Feed aggregator

@AdamWysokinski wrote:

Posts: 1

Participants: 1

Read full topic

@bigfake wrote:

Sample start / end point automation by curves / lfo / randomizer - it would be very creative way to obtain interesting glitchy sounds. What do you think, guys?

Posts: 1

Participants: 1

Read full topic

@milkyheart wrote:

i might still work on this one, but it’s listenable

Posts: 1

Participants: 1

Read full topic

@Raul wrote:

Is there any way to eliminate complete conversations within the Inbox or within the Archive?

I miss a Recycling Bin. This would help not to fatten the forums. Have a little maintenance by the user with their private conversations.

Is there any way to erase them and not see them anymore?

Posts: 1

Participants: 1

Read full topic

@Artie_Fufkin wrote:

I’m trying to emulate the shift distortion with a VST. I’m using the Robin Schmidt FuncShaper VST with an absolute value function and high pass filter(to get rid of DC offset). Getting close, but there’s just a little bit of extra grit with the shift distortion, even when I’m just about matching levels.

Can anybody shed some light or provide conjecture on the implementation?

Posts: 1

Participants: 1

Read full topic

@Micah_Lawrence wrote:

https://drive.google.com/file/d/1sQkdOCjZGQNyv0CXPwqJr5fnzarqCDK_/view?usp=sharing

Posts: 1

Participants: 1

Read full topic

@fredeke wrote:

Hello everyone.

Here’s my issue: I’m controlling an external synth with Renoise via MIDI (a Moog Sub37, if you need to know). The preset on the synth uses glide in a legato fashion, which means that it glides only when MIDI notes overlap each other. That is how I want it, and it sounds great when I directly play the synth’s keyboard.

But when sending MIDI notes from a Renoise sequence, there is no glide. That is because Renoise always sends a Note Off message just before the next Note On. So there’s no overlap.

The obvious solution would be to create two columns in my track, and alternate notes between them. I don’t like it because it’s ugly and confusing to look at, and twice more keyboard gymnastics to write down.

Is there a way to delay the Note Off messages ? Or some other way that would result in short overlaps (even a 1ms overlap would do) ?

Note that I also use manual Note Offs in the composition from time to time, so that a last note of a phrase doesn’t go on indefinitely. This I obviously would like to keep

Thanks for reading so far

Posts: 1

Participants: 1

Read full topic

@ffx wrote:

Hi,

today Ableton 10.1 was announced, featuring very interesting features like VST3 support and magic trackpad gestures support:

Also this new delay device looks great:

See those new modes “Fade” and “Jump”, it looks to me like Taktik made it (which I don’t know of course). Did they manage to implement a working multi-fade mode (also smooth while delay length changes), or is it a single fading? Once Vojtech of meldaproduction told me that multi-fading was mathematically impossible.

What do you think about it? Does VST3 support mean that note expression already is there, too? Will MPE then follow?

Posts: 1

Participants: 1

Read full topic

@digitalpython wrote:

Hello, dear friends!
I humbly present my new electronic project.
Almost everything I compose in trackers.
You are very welcomed to join/subscribe.

https://vk.com/digitalpython
https://www.youtube.com/channel/UCQkoVY … TLYif0bAFw

Best regards from Russia

Posts: 1

Participants: 1

Read full topic

@jljosh02 wrote:

What’s everyone’s favourite non-tracker music software? I like FL Studio best. I like it’s native effects/synths and the way it handles arrangement and composing. I’ll admit if it weren’t for Renoise’s far cheaper price tag and better sample manipulation options I probably would have chose FL over it. Maybe when I have enough money someday I’ll pick it up and use it as my secondary DAW.

Posts: 1

Participants: 1

Read full topic

@Pansar wrote:

Hey peeps!
A newborn tracker here. Very early days, but im completely sold on the whole tracker paradigm after using Live and such for the last 20 years or so.

Anyway.

My question is, what do mitch murder do to get his pitch bends so smooth/to avoid the stepping? (see image)

I’m guessing he increase the ticks between lines/raising the resolution?

Not sure what the Cut command is about there… Any light on the matter would be cool!

(I get that he is affecting the notes in the left track, but doing so on another track. So he can affect all the notes at once?)

Posts: 1

Participants: 1

Read full topic

@Zyl wrote:

Renoise treats all my samples as being note C-4 when most of them are something else. How can I specify what note it actually is so when I put a note in the pattern editor the displayed note will actually match what is being played?

