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When adjusting a lot of slice markers it would be helpful if we could have a mappable shortcut to jump to the previous/next slice marker from the currently selected one. Using the list of slices to the left opens the slice in isolation, not offering the option to adjust the slice marker’s position.

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Lately I realized again, how fancy the deprecated Filter 3 works as a highpass filter. It seems to me the most balanced filter in this regard, the perceived volume stays the same. Especially if you aim for adding a bit of resonance at the fundamental for compensating the lows you just cut off. Let’s name this kind of mixing the 80s style of mixing. In the end such kind of mix appears more dense and “warm” This filter is the holy grail for adding warmth like a fireplace (esp. mean the “24dB 4Pole” filter type).

The digital filter isn’t bad and very useful, but can’t reach this specific kind of quality.

After I replaced all digitals filters with Filter 3 in all my mixes, the I rock the garage again.

So I would love to see a revised version and a de-deprecation of the fancy Filter 3. Maybe adding oversampling, maybe adding pre-/post drive optionally, or maybe even make it open source? Very likely it is not an algorithmic masterstroke, but instead just very carefully chosen by good ears. At least I find it kind of sad this it was deprecated.

The analog filter sounds nice, but does not seem to be a good replacement, since the filter types are too specific. Or maybe I just need to try it more…

What’s your opinion about this topic?

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Like when Middle-clicking on a track in the Pattern matrix or the PLAY button inside the track to mute it for the pattern it would be nice if you could also Middle-click the PLAY button of the columns too mute them the same way, that’s not possible right?

Just realized it’s possible to rename the ‘Note’ text in the columns

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Got a new release to share:

Cheers!

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Yes. At now you can use MuLab DAW with its sequencer and piano roll in Renoise for an affordable price (cheaper than FL Studio). I have tested and worked together seamlessly.
https://www.mutools.com/mulab-plugin-downloads.html

BTW

• you can resize plugin window
• there is a sync button in plugin that allows to start in sync with the main DAW - Renoise

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Hey, just wanted to report a rather odd bug i’ve been experiencing in Renoise 3.4.2 - not critical at all but a just little annoying

This only happens in songs created BEFORE v3.4.2, but when loaded in 3.4.2 - and as far as I can tell only in Windows:

If there is a DISABLED line-in device on a GROUP, all tracks in the group gets muted. To get around it I have to either enable the line-in device or delete it.

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https://www.youtube.com/embed/RdSoxdOVAks

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Hi all

I’m trying to find a way of capturing the audio from my MIDI instruments in Renoise.

Presumably, if I attempt to render my tracks that have midi note data in them they’ll render as silence since I’m not using samples or VSTs. Ideally if I have some way to render the audio of each track individually to give me a multitracks I can work with in another DAW that would be awesome.

But any way of recording the audio from midi would be good.

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With a tech assignment, you have to use technology as an education tool rather than just write about it. You will be given something to teach or learn from scratch, such as showing how to set up a computer with software, help someone solve a problem they are having using phone support, or produce content for the web. This type of assignment tests your knowledge of technology but also your ability to provide you best ebook service and many more things like communicate, understand, and engage others. It shows them that you can work independently and take responsibility. However, sometimes there’s a big difference in what students say they want vs. what they actually do (aka, don’t know). Many instructors try to force teaching skills onto student writers even if they don’t want to. They may come off as authoritarian or language pedantic. You should avoid this approach and encourage students to share whatever comes to mind. “ Have some fun! ” is better advice for a tech teacher than a grad writing course.

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beginner question here .
as an example i’m using simple but useful "Beatslaughter’s ClearSelection tool.

_AUTO_RELOAD_DEBUG = true

renoise.tool():add_keybinding {
name = “Pattern Editor:Selection:Clear”,
invoke = function()
renoise.song().selection_in_pattern = {}
end
}

renoise.tool():add_keybinding {
name = “Phrase Editor:Selection:Clear”,
invoke = function()
renoise.song().selection_in_phrase = {}
end
}

it works of course as it should . you assign key command to it and it clears selection as per design .
i experimented by substituding renoise.song().selection_in_pattern = {} with renoise.song():redo()
and it workes but if i substitude renoise.song().selection_in_pattern = {} with any other function
for example renoise.song():delete_track_at(index) i get error in LuaTestPad below

*** main.lua:6: variable ‘index’ is not declared
*** stack traceback:
*** [C]: in function ‘_error’
*** [string “local mt = getmetatable(_G)…”]:29: in function <[string “local mt = getmetatable(_G)…”]:24>
*** main.lua:6: in function main.lua:5

you can test it yourself ! why is that happening ?

Thank You
GC

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Lately, using TDR Nova to EQ and scoop out the low end of the side channel of any stereo material I resample has been a game changer for me. I do it with u-he Diva and Dexed (one instance panned right and another left with inverted detune values) and is all I do to make synth sounds in Sampler, it also makes it so much easier to make a loop or crossfade as the 0 crossings will be much more aligned, If you ever wondered why your resampled supersaw sounds wonky or you get clicks when looping stereo samples give this a try.

