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I have a couple of patterns and want to render them, Track by Track and pattern by pattern.
So I choose the right click in the pattern organiser “render selection to disk”

How can I render the pattern automatically and name them automatically.

Thanks in advance

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hi, how do i return keyboard focus after clicking on a slider or a button in a LUA GUI? I would prefer to be able to continue keyjazzing or shooting shortcuts, even if the GUI is open.

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A Jpeg to wav tool like sunvox has would be great to have for renoise

SunVox: Sampler eats JPEG images

If someone could pull this off i think it would be @martblek with all his great tools he already has created.

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i don’t get why there’s so much space wasted for showing some url at the start of the name of the device?

or do i need to just filter out

720 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/sc_mb_dyna_processor_ms 721 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/sc_mb_dyna_processor_stereo 722 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/sc_mb_expander_lr 723 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/sc_mb_expander_mono 724 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/sc_mb_expander_ms 725 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/sc_mb_expander_stereo 726 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/sc_mb_gate_lr 727 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/sc_mb_gate_mono 728 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/sc_mb_gate_ms 729 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/sc_mb_gate_stereo 730 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/sc_mb_limiter_mono 731 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/sc_mb_limiter_stereo 732 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/slap_delay_mono 733 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/slap_delay_stereo 734 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/spectrum_analyzer_x1 735 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/spectrum_analyzer_x12 736 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/spectrum_analyzer_x16 737 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/spectrum_analyzer_x2 738 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/spectrum_analyzer_x4 739 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/spectrum_analyzer_x8 740 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/surge_filter_mono 741 Audio/Effects/LADSPA/lsp-plugins-ladspa.so:http://lsp-plug.in/plugins/ladspa/surge_filter_stereo

this type stuff?

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It would be great to be able to set the live quantization amount in the main pattern editor to fractions of LPB (1/2, 1/4, 1/8…) and have the note entered with the exact amount of delay in the delay column.

I know I can just set a higher LPB for the whole track when I start but it would be nice to be able to play in live parts with higher resolution and still have it quantize immediately.

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Playing around with the phrase script at moment.

For instance I have this:

return rhythm { unit = "1/8", resolution = 4/4, --pattern = pattern.euclidean(12, 16, 0), --emit = cycle("{A4 A5 E4 C4}%2, {A4 E4 A4}%4") emit = cycle("{{a1}/4} {{a3}/4 {{-}/8} {{b}/8} {{a2}/4} } ") }

When changing the notes or the unit value, etc. I’m always getting one or more xruns. My current DSP load in the project is (only) 26% and the phrase script only controls a sample loaded into the Renoise sampler.

Is this maybe because the script changes the values immediately and possibly exactly when the sample is played?

Another thing I just realized. When the track is playing and the phrase scripting window is open I 'm getting xruns when opening Firefox over Renoise and the other way around. If other windows are open in Renoise (e.g. pattern editor) that’s (of course) not the case.

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Stream Adamski - Killer (HeartBeatHero Remix) by HeartBeatHero | Listen online for free on SoundCloud Just having some fun.

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Not sure if I already posted this…

I think Renoise MIDI mapping / input devices preferences very easily could be improved by:

• Adding 2-4 more slots
• Greying out not connected devices. So if you connected “Roland A-49”, but now disconnected it, the slot still will show “Roland A-49”, but greyed out. You then still can select the slot and choose another one. But this would reflect what is actually happening under the hood - remembering last connected devices.

Then you wouldn’t accidently overwrite slots which actually remembering lost devices.

Instead of greying out, there could be a prefixed star in the name instead or similar…

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Say I have one instrument loaded into a sample, which is beatsynced to the tempo.

I want to be able to automatically chop the sample so that the sample is converted into a phrase that is chopped using the SXX commands in a way that plays the orignal sample all the way thru… I.e. every line in the phrase is populated with the sample and the SXX corresponding to the line of the original sample.

sample in track without any slices:

sample in phrases section converted to SXX:

I could probably do this manually, but would like to be able to do this without using too much math

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I did a quick search and didn’t find anything recent (mostly from 2010-2018), so I just wanted to ask for clarification.

Just switched because I prefer the tracker style workflow over piano roll/playlist, but the one bonus in the piano roll was that you could apply specific MIDI channel routing to each note, which I don’t see here.

