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Hi
What shortcuts have you become a Renoise super user with?? For me, control clicking on a note to show it in the instrument panel is super useful, as well as control + P for paste indefinitely.

Whats integral to your Renoise flow??

midierror

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Friday, Yes!

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I have found the description CPU to be actually Threads in the Multi CPU/Core support combobox in the Preferences.

My processor has only 6 cores, but 12 max. threads.

These 12 threads are listed as CPU (see image).

Should have been named “CPU Threads” or “Threads”?

@taktik @dblue how about it?

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I think I might actually buy one of those new M1 macs if the first real world test confirm that they really are
that fast while offering great battery life. Hopefully Renoise will ARM compatible at some point in the future, even if it’s not anytime soon.

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Hi guys, this is my first post here.
Just wanna share one of my live minimal song made in renoise with only renoise stuff.

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Got some cool field recordings. And playing with a Launchkey Mini Mk3.

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Over the last weeks I’ve encountered the vst plugin “drip” numerous times and people seem to love it a lot. Its advantage lies in its simplicity: just throw it onto something that sounds bland and watch/hear it come to life. It does that by adding multiple, simple effects with different intensities, so no witchcraft there. But its simple to use and thats what draws users in.

While I researched what it actually does I wondered if it could actually be rebuilt with doofers. At least to a certain extend. Now I’m hooked on the idea to make different doofers or even one giant mega doofer, that can do the same thing while being more transparent about what is happening.

Since doofers can be saved and shared I thought that this would be a nice community project - what do you think?

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Found an older thread from 2015 asking for this, has this been included at any point since?

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Used Renoise Redux pithing VCV and VCV Host FX module.

Master chain (Redux)
Bus Compressor - Exciter - Maximizer

Works like charm…

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a nice short track. might continue this

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Hello everyone, i have a few songs where i used the VST called CarlaRack to embed a LV2 plugin (trusty old ZynAddSubFX before a decent VST was made) but after installing to a new computer these instruments load up as empty CarlaRack instances.

Unzipping and looking at the Song.xml file from a xrni, it seems like the plugin parameters are saved as garbled (base64?) strings of characters in a tag called “ParameterChunk” in the xml file.

What i’d like to do is extract the Zyn patches from the “ParameterChunk” tags and load them in the new VST version of Zyn so i don’t have to tweak them all over again. Is there any documentation on the format of this tag?

An example of such a ParameterChunk tag would start with:

and end with:

Not pasting an entire one here, because they’re about 50kb long or more.

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Hi !

I just started with renoise and need some help for my setup.
I have a ultranova synthesizer and a komplete audio6 audio interace (both connectable per USB).

Which audio interface should i use in combination with my windows 10 pc (just a realtek on board soundcard) ?

Thanks !

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Hey guys. I just tried the render plugin to instrument function (amazing idea) but getting very bad clicks so it’s unusable. Can anyone confirm or offer fix?

Please see the two pics - different issues, both resulting in clicks.

a piano sample (vst is fine)

a gap and drop at the start of every sample:

I’m on imac 5k 10.15.6 Renoise 3.2.2
Cheers

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Matt Tytel, the developer behind the popular Helm freeware synthesizer, will release a new instrument called Vital (free and paid versions available) on November 24th. Vital is a forthcoming spectral warping wavetable synthesizer by Matt Tytel. He is...

Est. reading time: 2 minutes

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Made with Renoise 3.2.2 on PreSonus 24c soundcard
Used Plugins:
Slate Digital FG-MU multiband compressor.

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Is there a way to make Renoise record each Macro into an individual FX Column? Or record the midi straight to the appropriate automation lane?

A bit more in depth:
I have a sample instrument with a couple of macros assigned to it. The Instr. Macros meta device is midi mapped to my hardware controller. So far, so good. But when I record the automation it writes all of the midi data in the same FX Column in the Editor. Which makes it a pain to edit.

I know can record each parameter in a separate FX column if I record them one by one. But that rather ruins the performance aspect of it for me.

I’ve tried @Ledger Automation Single Slider. Which is great but also only gives me a single parameter to work with. But maybe I’m doing it wrong?

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Hey. Let’s say a note is triggered with a note_on 1 1 48 127 event on OSC. The instrument is not set to mono and the sound is looping, so the note keeps playing until a note_off 1 1 48 event arrives.

Now, if my external source sends the same note_on 1 1 48 127 message N times, the same note will play N times. Then a note_off 1 1 48 event will stop all notes playing.

Is there a way to differenciate between the notes playing and target one specifically?

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For everyone still surviving the pandemic, and hoping to get off this infested planet, you might want to check out my EP “Music For Spaceport Departure Lounges”…it’s ambient mostly, weird in places and a little bit like Boards of Canada, Biosphere and Jean Michel Jarre fighting in a sack. With aliens and nihilists. I hope you get something out of it. Cheers, folks!

and one vid on YouTube:

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