Renoise Forum

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I am in a financial jam at the moment so i must sell some stuff unfortunately.Pm me if interested or find me in facebook Redirecting...

PC- 8 months old.Active warranty 28 months left—900 Euros

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Kolink Observatory
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Laptop 4 months old.Active warranty 20 months left–600 Euros
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Korg Electribe 2—250 Euros

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I just set up a new machine and spotted a possible bug.
Renoise 3.4.2
Windows 11, Intel Core i7 12700k

Description:
When opening a VST/VSTi to its external editor (=its own window/interface) and then double clicking somewhere to type in parameters, Renoise keeps Keyboard Focus in the instrument list simultaneously. This causes the instrument to play out loud, while data is being typed in.

Steps to reproduce, expected / actual results:
Open a VSTi such as u-he Diva or a VST such as FabFilter Pro-Q. The same issue applies to both VST2 and VST3 versions.

-Click to open u-he Diva’s presets (inside its own interface) and search for a preset by typing something with the keyboard; each key press now also plays the synth out loud.

-Click to open FabFilter Pro-Q, double click to set a new EQ point - then instead of dragging with the mouse, double click to type in a value (Freq, Gain, Q) with the keyboard. Again, each key press also plays the sample or synth (which is currently selected in the instrument list - of course if nothing is selected there, nothing will play) - so if I type in 2.5dB, you will hear C# (2), D (.), F# (5).

What it -should- do is stay silent while typing in data and return to normal (audible) mode after having pressed enter (finished typing in).

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When working in the sampler and after unplugging my headphone (to hear sounds through speaker), Renoise (Windows 11) seems to freeze up every time stating “Scanning for MIDI devices…”. This takes very long (1-2 minutes) and afterwards the whole program doesn’t seem to work anymore. Some menus work, but some will cause the app to freeze up again or make Renoise crash. Samples and songs won’t play back at this point. The same happens the other way around, when plugging in a headphone. Does anyone else have this problem, or better yet, a solution Thanks!

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Hello, anyone interested in trying an early version of a tool for calculating intervals and consonance values? I use it for learning purposes together with PianoTeq. Pls. refer to the description on GitHub: GitHub - ank19/renoise-interval: renoise(tm) tool to analyze intervals
Thanks.

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Please can U add something like a patchbay such as in fruityloops and bitwig.
We think thats a great idea for the RENOISE DAW to be universal and widespreading in the MUSIC Community.
Can U Please look at the programms such as BESPOKE or PURE DATA or USINE.

Thanks a lot for the Renoise Produkt, which is very precise but it should be further more easier like childsplay.

Yours Sincerly

Brazor0 and Co.

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I had it for free and I don’t need it because I have “Total Studio MAX 2” box

Who will answer?

IK license can be “setuped” 10 time

Also give “Pulsar Smasher”

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Forgive me if this has been asked before but is there a way in Renoise to add your slices as instruments? Not in the sampler but selectable instruments for tracks? Also I never use the mouse and I think that is SO awesome

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Hey hey. My buddy created this new music platform where you put your music out and its minted as nfts. Honestly im not to up on all blockchain stuff but its a cool way to put your music out and it puts all the power in the hands of the artists.

Check it out at
Ome.network

Cheers!

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Description

If you copy/paste/duplicate some specific VST3 plugins, the settings of the plugin will be lost. This only happens in Renoise, not in Bitwig.

Steps to reproduce

1. Load Spectre VST3/macos version, make some preset adjustments
2. Copy the dsp, and paste it to another track. Settings of the copy should be in initialized state again.
3. Repeat the same in Bitwig. It should copy/paste just normally.

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Sample recorder window is neat and does the job but while live recording stuff it would be nice to see the wave form like a waveform in the sampler. Much like using the draw tool and like any other DAW does audio recording to tracks.

Recording controls may be put into a dropdown or accordion style toggle space in the waveform controls bar at the top which gets activated when record button clicked instead of showing them in a separate window.

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Hi,

I was thinking about clippers… Those often come with oversampling options. I think I really tried all available. To my ears, clipping only works on a bus or even master, because then the added distortion will be somehow masked in the mash of full band sounds… So also only if you mix fullband-width-alike, not classic or so

But when it comes to the oversampling options, in the end I always tend to use no oversampling. Why it is even provided, I don’t get this: Clipping is clipping, cutting of the waveforms in a very rigit way. Why should oversampling help here? Will the curve then smoothed out over some samples? Still it would result in drastical distortion on the transients. It will alias as hell, no matter of oversampling… Seems to be a voodoo topic to me.

And then do you ever use soft clipping, which simply is “fading in” the clipping? I only seem to like Renoise’s own soft clipper, sometimes it actually improves the sound, but I cannot tell under which conditions this is (Also its annoying the soft clipper is not available as device simply). What was interesting maybe, would be a softclipper connected to an env follower, or lets say a waveshaper. Maybe this is what a FET compressor actually does…

There are a lot of tutorials (also by quite skilled people) in which they use clippers everywhere esp. on the drums, the single drums, then the bus, then the master… I don’t like that harsh, edgy sound, would only fit to hard genres, IMHO. For example, in Baphy’s videos, the clipping ruins the dynamics, more specifically the sound of the transients. Maybe you need very good, fast responding monitors to have a clue what coloration the transients have. On the other hand, clipping was a thing in a lot of Amiga tunes, and it sounded great.

What are your finding with clippers? Do you use it regularly? On what kind of sounds, or only selective for specific genres? Do you use oversampling? I hope we can start some discussion about the topic here!

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Good tidings to you.
New to the scene

Have released a few singles as _Polartimecast, but here’s the latest.
Using Renoise renders as a base, I did a bit of live editing and added some DSPs.

https://www.youtube.com/embed/squ_tts9j_4

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Hi!
I just bought Renoise and its wonderful!
That said…when I open up saved songs my VST presets for Massive and FM8 aren’t loading!

In the plugin side-panel, the Program drop-down simply says “disabled” – is there any way I can fix this? Alternately, could these VSTs simply be too old?

Thanks so much,
-Valerie

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I used the cdp tool a lot in the past bt for some reason it doesn’t work on my new laptop
I extracted all the files into a separate folder , cdprogs being the most important since this houses all the cdp processes .
The Lua cdp tool shows all the process but no processing is happening at all when executing
But no luck this far

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Hello,

Example one in the demo uses the Scales and Chords “player” to print the notes into Ableton. How could I use it to print the chords onto a Renoise channel? It’s a really powerful tool. I’m not great with MIDI routing in Renoise never really having had to use it. Thanks for any help in advance.

https://www.youtube.com/embed/9SR_qQDGHuI

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Hi,

any idea for a good FET compressor plugin? I tried the softube’s one, it is amazing, though it has ilok protection and very expensive, a price like a synth… Do you know similar sounding plugins?

Also if you have experience with compressor types, please share your thoughts here, thanks!

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I’m coming back to make you listen to a song, you can remix it if you want
Have a nice day

haloween revisited.xrns (1015.3 KB)
https://www.dropbox.com/s/6eja4jej8gdx5xf/haloween%20revisited.wav?dl=0

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Here’s an easy to understand discussion of Euclidean Rhythms – a way of using math to describe beats that are distributed as evenly as possible, and how this is a feature of many common…

Some ideas to play with.

The latest episode of Sound + Voltage takes a look at Euclidean Rhythms – a way of using math to describe beats that are distributed as evenly as possible, and how this is a feature of many common musical rhythms from around the world.

See also: Tool idea: Euclidean rhythm generator

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