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Saying hi to everyone, long time no see.

I wanted to know if any music and computing and similar research topics have been undertaken in the past or currently by anyone over here towards their doctoral course work and thesis, and Renoise users obviously.

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2023 is almost over, so what’s your favorite song that you’ve composed this year?

I was primarily creating Elektro this year and that’s my favorite:

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I just released this album yesterday. It’s a collaboration with a mate (UCallMeSir, lead vocals and lyrics) and me doing the beats / production and additional vox. It’s all done in Renoise with a bit of live guitar here and there. Stylistically, I’m not entirely sure what to compare it to: maybe old Def Jux type vibes. My background is more in rave / breakbeat than hip-hop, so it’s kind of an outsider’s take on it I suppose.

Enjoy, hopefully!

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The perfect spot

enjoy the ride

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Have a bunch of things on Knobcloud. I’m selling software - not playing music anymore due to medical issues. Not interested in answering questions about what’s medically going on. If you see these plugin alliance plugs anywhere for less, I will price match, but tbh, I have so many medical bills that if you want to help me out any buy at this prices, that would be much appreciated. Not selling my Renoise licence, geniunely love the program, and being a part of the community

The first dedicated marketplace for audio production software licenses.

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I wrote these lyrics back in 2019 shortly after the suicide of my neice, did put some basic music to it but never really fnished it.
Decided it was time to finish it, so basically reworked the whole thing, including rewriting maybe half the lyrics

If you’re interested, the Guitars are Ample metal Eclipse, Bass is Kontakt classic bass (from factory library) drums are Solid Drums, there’s some violin VST in there (DSK I think I used) and the vocals are my voice lol

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I want to use the adventure kid waveforms to create chiptunes, but they aren’t tuned correctly, they are tuned to D plus 2 cents. Tuning them inside renoise doesn’t work because I can’t get precise enough. I saw some posts with people suggesting using SoX to tune the samples. What SoX command would I use to tune the samples to C?

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If i add a Decimator modulation to my sampler, is there a way to add a LP filter with an ADSR cutoff frequency modulation on top of it ?

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The logo on top of the page seems to refer Judaism.

I actually have researched religion, and Ja is the Deity here, and Elf the enemy. And one is a devotee with this.

If you are into Renoise, you might want to try it!

-Peace.

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Skrillex - Right in Renoise

My short (kind of) remake of Skrillex - Right In
I wanted to share because I’m proud of the sound design being all native

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Setting 'LFO Dest' To 'Phrase Program' Twice Breaks Undo

Set an LFO’s Destination to: Instr. Macros - Phrase Program. Undo it then set it again. Now nothing can be undone past this point. It just says: ‘Change PlaybackMode’ was undone.

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slightly less heavy than my more recent stuff

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Specifically, in Renoise, I use a VST3 instrument from Spectrasonic, Omnisphere 2. If I connect the control element of the VST3 instrument, the name of the parameter does not appear in “meta instrument automation”. Instead of the parameter name show only text “No parameter” is filled in everywhere. But the control works. Even though in the VST3 instrument the name from the listing is correct “Parameter 1 B Filt Cutoff Host Automation ID: 12”, i see only “No parameter” is displayed in “instrument automation”. I’m trying to figure out how I can edit, change the name “No parameter” to at least my name. But it fails, this name seems to be an exported value only, no editable. Can something be done about it please?

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I want to buy a license for Renoise, I just don´t know if it´s better than other daws like Reaper for making techno and house music.

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A trick I use often on my hardware sampler and also the wonderfull cyclone vst is the combination of a poly + mono sintrument .
For that I sample 2 keys per octave(c,f#) , for 4 octaves ,set that voice group to poly , duplicate the voice group but set to mono and 1 octave up plus some glide ( 22-33ms) .
So both are controlled from the same instrument , yu can play chords and at the same time you have this note played an octave higher + glide …a really nice effect .
In renoise there is just no possibility to do this in the same instrument , it’s either poly or mono ,so we need to duplicate the instrument , set it to mono and also duplicate the part .
But , then there is still the issue of controlling-playing both instruments at the same time .

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3rd vocal track, hope you’ll enjoy it

Sun - the Sound of Rain

Daw : #Renoise VST : #Nexus4 / #Omnisphere Video : https://vizzy.io #music #electronicmusic #tracker #spacedisco

Duration: 212

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Hello,
In one project, I am solving a problem with signal interpolation. I have a few things in reserve (Lanczos interpolation), but I would like a solution that uses the Smooth function in the sample editor. What kind of interpolation algorithm does it use?
I have some problems connecting the samples to each other ideally.

Thanks

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It looks like a feature was suggested here, and I was wondering if it was now possible to bypass phrases for a given instrument.

For example, I have phrases built for a Drum set that I’m using in a track, but now and then I want to be able to trigger the sounds rather than the phrases themselves (e.g. Crash cymbals) rather than having to ‘build a new phrase for every occasion’.

Thanks for the help!

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Is there any known way to assign macros via scripting?

and is it possible to save instruments as .xrni with scripting?

Thank you

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Voiski released a new, rather excellent minimal techno EP today.

I don’t know him, I’m just a fan of his music. So I thought I’d share it, maybe some of you will enjoy his music as well.

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