Renoise Forum

Just purchased Renoise(literally) after using Redux for about a year. I knew this day would come.

I’ve switched DAWs a few times in the past year and Redux was always there. Keyboard shortcuts, pattern sequencing, hexadecimal and raw sample manipulation at its finest. In just a plugin.

I’ve made beats using NOTHING BUT instances of Redux. No external FX Plugins! Only TRIGGERING patterns! In other DAWs! They should be ashamed.

Like I said…I knew this day would come

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I’m positive that after beatsyncing a sample with timestretch option, not repitch, and slicing that sample manually or with the slice tool there is no way to keep the slices in sync with the main sample without adjusting each slices beatsync.

If I’m missing something can someone help me?

Making slice points via my keyboard on a sample I loaded from the browser that autoset the beatsync length is satisfying on so many levels

I get a serious case of beat makin’ blue balls when the slices revert to the original tempo of the sample. I use Redux and it’s so feature rich that I think I might be overlooking something

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Every ride is a gift

https://www.youtube.com/embed/H8F0pOxPv6w

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Hello,

I’m new to Renoise. I come from Ableton, and one thing I enjoy doing is taking a sample, routing it to an audio track and using the Post FX channel to add effects. I can layer the groups in any way I see fit, and it stays neat, tidy, and flexible for mixing. I’d like to be able to do something similar in Renoise.

I’ve uploaded a screenshot from Ableton showing a small example to help explain what kind of organization I’m looking for.

Am I able to do something like this in Renoise?

Any ideas/input are appreciated

Thanks!

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Hi, can anyone help me understanding difference of these options?
i’ve tried both and they show no difference. Both options behave exactly the same.

i’d expect that shortcut - jump to next column would go to next column…
order example: press once to go - note, 2.vol 3.pan 4.delay 5.fx etc

Thanks

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Enjoy the ride

https://www.youtube.com/embed/vn5Zto3cL5U

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Hi everyone,
We’ll be speaking to Venus Theory today on our AMA Live Stream over on youtube!

https://www.youtube.com/embed/g2iRp6Ibj8I

10am PST / 1pm EST / 6pm BST / 7pm CET!

Join in and post your questions for Cameron on the video.

See you there!

Chris [GPU Audio]

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think it would be cool if we could have a live stream on discord, there is potential for collab and chats over methodology and watch others workflow

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I think I may have seen this requested before, but being primarily keyboard driven I find the process of having to click the beatsync box a little bit of a workflow stopper, if a keyboard shortcut for beatsync was created this would be a nice little upgrade

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Hi there,
I am working on a 12" release and the digital one is allready there.
Support is very welcome.

all renoise except the last track.

Much love

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Some of you folks who have been around a while might remember a line in the old quickstart that was like:

“Before we get started, sit back, relax, and roll yourself a huge spliff…”

I’ve always thought this was hilarious and makes me nostalgic for the days when devs were being a bit more cheeky in their documentation. I’m sure they eventually realized this was “unprofessional” and took it out.

I would just like to have a screenshot of it for lols.

Thanks in advance

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Yo!

Series of new videos coming, every Friday.

https://www.youtube.com/embed/fq4Jz09x2b8

Be inspired - make it better!

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hey all, just thought I’d share this technique for making rudimentary crossfading wavetables natively in renoise.

Pretty simple idea. Multiple modulation sets with stepper devices set to a step value of 0, custom crossfade curves, stepper reset tied to a macro. This example has four waves in the table, but the principle can be extended if you want more “frames.” Obviously, crossfading is a fairly primitive form of wave morphing, but it works, and can sound pretty decent, at least in my opinion

here’s a very simple example of the principle:
basic shapes wavetable.xrni (5.8 KB)

the main downside of this method being that if you wish to further sculpt the modulation of the sound in a consistent way across waveforms, each modulation device must be copied and pasted across modulation sets. so it’s a little tedious. But, the upside being that you can have entirely different modulation behavior between different wave frames, which can make for some very interesting sounds. Fun to stack multiple waveforms in each set, too… as usual, sky’s the limit

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https://www.youtube.com/embed/pA-3Snxa67A

Everything done in Renoise.

And yes, I’ve got the instgrams of the girls.

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I’m running out of processing power in Renoise so I’m planning to update my ryzen 3600.

I’m trying to decide between 5700x and 5900x. Can Renoise use all of the cores/threads (12/24) on 5900x? If I’m understanding this right, more threads is better than slight increase in clock speed?

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Would love it if there was a modifier key that would simply let you change notes and all values with the mousewheel within the note table.

