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Hello! Another day, another forum… nice to be here

So… I’m taking my first faltering steps with renoise - can you believe I hadn’t heard of trackers until two days ago?!

I hope nobody minds, but I’d like to ask some dumb newbie questions for a while so I can get my bearings, yes - I am reading the manual, but it’s also helpful to be able to ask when I think WTF?

So-- first question, having randomly banged in some notes via the keyboard on a few tracks, why does one of the tracks have an extra notes column? It’s wider than the rest… and it bothers me!

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The HexoSynth modular synthesizer (programmed in Rust) got an awesome oscilloscope and lots of workflow improvement in the last week.

https://www.youtube.com/embed/O0noG9BtNsQ

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I have no problem to route multi-output instrument (like SampleTank for example) to different tracks using aliases. Problem is that there is option “Current track” that, I assume, supposed to work like output to actual track. But it doesn’t work that way. It outputs to the same track as used in first instance. For me “Current Track” means that it should play on track where instrument (alias) was used. Or am I wrong?

I’m not asking how it works, I see how it works. I’m asking about why “current track” doesn’t mean current track. All I should need is to set midi channel, but I must setup specific track to made it output proper.

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Hello Guys. Wanted to simulate side chain action, playing with the volume envelope in modulation/volume/envelope so that every time I want to lower the bass to make room for the kick I just type a command next to kick, I see a post here from 07 talking about this but I cant google up any solution, any tips or workaround to do this

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I have a Korg Volca FM, and assorted parameters can be set/changed via CC messages. I’ve been using the “Instr MIDI Control” device for this. I like that I can have various values set up at the start of a song using fx automation.

The problem, though, is that the MIDI control device uses sliders that are all fixed to a displayed range of 0 to 127. Many of the Volca parameters have a displayed value of a smaller range even though they expect a value in the range of 0 to 127. For example, to set the patch algorithm to 20, I need to send a value of (I think) in the range 80 to 84.

Rather than have to do the math for these things I thought I could write a tool to manage this: display controls with the same range as shown on the Volca, but map the input to the expected CC value. (E.g. show a slider that goes from 1 to 32, but have the tool map that value to the range of 1 to 127 when sending the CC.)

(I thought of using a Doofer but as best I can tell there is no way to get a Doofer to do that range mapping.)

If I write such a tool, is there a way to have it’s controls and parameters available for automation? I.e., right-click on a control and have the value stored as an effects automation?

I’m thinking no, because it’s a tool not a device, but maybe someone knows of a way to pull this off.

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Hi,

Is anyone familiar with record labels or music releases in general?

I’m asking because I’ve been contacted for signing a contract with a record label again (I think it’s the 5th time know) and I should deliver “unsigned songs” (whatever that means) to a specific email, but I don’t know what to think about this. It seems suspicious to me, like always when someone “from the internet” wants something from me without spitting some details. The guy is talking about “A&R” and I would be contacted after the delivery of the song/s. Does anyone here know anything about “A&R”? All I know is “A&R FAX Records” from back in the 90s which is another label which wanted to sign me back in the 90s. But “A&R” seems to be something different. It seems that it’s not a label but a kind of “contact person” to get in contact with several labels. Is that right? Does “A&R” stand for “artists and repertoire”? Does anyone here have any experience with it?

Thanks in advance.

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my laptop is: # ASUS TUF Dash 15 (2022) Gaming Laptop, 15.6” 144Hz FHD Display, Intel Core i7-12650H, GeForce RTX 3060, 16GB DDR5, 512GB SSD, Thunderbolt 4, Thunderbolt 4, Windows 11 Home, Off Black, FX517ZM-AS73

Installed newest renoise, did the black viper windows 10 thing, using windows 11, turned off vitrual machine in bios. kept hyper threading on.

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Hello, Dear friends.
Recently, while working on various tracks in Renoise, I became very often annoyed by the factor that I cannot send a signal through a device (Sidechaine, Follower…etc) to the Previous channels. Beside, i can not send signals from Follower to the current channel’s Mixer. Why does such a thing exist in Renoise?. And is there any hope that this obstacle will be removed in future versions? I really want to send signals from any channel to any. And I also want to group Send channels under different groups, like regular tracks.

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So i’m using keystep pro, wherefrom i control different synths via midi (and cv/gate). From renoise, synths are triggered via keystep.

The conflict (wich i assume it is) i’m having is that when i record notes (via keystep), into renoise, one single note-trig results in several octaves of the same notes,

Like this:

I’m avoiding this with setting the out ch to other than 3. Notes records in renoise but doesn’t trigger when song being played. Yes i must change back to ch 3 on out, but rather not.

Solutiion, anyoone?

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I can assign my mouse using the MX master mouse to any keyboard shortcut using the software for every program I want but renoise, can anyone help? I am on a mac

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Originally, this song was prototyped using Renoise but I switched to Buzz Tracker for extra effects.

