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Brief description
Volume/velocity changes note volume with VEL→VOL disabled when combined with GX/GXX glide
This causes conflicts if wanting to use a Velocity Tracker device and GX/GXX glide on the same note without affecting note volume.

Steps to reproduce
Disable VEL→VOL on instrument keyzone. Combine volume and glide commands on same note. Volume changes are heard when glide is used. No volume change is heard when volume command used without glide.

Expected results
No note volume change

Actual results
Volume of note changes

Renoise 3.3.2 / Windows 10

20210723-protman-rn3.3.2-vol-and-glide-with-VEL-to-VOL-disabled.xrns (12.3 KB)

video demo

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I’ve recently released a few tracks I’ve made almost exclusively with renoise (track no.3 was made on ableton ages ago)

inspiration was mostly from areas surrounding my hometown as well as my childhood.

it’s a free download too, so give it a spin yo

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Hello everyone,

Warping
I have noticed that almost all daws that i am working in -beside Renoise- had / have obtained a warping function in sample focus editing mode “Even Propexxerheards R8ason”. But still waiting for this function to appear in Renoise.
Is there any chance to see Warping function in further versions of Renoise ? “warping markers can be shown from the bottom, while the slicing markers are on the top”
+What about adding more Beatsync blending protocols " mods", something like : Complex-anti alias-, Pro Complex-with more artificial formants-, Vocal Mode-human formant semi-, Melodic-for instruments…etc / beside the time-streatch 1 and time-streatch 2
Why “Warping” ?
This function is a must have in my opinion for vocal and instrumental editing in Renoise sample editor. A lot of times when it comes to vocal editing, even after snapping, the vocal can miss a metronome click " word or a letter gets off the tempo marker", and without warping it always sounds so “dirty” and off the beat. if using the sample positioning command 0SXX “sample slice number recall” it will sound even worse.
I wont mention the Vocal Pitch editing-correction in this section. I thing that it will be the hardest part to execute.

Sample indexer
Search mode in Renoise still works on the base of local tagging rule : searching in a category or subcategory - subfolder can match only letters and words. Example: when you type “hat” the search command works only on tag matching “letters and words in the Base folder”, not META matching across the whole library.
In other competitor daws there is always an “indexer.exe” or a cloud thread that can locate and find any sample/object that matches the element of your searching across all the folders of your library “not only in the current Base folder”.
Is there any hope that we can see this option in the future? Like, i think it is time to add something like this in Renoise. I currently use the ADSR free sample manager as an alternative, but it crashes a lot. Beside, using a third party sample manager is so inflexible when dropping the samples to the Renoise panel.

Micro LPS settings for individual patterns.
Lately i was facing an issue in notes editing in Renoise : when it comes to fast and short lead lines or melodies i am always forced to write those lines in “Phrases” under a doubled LPS. Example: If i have a song that plays on 120bpm, and i want to write a lead is much shorter than 1 bar “in 4/4 condition” i need to raise the whole LPS of the project from 4 to 8 LPS. If it is much shorter, means from 4 to 16. Means more struggling in automation and editing in general. I think that it will be so useful to have an option that can control the LPS of any track by its own, like having a track that plays on 4 LPS beside of a track that plays in 8 or 16 LPS. In midi based daws that uses a piano roll it is all about the GRIND . You can chose your grind settings in piano roll from 1/2 - 1/4 1/16 …etc. But still have to use individual Phrasing in Renoise to compensate this issue.

Thank you guys for such a powerfull DAW!

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This might be interesting to some of you.

I made a suggestion for a one-file music album format and created a simple cross-platform player that supports it:
https://zipped-album.github.io

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Hi there. Very new to Renoise, although I feel extremely passionate about the DAW and feel like it’s a wonderful fit for me. However, I am just starting out and finding it somewhat difficult to compose without the traditional viewable waveform(s). I thought there might be waveform viewer options in the upper or lower frame but I don’t see anything particularly helpful there. So my question is, how do you compose in Renoise in the pattern editor without waveforms or other audio indicators in the field of view other than the pattern code itself? So far I picture myself having to relisten to my track over and over again without another means of editing it. How do you personally find it easiest to work this way with simply the pattern editor? Let me know. Thanks!

