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Metallic_Sound_Kit.xrni (1.1 MB)
Contains sounds sampled from softsynths. No mixing or effects done except for the FM kick sound. Demonstrated with five phrases. Free to use if you like!

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Hi there,

Is it possible merge two songs (including instruments and VSTs) or import a part of a song (few patterns) into another one?

Thanks!

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Hello,

I’m relatively new to Redux – I’ve only been using it for a few months. After updating to Redux 1.2.2, I get this error message whenever I open an Ableton file that had an instance of Redux in it:

After hitting ok, the Redux instance is set to init and demo version – I deleted the demo version from my computer though. If I open a new instance of Redux, it shows the correct registration, etc.

I tried deleting the temp files referenced, and I tried restarting Ableton and my computer, but nothing seems to be solving the issue.

Any insight on this would be greatly appreciated. It really sucks because I programmed out some (what I thought were) pretty cool and intricate breakbeats that now seem lost due to this error.

Thanks

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Hehe. I just installed Protracker in my Amiga Emulator. Damn, I’ll never say anything bad about UIs today. I mean, I was quite good on Protracker in the early days but now I almost forgot everything. Lol.

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Hey y’all! A new user to Renoise here, making the switch after 10 years of using 0cc-FamiTracker.

Is there any shot for adding a toggle for flats instead of sharps? For me, it makes a lot more sense reading music in flats instead of sharps and it kinda hinders my progress if things aren’t “correct” for me. Would love to see this option added if possible!

Another unrelated question considering that I’m a newbie to this program, but is there a way to reassign how the piano is laid out on my computer keyboard? I want to remove some keys in order to reassign keys such as the “=” and “]” keys. Thanks!

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As the title says, I don’t really get the difference between wavetable synthesis and granular synthesis with only one grain, like in the polyend tracker - which has both wavetable and granular (with one grain).
I think that granular shines when you use multiple grains all over the sample and automate their positions, that makes for some intriguing pads. But what if its limited to one grain? Isn’t it basically the same as wavetable synthesis with automated wavetable position?

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It was 2012 when I saw a tracker (renoise) for the first time in my life and the exotic “hacker” type interface got me hooked right away. I tried milkytracker too and with time I slowly put the puzzle of the history of trackers together.

But this video explained and demonstrated the upcomings and the workflow of the historic trackers so well, that I really feel like “I get it now!”, I now understand the place where trackers stand in the musical universe and where they absolutely outshine every other daws approach.

This video opened my eyes to why some things are hard to do in Renoise (- its just not where it came from), where the potential lies that I just haven’t used yet (even more and bold sampling than I currently do) and finally the amazing job the developers of Renoise did to connect the trackers of back then to the possibilities of todays music-making-technology (VSTs and such).

I know there are a lot of amiga veterans in this forum, looking down on youngsters that haven’t been brought up with this background, but this post is for people like me who enjoy getting a glimpse into the past and getting educated, inspired and entertained by it.

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Hi, the automation stuff has always been my big setback in Renoise. I’ve done a lot of reading and have been experimenting with send tracks. As I want to be able to use the same effect in different ways multiple times in a track (or sometimes, track group). So now, I’d like some input concerning best practices.

This example is an oversimplification, but would be sufficient to have a better understanding of what to do. I think I’d prefer using the pattern editor for automations, as it’s likely quicker.
Let’s say I want to apply D16 Decimort 2 and Devastor to entire drums section (for distortion/bitcrush).

And Valhalla Delay to a couple of tracks (individually) on the “Atmos” section.

Obviously, the sends would be placed on the aforementioned tracks/track groups and sent to the send tracks. Should the FX be placed in the send tracks? And automations are done in the sends section? In general, what do you think is the most efficient method of having such automations?

!

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I’ve been interested in trying Fircomp 2 (fircomp 2 - Jon V Audio), but it’s VST3 only and does not show up at all as a plugin in Renoise 3.3.2 (Windows 10). There is no VST2 version of the plugin. Apparently the AU version does work fine on macOS at least.