Posts: 2

Participants: 2

Read full topic

@Raul wrote:

SLICE IMPORTER. What is this?
Slice Importer include a double function allows copying or pasting the slice markers of the first sample between instruments.

Remember that it is necessary to always work on the first sample! If you copy more slice markers than those allowed by the target sample, they will only be pasted to the last allowed marker.

Access: “Sample Editor/Slices/~Copy Markers… (or ~Paste Markers)”.

Download
https://www.renoise.com/tools/slice-importer

Posts: 1

Participants: 1

Read full topic

@oneunkind wrote:

oh well that’s ok though xD ;D

Posts: 1

Participants: 1

Read full topic

@4tey wrote:

I don’t know if this is intentional in any way (or just how the commands interact), but I’ll mention it…

I’ve attached a little simple example xrns. 2 Patterns, simple sine wave sample. First pattern is with the Oxx (fade out) command first in the FX order on the left, with the Txx (tremolo) command on the right. Seems ok. Get a fade out with a tremolo. 2nd pattern I’ve swapped the order of the Oxx/Txx commands. Still get a fade out, but (as far as I can hear) no tremolo is applied. Similar replacing Oxx with Ixx

twinkle_trem.xrns (5.1 KB)

Maybe not a big thing, if that’s how it is then keep the tremolo on the right in the FX columns when using Oxx/Ixx commands.

Posts: 1

Participants: 1

Read full topic

@boonier wrote:

When trying to fine tune a loop, I find myself wishing there was a key command to jump to the respective boundaries of the loop as it helps to be able to see the relative levels of the sample at each marker. Is this currently possible?

Posts: 1

Participants: 1

Read full topic

@zooterman wrote:

This would save me so much time. Wondering if it is possible?

-Thx.

Posts: 1

Participants: 1

Read full topic

@delt wrote:

Hello again, sorry for starting a new topic for this, but i thought it would be less confusion since… well, it’s a different topic

This idea is for view modes. What would really be awesome for the spectrum/scope area is an extra view mode with two big oscilloscopes side by side.

Another would be regarding the DSP effects chain which is always confined to the bottom of the screen. It would be very useful to have a view mode where all effects of the selected track are stacked one on top of the other, taking up the entire screen. This would mean a lot less scrolling horizontally along the bottom strip where the effects are, and would allow to see many more at once. For bonus points, doofers could maybe have a collapse (same line) vs. expand (effects in it also stacked vertically, maybe indented at the left to show which are part of the doofer) …? just an idea

Posts: 1

Participants: 1

Read full topic

@delt wrote:

Hello everyone, it’s been a while since i posted here! Just posting my suggestion for enhancements to midi in Renoise. Hopefully this will be added to List of feature suggestions for Renoise

First one is more for hosting plugins for live performance rather than tracking or sequencing, but here goes… it would be really nice if the same instrument could receive on more than one midi channel, for example if i have several keyboards, sounds or whatever, each on its own midi channel, but i want the same pad layered on all of them. Currently i have to duplicate my pad instrument for each channel i need, and then it’s a pita to change selections on all of them, or delete and re-duplicate etc.

The second is more for tracking, i’ve mentioned it before i believe - it would be nice if the same notes in the pattern editor could trigger more than one instrument at once, instead of having to duplicate the track and change instruments. The advantages of this are pretty obvious =) I think you can probably use some weird midi-mapping trickery to achieve this, but anyway… plus you’d still be stuck in certain situations for ex. when a track changes between different instruments, and so on.

Off the top of my head that’s it for now, aside from the other feature requests i mentioned before, like toggle sharp/flat view mode, relative tempo changes with ZTxx, and the ability to map “,” and “.” to commands instead of C and D notes (they’re duplicates of Q and W anyway) and put back the ability to have the same sample in different zones of an instrument like before.

Posts: 1

Participants: 1

Read full topic

@Ledger wrote:

If you want to see a post in text format with all the markup tags exposed

• Click the ‘Share a Link To This Post’ Button
• strip out the t/topic title part of the link and replace with raw

ttps://forum.renoise.com/t/tip-to-view-a-post-in-raw-text-format/56527?u=ledger
ttps://forum.renoise.com/raw/56527?u=ledger

Example, this post in raw text:

https://forum.renoise.com/raw/56527?u=ledger

Posts: 1

Participants: 1

Read full topic