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Not touched Renoise for a while, got back into it and made a thing:

Enjoy… maybe

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Hey all!
I made this new song with Renoise. It’s a lot of fun imho. Hope u guys njoy listening.
Song description here:

Pchooly is a Twitch Streamer from Texas, with his co-host Steve, he’s a fast emerging talent, an excellent entertainer and a good COD Warzone player, however, he is mainly known on Twitch and Youtube for his funny, colorful and intense rages. If u haven’t seen any of his content, pls follow his Twitch channel at the link below:

“www.twitch.tv/pchooly”

This song is an EDM piece, with a classic EuroDance structure, and ALL of the Pchooly’s Vocals used in this song, are taken from Pchooly’s Twitch Live Streaming Sessions while playing COD Warzone. Hope you guys like this one:

Title: I Dont Wanna Fkin Play Anymore!
Composed with Renoise 3.3.1
Release Date 21 July 2021
Speed: 126 BPM
Key: B major
Genre: Classic Eurodance

WARNING: VERY EXPLICIT LANGUAGE !!

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So ever since upgrading to Windows 10 64-bit I’ve experienced extremely high CPU usage in Renoise that does not correspond to Windows’ own CPU usage reporting.

Like, 99% in Renoise, and 35% in Windows:

(might not be readable, it says “34.0%” for Renoise, “38%” total for all CPU usage in Task Manager, while Renoise is claiming “98.4%”)

My computer, which is a gaming rig with a Core i7 and 16 gigabytes of RAM, is overclocked, all power throttling in Windows is disabled, and no other applications have this issue.

This high CPU usage in Renoise causes my songs to hitch, stutter, and distort, making it unusable.

Are there any Renoise settings I can change that might fix this issue?

Or anything else I can try that might help?

Thanks!

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Here’s a quickie style track I made the other day using a sample of my family hanging out and going from there. Put together and mixed on headphones in probably about 2 hours but you know how it goes sometimes you just gotta get it done and out before you lose interest and move on.
Cheers!
Listen to Pretty And Clean by Andrew Robertson on #SoundCloud

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A track I’ve been writing on and off for some few months, made as an offshoot of a completely different project. It is made entirely in Renoise, mastered at Soundcloud.
The bassline is Surge VSTi.

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The Renoise homepage has a living fossil on it – think it’s safe to remove yet?

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Hello,
Please see video:

The video shows me adding 2 different audio files, one after the other to the sampler.
The first audio file is short, the 2nd audio file is much longer.
Notice the first (shorter audio) render results in a phrase of length of 256 lines.
The 2nd render (longer audio) results in a phrase of length 32 lines.
Which is the opposite of what I would expect, that is the longer audio would get the greater resolution, not vice versa.

Any idea why this is?
Any way to configure the number of lines in the resulting phrase?
Lines per beat under Render slice options seems to have an inconsistent effect.
Thanks

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EatMe - Twice Upon A Time
free download:
http://eatme.pro/music?search=Twice%20Upon%20A%20Time

2021-07-19 …
115 BPM…
(chord/bass)…
. C/A . F/D . Gm/Eb . Bb/G .
break:
. C/A . Amaj . Amaj/F# . F .
. Fm . Gm . Am . Em .

(CC) BY-NC-ND (P) 2021
Music by EatMe - http://eatme.pro/music

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The inventor claim that these drywall screws reduce through the wall sound levels by 9 decibels, it’s not yet on the market though.

“The Revolutionary Sound Absorbing Screw - in short, the Sound Screw - can accomplish sound insulation many people ask for. It is easy to use. Replace your regular screw with a Sound Screw and your problems with unpleasant sound is solved, without adding extra building materials or extra work. It is tested with amazing results. When mounted the Sound Screw provides a resilient connection between panels and studs in a way where a substantial part of airborne as well as impact sound can be absorbed by the screws.” akoustos.se

It works simply by limiting the transmission of the vibrations into the drywall and can result in a sound reduction of nine decibels.

