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Stream Time - Space by Laughing In Purgatory | Listen online for free on SoundCloud actually finished the same day as previous song, this is another one from an album I’m working on

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Demo Song:
Reverse-Delay-Demo.xrns (306.7 KB)
Doofer:
Reverse-Delay-IR.xrdp (376.5 KB)

So one can create something that sounds like reverse delay effect using reversed reverb impulse response loaded in Convolver.

Check the demo song.

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I am considering having a second, light laptop for music needs, that’s strictly for music.

My main laptop is functioning as a desktop workstation for e-mails, work, studies, games and entertainment with additional keyboard, external Display and mouse. My brain just associate it with work and entertainment, not so much with production.

And I don’t want to go hardware/dawless - as I already don’t have enough space for gear and synths.

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I wanted to try a tracker that works in Ableton, I find out Renoise is a thing… perfect.
I find out it has a demo… perfect. I don’t really need a tracker, but want to see if there are advantages to using it for myself.

First of all, there is an amazing lack of tutorials on redux… I can’t even find a manual, only a “quick start guide” otherwise everything is about Renoise… okay, so MAYBE there is so much overlap it isn’t necessary.
Okay well here’s the coup de grace…

After about an hour of just trying to slice up my first break and just TRYING to maybe make a 4 on the floor or basic kick snare pattern out of a break to get started I come across what I see as inexcusable.
I WANT “beatsync” on… 64 (64 IDK what… samples per sample?) seems to work well… the sample pitch shifts and plays nice when I have the 64 set… I turn off the “1>” button so each slice will play through…

Then I slice the break and everything goes downhill… Every slice is now NOT beatsynced, and NOT 64, only 16… so i would have to edit EVERY slice to get it to beatsync and be 64 so it will ACTUALLY sync to the master clock in my DAW? NOT good… again… good thing I demoed this…

If I just use a raw break… I could have cut it up in 100 different ways in the time this has taken me, with warp on from the jump all samples would warp to match the beat. What is the advantage of this software supposed to be again? The rolls? I can make a roll 1,000 different ways in ableton… this has, what, ONE roll command?

I’m off to analyze what this commands can do… but if this thing can’t KEEP beatsync for all slices made what is the point?

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Rick Astley - Never gonna give you up (1987) cover on Renoise tracker.

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how do i replicate these buttons? so one is highlighted while the other isn’t.

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is it not possible to write to selected line index in a phrase? like a note or a note off?

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This is the second time in a week I’ve got this error during startup

Log.txt (2.6 MB)

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been procrastinating a bit this year !
That’s why when I had inspiration, I recorded this despite still suffering from the dreaded human malware

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I am replacing Windows with Ubuntu and am struggling with Renoise. Every track I try to play sounds glitched (constantly stuttery).
I followed the FAQ to set limits.conf for @audio and Renoise no longer shows warnings that it cannot create real time threads, but it makes no difference to the stuttering.
I also set CPU scaling, and the output of cat /sys/devices/system/cpu/cpu*/cpufreq/scaling_governor is (repeated four times) performance

Audio is completely stuttery with ALSA. If I set the audio to Jack then Renoise is totally silent.

Any further advice for Ubuntu?
Should I even try to get this working if the PC isn’t going to be a dedicated DAW?

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Hello - is there some way to have phrases Off by default after loading an instrument please??
If that makes any sense as I usually turn them Off by hand after loading to try some random notes by myself.

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Hello fellow trackers!

I’ve been using Soundtracker/Oktalyzer/Octamed for my tunes, since the early days of Amiga and discovered Renoise back in 2006. I’ve been a registered user since and use it mostly for non EDM/breakbeat stuff (I know perhaps this sounds weird for this kind of DAW, but I mostly make prog/post metal and rock stuff, ambient and jazz).

So here are my ideas (after searching in Tools and not finding anything similar):

SAMPLE EDITOR:
-Ability to move selected area in sample editor by shift+dragging at start/end of selection
-Option to only NNA cut self note (when set to continue or note-off)

PATTERN EDITOR
-Auto-switch to proper octave when clicking on a note.

PATTERN SEQUENCER
-Ability to colorize pattern number boxes and/or names (or at least Sections) for easier navigation.

Cheers.
Mano.G

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Hi, I’m on a Mac running Renoise 3.4.3.

Using Tab to “Jump to Next Column” is doing the Same thing as “Jump to Next Track”. I was expecting the “Jump to Next Column” would go to the next column in the same track?