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但是，仅使用“TheFarm”创建一个“@”已被采用且不具体。通过使用“@thefarm.clearfieldlane”，用户将首先搜索俗名，并轻松找到他们想要的特定页面。 要创建您的“”，您可以查看您公司的 页面。在您的个人资料图片正下方，您会看到一个用于认领“@”的按钮。单击，尝试几个选项，然后保存。瞧！ 自动回复 脸书自动回复 我们明白了——您是一位忙碌的企业主，并不总是有时间立即回复 Facebook 消息。为了提高您的回复率，请设置自动回复，以便在您不在时回复潜在客户的消息可用的。这非常容易做到，并确保页面访问者感到被看到和听到。

当您查看公司的 k 页面时，在顶部 中东手机号码清单 工具栏上，单击收件箱。在左侧，单击自动回复。从这里，您可以编辑消息 - 很像老式的 AIM 离开消息 -发送给访客，这些访客在一定时间后向您的业务发送消息，而没有人工响应。通过自定义文本、添加图像和链接来完成所有您认为合适的自动回复，以引导他们获得更多联系信息。 创建 脸书自动回复 很多时候， 页面是让访问者访问您的网站并最终进行销售的第一步。 页面允许您将 或“号召性用语”添加到您的页面，直接在您的封面照片下方。您的 是人们单击以了解有关您网站的更多信息的简单按钮，并且绝对是您k 页面上的必备品。

要设置 ，请单击封面照片下方的“+ 添加按钮”。从那里，您将能够选择 了解更多信息、与我们一起购物等等 - 并在下一页上将相应的链接复制到您的网站。页面访问者现在可以通过 轻松访问您的网站。 虚拟帖子 熏制烧烤店 最后但同样重要的是，是时候创建虚拟帖子了。您想确保您的第一批访问者不必查看空白页面，因此最好创建 5 个“虚拟帖子”来启动您的个人资料。以下是一些帮助您入门的想法： 与业主会面：业主的照片和简短的传记，说明他们想要创业的原因 最近的活动：您的企业计划的最近婚礼、您参加的招聘会或员工感谢早午餐的相册。 我们的第一个 帖子：欢迎人们访问您的页面的文字帖子，感谢他们让您的业务发展，并鼓励他们邀请朋友。

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I have 3.5 in Floppy disks filled with MIDI sequencer data made over 20 years ago. My old MIDI disk drive no longer works and I need to get the data from the floppy disks loaded on my Windows 10 PC and then fed back into my old Alesis MMT8 sequencer, to run my Roland U20 midi keyboard.

I used to use a program called SysEx 97, but that no longer works on Windows 10. I’m looking for a program to replace the SysEx 97, and I was hoping that Renoise would work. Does anyone know if Renoise can read SysEx data from a floppy disk drive ?

Summary of the path needed

SysEx MIDI data from 3.5 inch disk loaded into Windows 10 PC
SysEX Midi data from Windows 10 PC to sequencer

Thanks for any suggestions .

Roland U20 keyboard
Alesis MMT8 sequencer
Windows 10 PC
External floppy drive with USB plug
USB to midi in / out MIDI cables to run back into the MMT8 sequencer.
Sequencer OUT cable to Roland Keyboard

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@It-Alien @noisebeuter @Raul or somebody?

I can get it to work - I had to adjust the ‘manifest.xml’ file to read API 6.0 (I know it could be 6.X). Then I had to ‘Enable’ the tool, as it was disabled.

I now can get the tool to show up and it works - Look!

The issue is that I keep getting the same pop-up error message.

main.lua:577: unknown property or function ‘insert_sample_mapping’ for an object of type ‘Instrument’
stack traceback:
[C]: in function ‘_error’
[string “do…”]:48: in function <[string “do…”]:35>
main.lua:577: in function ‘generate’
./gui.lua:861: in function <./gui.lua:860>

If I knew how to fix it, I would. This particular Tool is incredibly versatile. It’s structure is not too different from the PadSynth, but it’s sound generation is VERY unique. Very FM-ish tones and excellent variety for more melodic waveforms. I repeat, this sound generator is very different.

If anybody could fix this, that would be excellent!

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I was really in love with Aphex Twin’s Cheetah EP a few years ago, and it became a really personal album for me. At the time, I was totally involved in acoustic music, and devoted no brain power to thinking about DSP or how certain electronic sounds are achieved.

Fast-forward, and after wading through all of the hype around that album and how complicated the eponymous synthesizer that was used for many of the sounds is supposed to be, I realized that some of my favorite digital-and-crunchy yet flowing-and-smooth patches that can be programmed on the instrument are really just bread-and-butter for present-day renoise.

So I made a little instrument:

Cheetah_12.xrni (14.8 KB)

Most macros are there to let you thicken things up, but the first sets the speed for how quickly the samples are cycled through. All the waveforms used are just hand-drawn, but it can be fun to swap out for radically different synthesis methods, i.e. one sample is FM-generated and another one is “8-bit.” It can be especially nice to set a few samples to “silent” to give some breathing room as you cycle. I have yet to set up the LFO’s to be “prime” to one another, but a little bit of tweaking could set up some really complex sound unfoldings.

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