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When I render a song where the cursor is stationed late in a pattern then a quick audible interpolation on automated parameters from that position to the first line of the song can be heard on the beginning of the rendered file.

Recreate it by setting up an effect that change the sound significantly like a distortion plugin from min to max in the automation editor. It can occasionally be hard to hear so keep trying maybe another effect as it happens with most if not all.
Play the song and stop playing when the distortion/effect is close to max, now wait a second and press play and you’ll hear a ~100ms transition that is happening, this in itself is not a big deal but the issue is this effect is being rendered which it obviously shouldn’t.

If you instead go to the first line of the song before rendering then it will be fine, so the question is why isn’t Renoise telling the render function to go to line 1 and set the initial settings properly before rendering it out?

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So, I also like to use synthetic voices in my compositions, and over the years I’ve found singing synthesizers (a subset of text-to-speech synthesis). The best type are created by people recording their phonemes/consonants/etc. into music software like UTAU. We had a method of doing this via @satobox and Renoid. So, I wanted to find another way to do this without having to ask for vocal permissions, 'cuz I don’t want to ask permission, that’s why. Open/CC0, y’know?

I found an app that works on Windows and Mac (I use a Mac), and it’s called UTSU. Similar to UTAU and it runs on current Mac OSX.

Then, I went and found (by searching with the Internet) voicebanks that were created for UTAU and were free to use commercially and no permissions are necessary. I don’t care about the character images, because I’m not the character, so it doesn’t matter. I’m not using imagery, just the sounds.

I like to make the voice samples IN UTSU, and export them, so I can set them up in Renoise any way I like. It’s not hard, just tedious. If you read the directions by searching the Internet, you can too! Yeehaw.

Vocal synthesis frontend. Contribute to titinko/utsu development by creating an account on GitHub.

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Hello everyone, my name is Igor, and I am like probably many of you here use Renoise to create music. Was doing this for long long time now, but never managed to finish and complete my tracks (as it was just a hobby in the first place I was never concentrated on actually delivering something) until last year I decided to participate in one remix contest Since then I finally finished a couple of my old tracks and created new ones. Now I am happy to share them with you, people who also love Renoise like me. Tracks are mostly EDM, or just Electronic music, cause I don’t categorize them to very certain genre.
I would be glad if you can take a listen and appreciate your feedback.
Here is SoundCloud link: Stream Igor Vlasov music | Listen to songs, albums, playlists for free on SoundCloud, also I have YouTube account where you can actually see how songs are rolling in Renoise: https://www.youtube.com/channel/UCayy0f3RPr8rrcEa1P9Z0Ow

Added direct links to SoundCloud for convenience

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I’m, I guess you’d say studying, demo songs to figure out the features and functions better and to see what’s possible with the program. I noticed that on the song
DemoSong - DBlue - Tension
There’s a quirk I don’t understand and was hoping you all might be so kind and let me know what’s up.
On instrument (dblue neuro bass) when clicking on the keyboard with the mouse in the Sampler Tab it makes a tapping noise mostly and sometimes plays the bass; this sounds cool, though when using the Keyboard with the keyboard it doesn’t do this. I don’t know why this is happening lol

I’m stupid please help.

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Somehow that modifier for fine grained slider movements does not work anymore… Which modifier key was it for macos?

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I am trying to build up as large a set as possible of renoise projects where the author intended to make the project publicly available.

To that end:
The renoise song page mentions the sdcompo, however the link to sdcompo.com redirects me to a spam address - do you know where those songs ended up?

Also - do you know of any artists besides EatMe who have made their collection of renoise projects available online?

I’m really not trying to rip anyone off, and I totally understand reasons for not wanting to release the XRNS with the audio. However, I come from a (programming) community where people like it when other people use their open source software, so I’m making the same assumption here. Please feel free to tell me if its inappropriate

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