Please vote this track on Spinnin Records Talent Pool site. The song is about data science and mathematics (a bit alternative/intellectual when compared to mainstream).

Despite the name this track is really about data science and analytics. This yet another mathematically themed track by me doing something alternative.

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Hi! I have a simple script that works ok but has much more potential to be a great little tool with a little bit of love and some extra features added.

If you know how to script Renoise and are interested in some paid work please drop me a DM

Many thanks

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https://www.youtube.com/embed/r3OcB512Fjc

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I have a couple different VST/AU effects plugins now that cut off the audio of the track they’re on after being added to a track.
That list includes:

• Surge XT Effects
• Aberrant DSP Digitalis
• Clark Plugins Textures

Initially I had reported it to the plugin makers, but it seems not to be isolated to any one plugin or maker. Please investigate, thanks!

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Hi guys, I hope you are well.

I would like to create my own waveforms based on mathematical functions. Is there a way to use the pencil to paint points and do all this from the API?

I hope so, that would be great but I haven’t found this in the API.

Cheers.

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指出，太多的品牌傾向於低估外部機構的價值——導致關係出現更大的裂痕。“第三方供應商被視為可消耗品，而不是在流程中被視為可信賴的合作夥伴，”他解釋道。“這破壞了成功參與所需的信任因素。” 所有這些挑戰甚至都沒有考慮到可能出現的更多後勤障礙——比如必須不斷地與新人一起工作。“當您與大型機構合作時，分配給您帳戶的人員可能會因人員流動而發生變傳播和營銷部門經 說。這使得已經很困難的情況變得更加複雜。 如何為您的品牌改善協作 與公司以外的人成功合作顯然有很多障礙。

但是，如果您願意實施一些最佳實踐，則可 电话号码列表 以這樣做： 1. 尋找合適的合作夥伴。 無縫協作早在您簽署合同之前就開始了。並非所有代理機構和第三方都是相同的，重要的是您開始為自己的品牌尋找合適的合作夥伴。 “找到合適的合作夥伴並長期培養這種關係，”克雷文建議道。“有許多才華橫溢的創意專業人士和偉大的機構。但要使合作夥伴關係的延伸——發揮作用，需要對您的品牌、公司文化和營銷團隊成員有深入的了解。該機構應該是團隊而不是第三方。” 在您與潛在的代理機構或合作夥伴坐下來之前，您應該花時間考慮以下。

您需要哪些特殊技能來補充您的團隊？提供者是否專門從事這些事情？ 該機構應具備哪些價值觀才能使其融入自己的企業文化？ 她應該採用何種團隊合作方法才能使這種工作安排成功 通過提前考慮這然後根據這些標準尋找供應您將能夠更好地獲得長期成功. 就個人目標進行誠實的討論。 此過程中的一個必要步驟是始終了解項目目標的最新情況（稍後會詳細介紹）。但是，同樣重要的是，您還要考慮每個人在此安排中的個人目標。 “第一步是讓每個人都把牌擺在桌面上， 說。每個人都努力從一起工作中獲得一些東西甚至不僅僅是薪水和好的結果。

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Hi,

I am working with a new MacBook Pro M1, and dual screen. I use the internal screen as second screen, and a 4k screen as main. Now I would like to open Renoise always on the 4k screen, and also the plugin popping up on the 4k screen. If I start Renoise from the start bar on the 4k screen, I would expect the GUI to open here, too. But it seems to open always on the internal screen. Is this a system issue, or could Renoise support multi monitor in a better way?

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I struggle with the mixing of a metal track i made and i was hoping i could lend your ears and try to figure out what i’m doing right/wrong.

My first attempt was this:

There are obviously something wrong with the mix so i did another attempt thinking that this sounded a lot more balanced:

Just to realise this one sounded even worse than the first one…
So i started from scratch and re recorded everything and tried to apply some of the tips i got from stoiximans’ song thread and here is the result so far:

Is it getting any better? I don’t trust my own ears…

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this is a nifty little project some guy did, making a plate reverb out of IKEA parts for 100 bucks. But if you, like me, live inside of the computer and never come out to the physical world, you might also be interested in the convolution reverb impulses that he released for download for free. I loaded these up in the Convolver and they sound pretty great.

Can't afford a pricey plate reverb? Use some IKEA shelving and piezos and get something that sounds amazingly good in this simple DIY tutorial. Best of all - you can do it for under $100 in parts, and it's not a complex build.

Est. reading time: 2 minutes

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Hello!

Here’s my latest album. Again very FM8 heavy, but TyrellN6, Sylenth1, Zebralette, ABLPro and ABL2 can also be heard.

Once again Ted’s mastering template was vital for getting this album done.

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