out”, it renders the sample.
What I want to ask is is there any way to make the sample render the tail of the effect chain as well?
The sample size won’t change, so I have to insert a silent period to the end of the sampler in order to get the effect tail?

Thank you

1 post - 1 participant

Read full topic

COVID19 got me a little bored and here’s a small, not-to-serious track to lift up your mood

Feedback welcome!

1 post - 1 participant

Read full topic

I use Renoise with a lot of VST instruments - always have. My biggest problem is when I want to use Renoise “on the go” with a laptop. I use Windows Primary Sound device. I’ve tried ASIO4ALL etc but no matter what I do, I keep getting audio glitches. Plug in my Tascam US2x2 USB ASIO audio interface and everything is fine…

I admit that I am using more VST instruments than I ever have. I didn’t really have such a problem with less VST instances… but…

So… just wondering if anybody has discovered a really small USB ASIO “sound card” that works well? I’m wondering if one of those guitar interface devices may be the way to go… ?

1 post - 1 participant

Read full topic

Been working here and there with Giorgio’s software for many years now - so many great pieces of software.

One I’d really like to mention, because of how it can be used with Renoise is the “Substantia” physical modeling synth for those of you who work on Macs, which can be found here: https://www.giorgiosancristoforo.net/softwares/

The reason I bring it up is because it has offered me a way to construct sounds that I can’t design within Renoise itself, and also reminded me of a way to combine both physically modeled sound samples AND Renoise’s built in synth to be a combination of a physical model and a tone generator.

What’s especially nice about Substantia is that it’s not your typical physical models. It’s based on various resonators and an amazing array of materials. Maybe you want a pentagonal bowl made of tin, or a wire rack made of nylon. You’ll get some beautiful results out of this software which can be exported and turned into the ‘attack’ portion of your sound, or if you’ve really got the moxy, you can turn them into pads and other sounds. Heck, you can use other samples to modulate the sounds via transients or with contact mics.

For those who desire to move into an electroacoustic direction, but do not want to strum a guitar or or pluck a harp, or play the piano in your living room, this software will really provide an interesting array of simulated sounds. Sounds that I’ve never heard created by other synths.

1 post - 1 participant

Read full topic

Never used renoise with midi before but been getting into using hardware and thought it might be fun to use renoise to control x and y axels and hold but how ? I would love to use some lfo automation to control x and y which would follow the wave and then random on n off for hold. Im guessing i need 3 channels of automation for each control ( x is 13, y is 12 and hold is 95) thank you for anyone that can help which to be seems like an easy task but I’m getting no where

1 post - 1 participant

Read full topic

I finalized one of my demo songs yesterday. I was using 1 LPB again for this, mainly put all the stuff into phrases. This kind of workflow reminds me abit to FL. Works pretty well in Renoise. Feedback welcome.

Also made a video for it in FL:

1 post - 1 participant

Read full topic

For one or two versions of Renoise 3, Cxy also sent note-offs to VSTs after y ticks. This was such a great feature for me, but it was declared a bug and removed entirely. Now I don’t know if there’s any equivalent behavior.

1 post - 1 participant

Read full topic