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This happened a few times today when trying to render a track. It plays fine in Renoise using jack or alsa (normally using jack) but when rendering it to .wav, sometimes a track using a VST will be completely out of tune by typically a major 3rd (2 steps) or a tritone. Need to do more testing after i get some sleep, but seems like it might be related to rendering to 48KHz vs 44.1KHz…?

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Hi folks,

I’m very much a hobbyist musician, and haven’t been active for a long, long time - but recently I started a couple of projects in lockdown, and thought I’d share. I’m working on a synth “concept EP” with inspirations from all over the place: synthwave, glitch, trance, 70s/80s… going to be four (maybe five?) tracks, three of which are mostly complete. I’ve got some “teaser” samples up on SoundCloud.

I also took a break from working on that to play around with some retro samples for a bit, and almost by accident came up with a super-dirty overdriven bass sound to go with it, so knocked out a little single “Say It”. That’s up on Deezer and Tidal, with more coming soon; this is my first experiment with actually releasing anything and it’s still going through the distribution process.

Deezer Say It

depthbuffer - album - 2021 - 1 song

I’m on Twitter @DepthbufferM if anyone’s interested in hearing when the EP is done!

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The automation device could turn into the “audio generator / note receiver” in the device chain. So you could even put two into the chain to have multiple vstis playing. It still could get it’s note data from the pattern directly, without the need to implement a note event signal flow.

This in combination with a parallel container would be very flexible.

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This has been bothering me for a long time , don’t know if there is a reason for this
create keytracker device , conrol destiantion lfo: reset ,
Set lfo to custom waveshape and one shot mode
Result is that it won’t trigger at all

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Hey guys, sorry if this has been asked already but i can’t find any answer to quickly do this.

Let’s say i have two near-identical samples playing at the same time, and i want to cross-fade between them over a certain number of rows, something like this:

| C-4 00 10 .000 | C-4 01 70 .000 | | --- -- 20 .000 | --- -- 60 .000 | | --- -- 30 .000 | --- -- 50 .000 | | --- -- 40 .000 | --- -- 40 .000 | | --- -- 50 .000 | --- -- 30 .000 | | --- -- 60 .000 | --- -- 20 .000 | | --- -- 70 .000 | --- -- 10 .000 | | --- -- 80 .000 | --- -- 00 .000 | | --- -- .. .000 | --- -- .. .000 | | --- -- .. .000 | --- -- .. .000 |

This doesn’t work because values for the volume colum aren’t linear, like they are in other/older trackers. This results in a “dip” of perceived loudness around the middle of my crossfade. How can i quickly calculate/input the right values? This has been bugging me for a while!!!

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Renoise Tool Windows

-cannot be streamed

-can be moved out of screen (over the bottom of the Windows start bar)
and then must be reinstalled…

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Tool windows can be moved out of screen …

Install ChordLord 3.01.231

Open your ChordLord via menu Tools… ChordLord.

Move the tool to over the start bar to the bottom of the screen.
(You can not move it back).

I can only reinstall the tool by menu Tools… Tool Browser and then Uninstall ChordLord…
I then have to reinstall ChordLord by re-importing the tool .xrnx and the window position is reset.

baguette for @joule and @taktik

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…so, i’ve been using trackers since the early 90’s, and i’m quite used to the pattern commands. I’m trying to use VST’s more expressively but implementing vibrato, pitch slides etc. is a pain in the ass. I’m kind of getting around with phrases to automate some of this stuff, but it’s still pretty cumbersome, the first reason being that i’d have to “pre-program” a phrase for each layer/depth/speed of vibrato i want to use for each instrument, then map them etc etc.

What if there was a way to map Vxx / Gxx commands to MIDI bends, and other effect to their equivalent MIDI commands and send them to the plug-in(s) currently playing on the originating track? This has been on my wish-list for years, but now i really need something like this!!!

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I spent some time learning how to create multi sample multi zone instruments and lifted my Korg M1 samples for the exercise. I now have a decent M1 Renoise instrument. I was wondering if there is a place such things could be shared with the community?

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It’s not mentioned in the documentation, but ‘renoise.song().instruments_observable’ will report the change made and to what instrument(s) by passing along a table.

renoise.song().instruments_observable:add_notifier(function(change) rprint(change) end) renoise.song():insert_instrument_at(8) renoise.song():delete_instrument_at(3) renoise.song():swap_instruments_at(2, 7)

The odd thing though is the extra steps it’s reporting when a single swap is manually made by the user in the Instrument Selector. Is this supposed to be happening?

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I announce that I have restored my personal page, where you can listen to my songs made with Renoise 3.1.1. I hope they may interest you and like them. Thanks for any comments.
https://soundcloud.com/user-436163781

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Can TAL U No Lx (or similar synth) be uploaded as a VST in Renoise? Thanks

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Hi there, does the integration / synchronisation of Renoise and Octatrack works well? Easy to set up? Can I play both simultaneously ? Thanks

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Hi,

if my song uses a routing where almost all tracks sum into a specific send track by some amount, does this mean that all those tracks will be processed on the same cpu core then? I have some weird stuttering sometimes in a song, and wonder how I could “cpu-optimize” the project…

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Uploaded this to youtube a few months ago, but it was made around summer of last year. We had a little get-together / talent show on zoom, this was one of the songs i worked on. Was made just for fun, but we got a lot of good comments about it!

Tracking (drums/synth) bass and one guitar part by me, vocals and other guitar by my good buddy Enzo.

/* edit */ totally forgot to mention i played bass on this

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Could someone please tell me why I cannot drag a sample from the file explorer into a sample based vst? I can do it if I run Renoise inside of a DAW and use it’s file explorer, but not from the Renoise file explorer itself. What gives? Am I missing something?
PDT

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Gyazo Gyazo

How come this results in a pitch slide from c to d#?
When Hex number f doesnt even equal a semitone ?

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Hey there, I just got Redux to use within Ableton Live 11. I noticed that when you’re in editor view, Redux will use the Renoise style computer keyboard MIDI. I definitely prefer Renoise’s implementation of it, but when in Ableton, it’s hella confusing to not use the implementation that’s found across all other plugins. Is there a way to force Redux to use Ableton’s implementation of the computer keyboard Midi? (eg. A-L for white keys, some QWERTY for black keys, z/x for octave +/- vs. the entire keyboard). I noticed that Redux will obey Ableton’s implementation when editor view is off, or when the plugin window is closed/unfocused.

Thanks!

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Was going back to older tracks and thought the drums sounded neat by themselves. All programmed using Steven Slate Drums (free version) and Renoise. I’m still working on mastering!

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A function to call

to skip lines in the pattern
(the number of set block jump lines)

relative from the current cursor

with internal boundary checking and skipping to the next pattern…

and a notification how to access this function (to add to ChordLord)?

Renoise.song().transport.jumpNextEditStep?

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