Renoise Forum

@TheDamnChicken wrote:

I had a fun time with putting lots and lots of plucks on top of drones. Also a random brass section because that’s a thing that just keeps happening atm…

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@TheDamnChicken wrote:

Hey Renoisers,

Since my last thing, I’ve thought about making a video about how get going with orchestral in Renoise, since online info on the subject is sparse, and there are many little things to consider to have a smooth experience with it.

Would there be ANY interest at all on this topic?

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@LofiMat wrote:

Hello my Homiezzz - LofiMat is Back with a Brandnuu Loopaaa!! Ja!!

Its like Taktikz LooperEcho wich come in Renoise BUT I made it loop longeeerrr much loooonnnggeerr.

So ALL funktionzz the same as yu kno already BUT this TIME it loops 5Sekondzz NOT juztz 2.

• Lines
  . Choke
  -Feed

All wrokz the same as before. This uses 1 TAP of the Multitap so we can LOOP 5SECZZ NOW!!

It alwayzz botherd Me that I can only loop 2 sekzz becaue my Trap beatzz need 4,5Sekz or soo not 2.

I hope Yu like my new Doofer & let me know

Love you guys from Berlin!!
PEACEEEEEEEEEEEE:space_invader:

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@PirkoAaro wrote:

Now I have been struggling far to long with the bass that I felt I really needed to ask the community, I don’t know how many “songs” I have totally scrapped cause at some point I get totally sick of the bass I have worked up on, change the sample and voi’la next project.

I just recently managed to start using Renoises own sampler/modulator and DPS chain thanks to the videos by Land of Bits/A-Type, must really say that I am mighty impressed of his teaching skills the absolutely best person at explaining sound design I have ever seen!

So I am really feeling like I should try to use vst as little as possible just in order to get a hang of Renoise, it’s such an amazing software that I after playing with it on and off for a year I am growing to love it more and more! Using external plugins feels more okay!

I know that it should be a very short to none attack, bit of decay, no or very small sustain aswell as a short release. So that part I feel pretty safe with, all tips are much appreciated! I am also very interested about all kind of genres actually but this is the one thing that I have gotten really stuck with, so stuck that I hardly ever do anything else when I am playing with the program.

Thanks for the attention and time!

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@toimp wrote:

Found a small bug. Always reproducible for me. The playhead in the sample preview doesn’t work correctly when you are using autoseek with beatsynced timestretching.

I know that i’m using transpose in instrument 0, but this seems not to be the culprit here.

Renoise 3.2.1, Windows 10

Steps to reproduce look like this:

1. Load attached demo song
2. Switch to Sample tab of instrument 0, play the demo song
3. You see that the playhead doesn’t fit what you head
4. Switch to instrument 1, where “repitch” is used
5. Everything is fine here

Expected results:

The same playhead rendering in insturment 0 and instrument 1

Actual results:

Different playhead rendering.

sample_playhead_bug.xrns (551.8 KB)

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@Jonas wrote:

Oy,

Reworking .mid files in Renoise I have come across a problem where songs don’t start at line 0 in the pattern editor, but for example at line 16. The songs are divided up in 64 length patterns, but where you’d expect a chorus or verse to begin on pattern start, you have 16 lines of the last section. It’s workable, but a lill irritating .

I’m looking for a tool, sort a like rotate pattern tool (<- which can cycle a patterns worth of information ( https://www.renoise.com/tools/rotate-pattern )), but now for a songs worth of content! Enabling to shift backwards (or forwards) everything X amount of steps, making it easier to arrange.

Right now manually using the rotate pattern tool on every pattern takes a lot of time, plus you have to manually cut the missing lines from the next pattern back into the previous.

Can above tool be hacked to widen the scope? I understand processing a lot of data will take long for any tool. I have patience .

Grts,

R

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@Redman wrote:

An old track from a few years back

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@fladd wrote:

Deat @taktik,

I am aware that this has been discussed before, but I would like to bring this to your attention again, since it has been years now since Redux has been released:
Currently, Redux is still not really usable under Linux, since it does not receive keyboard focus. I know you last time said this is a problem with the host (Reaper back then), but it seems that the situation is not that simple: https://discourse.ardour.org/t/renoise-redux-not-receiving-key-events/88301. If I understand the Ardour developer correctly, then there does not seem to be a standard way for Linux plugins to handle keyboard focus (for some reason). Would it be possible to get into contact with Paul (Ardour) and Justin (Repaer) to discuss a way (standard or not) to handle this at least in their hosts? Once this is in place, other hosts might follow that implementation then, and you could even propose your way as a “standard” for Linux VST. I am sure that selling a product that does not work properly is also not in your interest, and I really hope that a solution for this can be found soon.

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@Neuro_No_Neuro wrote:

Created entirely in Renoise -

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@lilith wrote:

Don’t find anything in the help files. When navigating in the pattern editor I very often want to move quickly from track to track to the left or right. It seems that this is only possible with the arrow keys which is quite slow. Is there any workround to jump immediately to the next / previous track?

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@lilith wrote:

Maybe someone is interested?