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I used to love the sound of this, is it still possible to use in “modern” Renoise?

Thanks!

Chris

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How I loooooooooooove this little sweet fellow! It ads such funky swing that it’s almost comical how the song sounds completely different when turning it off.

<3

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Global variables that are defined in formula, are they treated statically or dynamically? Want to create a LFO that runs independent from Renoise BPM.

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Just a catchy little track I threw together. After spending a couple of months on the Redeemer EP, I wanted to both experiment with a different genre and get something finished more quickly, and this was the end result. It’s hardly ground-breaking stuff but I enjoy it.

Provided to YouTube by IIP-DDS Turn It · depthbuffer Turn It ℗ Philip Allison Released on: 2021-04-21 Producer: Philip Allison Music Publisher: Philip ...

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Would be nice if you could left-click and drag over multiple track scopes and have their on/off states reversed.

The right click on a group to have all it’s tracks turned on works beautifully but it does happen often I want all the busses turned on too and maybe more tracks/groups.

Is it possible to right click multiple groups with a key combination?

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Heyo,

Been using Renoise for almost 10 years now :O. I finally released my first proper album and all the tracks were made entirely in Renoise. It’s an industrial techno concept album about a sentient entity called The Void going throughout the universe and trying to render it all into nothingness. I present to you The Void Destroys The Universe by I Am Not:

THE VOID DESTROYS THE UNIVERSE | I Am Not

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Has anyone tried to do the rear buss compression emulation in Renoise. Does Renoise allow users to compress the left and right differently? I would imagine this would be as easy as just running the sounds through 2 different sends.

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The question is in the title : 200% is too much, 175% is not enough… is there a file where I can set 180 or 185% ?

Thanks !

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If you scan the vst3 versions of waves thru waveshell4 (might be older) and later remove waveshell4, so the plugins now load thru waveshell5, Renoise will not remember the vst scan results.

Steps to reproduce:

1. Install waves 10 (waveshell4 should be in vst3 dir)
2. Do a scan in renoise, close Renoise
3. Install waves 11 (waveshell 1,2,3 and 5 should be additionally in vst3 dir)
4. Do a scan in renoise, close Renoise
5. Remove waveshell4 (it’s filestamp is older than the other four waveshells). Start renoise
6. Try to load VST3 GTR AMP (stereo). It will fail.
7. Now do a vst scan. Try again to load said plugin. It will load fine.
8. Now close renoise. Reopen it.
9. Again try to load the plugin. Again it will fail. Do another scan, and it will load again.

Hope that makes it clear. Maybe this could be the cause for the other waves problems, too (rotated graphics), so somehow the plugins aren’t loaded thru the most recent waveshell or so? No idea here.

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On macos, if you switch Renoise app and another app, e.g. a text editor forth and back, and copy-paste devices, very often, maybe each 3rd attempt, the copied contents from Renoise are not updated and it still contains the copy buffer of the previous forth-and-back-switching. So sometimes, even if you selected the device and selected “copy” thru the context menu, it still does not copy the contents.

This happens in combination with the app focus switching. It also happens, if you open two Renoises side-by-side, or Renoise and a text editor. I still couldn’t figure out some always repeatable steps-to-reproduce here, so please simply do:

1. Load a complex song with lot of VSTs (macos)
2. Open a text editor, i.e. VSCode
3. Copy a device in Renoise, paste it to VSCode
4. Repeat step 3 multiple times, also copy different devices all the time

I know I already posted this problem multiple times, eons ago. Still I would like to re-remind you here… Was it not fixed, because

A) You couldn’t reproduce
B) Priority is too low
C) You forgot about it

?

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I can’t seem to find a convenient way of precisely adjusting a LFO’s frequency in piece wise matters. Figure since I got some coding background I create a small formula DSP that allows you to do piece/stepper LFO slider for Even and Triplet LPBs.

Static LFO Frequency Selector.xrdp (1.2 KB)

A = Freq Selector
B = Trip or Even (0 or 1)

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