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Hey, everyone.

It’s been a while since me and @moloko started gathering different Renoise tools and compiling them into a list. However, we were doing it in a Notion page - and as much as I love it… not accessible for everyone. With this in mind, I decided to transport the list to this forum.

Yes, you can find tools in individual threads and the Renoise tools page, but I just don’t like how things are categorized. Some threads are forgotten, some tools are under older versions but still working, etc…

So my intention is to make it easier to reinstall Renoise or even transport these in my USB stick while also having direct access to the original and updated versions, no headaches and no endless scrolling through dozens of pages.

This list will not contain all possible working tools. It’s highly based on my own preferences, but I guess it can be useful for some people. Lastly, no commercial tools will be included - only free and “pay what you want” ones.

TLDR: Just click one of the following:

Note & Pattern processing (click for more details) Sample & Audio processing (click for more details) Generators (click for more details) Quality of life (click for more details) Others (click for more details)

Special thanks to every developer mentioned in this thread.

Suggestions are appreciated. If you want your tool taken down from this thread, please send me a message!

Disclaimer: I’m not the developer of any of these tools and take no credit for anything.

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Hi, on the SP404 I can play a loop and insert slice marker at the play-head location by hitting a pad, while it’s playing. It gives the slices a more natural feel and groove.

In Renoise, I can only manually add “Add Slice Marker”, by moving the cursor to that point?

Thanks,
Monib

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Hi all!

I’m working on a simple tool right now, the basic idea is that it can be assigned to a track, and whenever that track plays a note the value and effect column value are sent to an external server where I do other stuff. My impression is that there’s a way to set a callback for a track’s notes which achieves this, but I’m having a little trouble figuring out how to actually do this.

Right now I’m trying something like this:

local function monitor(index) local song = renoise.song() for pos, column in song.pattern_iterator:lines_in_track(index) do -- Not sure what to do here, the idea is to add a notifier to every note in -- the selected track so that when a note plays the on_note callback is -- called with that note as an arg do_something_with_column(column) -- ??? end end

I’m also not 100% on what the best way to get an integer channel number in the range 0…8 and a 32/64 bit float from a note, and then (this is more me not being great @ lua) convert them to their byte representation.

Would anyone be willing to take a look at my script? It would be deeply appreciated

github.com FayCarsons/Renoise-ES9-controller/blob/main/lua/main.lua -- Instantiate UDP client singleton if not already instantiated if not _G.ES9_sender then local connection_timeout = 2000 local client, socket_error = renoise.Socket.create_client( "127.0.0.1", 8080, renoise.Socket.PROTOCOL_UDP, connection_timeout ) if socket_error then renoise.app():show_warning("CANT INITIALIZE SOCKET " .. socket_error) else _G.ES9_sender = client end end local client = _G.ES9_sender -- Function to convert an integer to a byte string local function int_to_bytes(value) local bytes = {} for i = 8, 1, -1 do This file has been truncated. show original

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Hi! I’ve been using IT for years (also moved to Schism Tracker), done stuff with Ableton, and would like to try out using a tracker again. I have a questionl, I’ve been reading the forums, and there was someone who made keyboard IT shortcuts for Renoise, but I have no idea how to import them into Renoise.

Is there any1 here that could help, would really appreciate it

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Hi,
I want to use permut 8, stutter edit in Renoise.
How can I switch the programs via keys?

Thanks in advance

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I received some notifications for replies to posts I didn’t make so am assuming someone got into my account. I have reset my password and am going through all the posts I didn’t make and deleting them. The posts themselves were pretty non-sensical but I haven’t posted here for ages so anything that was posted by me within the last few months wasn’t me.

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I’m still coming to grips with Renoise but after some checking it seems like an easy way to work with 16th note triplets in the program is to use 12LPB, or 6 at the bare minimum. Initially I ran into a spot of trouble with resizing my pattern (expand… expand… nope, gotta rewrite lol) but thankfully I only had one to deal with. Along with increasing the LPB, I increased the pattern length to 192 lines. The math checks out for a 4 bar pattern, but that seems a little long- not to mention far less clean than 64, a power of 2.

That got me thinking, are there any relatively standard pattern lengths that get used for larger LPBs/LPBs that aren’t powers of 2? In that regard, if I wanted to keep the pattern length down, is it better to use the note delay column or the Fractional Notes tool? Additionally, are there any benefits to using one of these methods over the other?

Cheers and thank you for any replies.

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