Samples From Mars is a Brooklyn based samples imprint founded by producer Eddie Mars, focusing on the highest quality hardware drum & synth samples.

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@Dry_Eyes wrote:

Project Xaos is my drone project and this is my most interesting drone yet. You might wonder why one should listen to a drone? To be smart, of course!

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@stygmate wrote:

Can’t view tips:

Can’t view window content until mouse go over:

I’m on Max OSX 10.14.6 on a Macbook Pro 2018.
(last version of redux)
edit: DropDown menu and menu are also affected.

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@Raul wrote:

Some time ago I tried Musescore, which is a free music notation software, and for some reason it didn’t convince me.

But lately I have given it another chance, and now I think it’s a great software to compose in sheet music.

I would like to know if anyone knows any way to link Renoise song data, which uses XML files, with data to represent notes in the Musescore scores, which also uses the XML format to save data. This would be to handle only text data, which would be very light.

If Renoise had some kind of relationship with Musescore it would be great.

I doubt that an LUA tool can be built that can convert Renoise XRNS songs, into a direct score for Musescore. I guess the only link would be the XML file data.

If someone is interested and knows these issues, it would be nice to investigate all this.

I imagine a tool that can turn you into a score pattern for Musescore, and it would be extraordinary.

Why Musescore? It is a free, open source software and on top of it it is very well done, surprising to be a free software. It is a luxury that such things exist. It has constant maintenance and a long history. It is compatible with MIDI to play several instruments (use the sound card for that) and among other things it allows you to export the sheet music in PDF.

So, does anyone have any ideas on this subject? I find it very interesting for any musician who uses Renoise.

Initially, I have in mind the problem of note offs to determine the duration of the rhythmic figures, as well as the accumulated notes in the same column, the configuration of continuous notes and all those things. It seems very complicated.

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@stoiximan wrote:

Hello you guys.Here is another one

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@lie2mehrdr wrote:

Hello everyone,

I’m using a Launchpad Pro as my midi controller for the sampler and I notice that when I have Poly aftertouch enabled and engaged while playing a note, the AHDSR envelope doesn’t trigger the release. When I have the launchpad set to either channel aftertouch or aftertouch disabled, the AHDSR triggers as expected. I’m new to Renoise and I’m not that familiar with aftertouch either. Anything I could do to get it Poly aftertouch to trigger the release?

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@nineborn wrote:

I am trying to rewire Renoise 3.2 to Pro Tools 12.0, and I cannot figure it out, or if its even possible. There seems to be very little information on the web.

I used to use Reason, and could rewire easily. I get an rewire error when i load Renoise, after loading Pro Tools.

FWIW im using the demo version. I thought this would be it, but it says it should work on their page (with restrictions).

Im using Renoise 64 bit, and my pro tools is brand new, and i assume its 64 bit.

Anyone?

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@thepathologist wrote:

Hello

Most of my plugins look fine in RN 3.2 on my 4K laptop screen - except Sylenth … can I change this or is it something that needs fixing ?

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@Raul wrote:

R3.2.1 W10
Currently, Renoise has a usability problem with the Instrument Editor tabs. It is a problem of design, of behavior.

The Instrument Editor has 3 main tabs:

1. Sampler
2. Plugin
3. MIDI

The problem is that Renoise always retrieves the Sampler tab when the user changes of instrument slot in the instrument box.

What is expected is that the instrument editor remain in the tab it is on. The user should have control over this.

• If the user is on the “MIDI” tab, when switching instruments, it should remain on the MIDI tab. This does not happen. Renoise jumps to the “Sampler” tab.
• If the user is in the “Plugin” tab, when switching instruments, it should remain in the “Plugin” tab. This does not happen. Renoise jumps to the “Sampler” tab.

The only case that works correctly is if the user is in the “Sampler” tab, because he will always be forced to switch to this tab, every time the user changes the instrument slot.

If the user only uses samples in his song, Renoise will be a luxury as it is now.
But if the user uses plugins or MIDI, Renoise is very annoying to control, because it forces to change constantly to the Sampler tab.

• Imagine that the user only uses VSTi plugins in a song. This is a perfectly feasible scenario. Then the user will be continuously fighting between the Sampler and Plugin tabs.
• Imagine that the user constantly uses the MIDI tab, for example, to adjust the routing of various instruments. Then the user will be continuously fighting between the Sampler and MIDI tabs.

The conclusion is that Renoise, as it is now, seems to make this message very clear to the user: “Hey, use only samples, do not use VSTi or anything from MIDI, such as routing. Use only samples!”

From the usability point of view, there is no reason for Renoise to always switch to the Sampler tab, every time it changes the instrument slot in the instrument box. This behavior can drive the user “crazy”!

@taktik. I propose that, if you wish to maintain this behavior, at least offer an option in Preferences, to keep the instrument editor tabs when switching between instrument slots.

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@rainydayshirts wrote:

Wondering if maybe the Convolver could get an update to add some form of visual representation of the the IR waveform and frequency range like in ReaVerb [Reaper].

This would be neat. Maybe make it a disabled by default view that could be enabled like the graphic full view in native EQ5 DSP.

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