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Yo, I was wanting to look at some of my old renoise files, but unfortunately, that HD crashed years ago and I was an idiot who didn’t back stuff up.

referring to this competition:

At work in Renoise. Photo (CC) Federico Reiven [blog]. If you’re ready to show your skills creating digital music, we want your work. UPDATED! New contest entry page, new deadline (10/25): http://www.renoise.com/competitions/indamixx/ Plus tips,...

Est. reading time: 5 minutes

link on the renoise site is dead.

thanks in advance.

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Hey, has anyone messed with ringmod sidechain in renoise? I think it’s a really interesting concept so I wanted to share my current setup for it and see if anyone else has a better idea for it.
Here is a link to the video going over it:

https://www.youtube.com/embed/OzLEwdcDXWo

the basic premise is rectifying your kick negatively, sending that to the sidechain input of a ringmod on your bass. Then you sum the output of the ringmod and the bass to get a waveform with space carved out for the kick.
Here is my renoise snip and file, take note of the rectifier settings if you want to copy. You will need the melda free pack to do it the way I have set up.
ringmod sidechain.xrns (41.6 KB)

Here is where I’d love feedback to try and simplify the process (too many tracks!)
I send the kick sample to two tracks from the sample effects page, one to play and one to send to be rectified and then sidechained to the ringmod. I’m wondering if there is a way to send this to the ringmod without using an additional track.
The ringmod is on a send track so that I can send the bass to it and have it summed in the master.

I’ve looked at the waves in reaper and it looks to be pretty effective at carving out space, I’m going to try it in my next track. I’m curious to hear what others here think.

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Hello,

My keyboard controller’s pitchbend is sending off random signals (Pic 1), and I want to filter out the signal to not affect the recording (and/or playback). I’ve tried using this toggle (Pic 2), but this toggles all the CC to stop being recorded.

Any software I can use to mitigate this?

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This tune was made in october 2019 with the awesome Renoise Tracker with using only stock (built in) fx , some weird samples, and the iconic D16 VST plugins Nithonat (drums), Lush 101 (drone bass / arpeggio / pad), Phoscyon (2 instances, v1). Vocoder sample was prepared using Native Instruments Reaktor 6.

The bassline patterns are 7 steps. Polyrhythmic stuff in the hihats… only nerds will notice

Check out the Renoise video here: Nicolas Diaz - Loch Acid ( Renoise Tracker 3.2 / D16 Lush 101 / Nithonat 606 / Phoscyon 303 ) - YouTube

Soundcloud link to the track (FREE download): Stream Loch Acid by Nicolás Díaz | Listen online for free on SoundCloud

Cheers!

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I’m not sure if anyone else has fixed this problem before, but the neutral position (when you don’t touch it) of the keyboard seems to be offset down a step like this:

It also takes a considerably longer distance to go up than going down physically. It feels like the encoder is offset, but I’m not sure at all.

Does anyone know why this happens?

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It’d be nice if the smooth tool, in the wave viewer, didn’t affect the sample, initially, and was just a modifier that could be adjusted in variable percentages with the option of just deleting it all.

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Renoise’s second most unorganized music competition has Reborn

-=-=-
MBCR#13.1
Mutant Breaks Competition Remix #13.1

----- - — - More odd meters/warped time/extra dimensions/ glitch - — - -----

Just divide it more…

Rules:

• No rules!

Additional rules:

• Remix one or more songs from MBC#13
  = to get voted in the best of the remixes

• Track owners from MBC#13 must give their consent to remix their tune

• Answer in this thread if you will share your track from MBC#13 for everybody to Remix

• Dont remix without permission!!!

A bunch of more rules:

• Everybody from the forums can participate by making a remix

• You can make as many remixes as you wish but you can vote only for top three

• If the artist shares an XRNS of the remix, their total votes are multiplied x 3

• Participants must post their track as a link in this thread.

• Compo starts 1st of October and ends 23rd of October, when after the voting starts

• The top track is randomly selected among the 8 most voted remixes, during somekind of realtime online live stream radio broadcast

• You can remix either the xrns project file or remix chop hack n slice n slash the final rendered audio file

  • for example some tunes have lots of plugins/VSTs or U are on a different operating system than the song was written on, so it could be easier to just to remix the wav/mp3 file

::: Extra points :::

• If a participant writes a mini-review for their top 3, then they get _ 1 bonus vote _.

• If a participant writes a mini-review for every remix in the compo, then they get _ 3 bonus votes _.

::: Prizes :::

• 1. 100€
• 2. 60€
• 3. 20€
     winners will get their money prizes through paypal

.
.
Don’t know what Mutant Breaks Competition is?
Check the link: http://www.trotch.com/mbc/

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Decided to work on a new album. 5 songs in, and this is the one I like the best so far

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