It’s not a big issue for me, since I have experience with 90s/00s MIDI workflow, and if I were routing out to something like a Sound Canvas or JD-990 I’d rather have 16 distinct tracks anyway; however, I have a handful of those old Kontakt libraries where they spread out an entire instrument into multiple .nki files, so you end up multiracking the basic notes with effect notes, and use the midi channels to control them.

Like with an external board, I’m completely fine with just separating them into unique tracks, but just for the sake of workflow (and maybe memory, since multiple instances of kontakt can add up), is there a way to automate/change MIDI channels for plugins on the fly?

Thanks in advance, love the program.

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Never was much into loop/break mangling, but now kind off wondering how I can slice a loop in redux into 8 or 16 equal parts, so I can place the notes with slicenumbers in the pattern editor and than apply effect commands and reorder/retrigger parts?

how is this done?

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Hi,

I’m using Renoise as a Rewire slave in Reaper, and noticed the Renoise-Rewire VST in Reaper has a “MIDI send to Rewire” tab. I assume that means I can send MIDI from Reaper to Renoise (whilst I’m getting Renoise’s audio into Reaper). But… I can’t find the way to get the MIDI information from Reaper to Renoise.

Is there any way to do it? I actually found a topic where this precise question was answered negatively by Taktik, but that was fourteen years ago. Any chance it changed since then?

Thanks !

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Hello,

I’m considering a soundcloud next pro account for pushing stuff to streaming services and am wondering if there are people here using it and what their experience are with it? Thanks to the legendary gift from @Conner_Bw I’ve enjoyed a pro account for many years in the past, but at that time there weren’t any further streaming options available besides the soundcloud page itself.

I’ve considered distrokid in the past, being cheap , but am seeing conflicting opinions on youtube. There are a few things I worry about when uploading through such services;

In the past I have released a lot of music as 'creative commons share a like non commercial’ & variations of this for creators to use in their work (videos, games, remixes etc) through the freemusic archive. Will uploading to streaming services like spotify, youtube music, potentially block the work which have used it?

What happens when you don’t update your soundcloud & distrokid account, will all the music be pulled off, any grace period or immediately? Same for false positives on used samples, I’ve seen some horror stories where tracks were removed from releases because of bogus copyright claims and the troubles one has to go through to get it fixed.

Any experiences, tips, alternatives are welcome!

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I use bunches and bunches of CMD-shortcuts, and i’m wondering what would happen if i just took the keyBindings.xml and changed all the CMD-shortcuts into ALT-shortcuts. Would that then be a “Windows KeyBindings.xml”?
I’d love any inputs.

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I found there’s a “Sample List” Menu Entry possibility. Where is this visible from?

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My latest track made with Renoise. This is mostly driven by Surge VST and, even more importantly, the Virus TI emulator by the Usual Suspects. No hardware this time, I think.

Renoise-wise, I mostly used some favourite sequencing tricks that I’ve been using since 1998 on Fast Tracker2… well, we didn’t have convolvers back then, nor fx chains… eh forget I ever said anything

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Anybody else have experience of this???My first time hearing it,3.40 am here in Dublin and it’s intermittent.Very very deep maybe 30 to 40 hz max.It sounds like it’s coming from the earth to me,I dunno how to describe it,it sounds massive,like it’s made by something that is colossal.Not going to lie it’s kind of creepy.You know in some movies where a gigantic monster or something is approaching and you hear this thundering sub as it walks along,it’s like that.only the duration changes.

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Backspace and Delete disabled. Kind of getting the feeling of writing on paper with a pen. No way back.

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i wanna know how to change the visible parameters in the *Instr. Automation device?
can this be done via API, or do i need to hack this as a preset type thing… yet again?

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I never had this issue with older versions of Renoise (don’t know exactly when it started) but pretty much everything I export gets some clipping (hard annoying ticks in the file).

If I put the volume way down I don’t get this issue but the exported file is not loud enough.
I can see with Audacity that there is more than enough headroom. I can use the Amplify option of Audacity to get a decent boost in volume but I noticed I then lose some quality of the original file.

Why can’t Renoise just export the file as is? In Renoise the max volume bar comes about half way (max).
There is no clipping whatsoever in Renoise but the exported file has it every time unless I really lower volume to nothing.

What can I do?

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