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@dspasic wrote:

What is your daily job? What would you love to do as your daily job?
what is your perspective of music-making? What are your goals? expectations? Do you make music for people - to please fans, or just expressing yourself? or trying to combine?

(yes, you can write your feature requests for developers, too!)

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@robotrobot wrote:

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@cosmonark wrote:

My latest track.

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@EETTEE wrote:

Because why not? It has great synergy with Renoise. FM8 business goes here now I guess.

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@helltrack wrote:

I just discovered that pressing Shift+Del not just erases the note/data in the hovered (bright orange) pattern line in “Pattern Edit Mode”, but deletes the whole row and pushes all the notes underneath it upwards a single line.

It would be so nice if Shift+Enter would do the exact opposite and inserts a empty row at the hovered line, pushing the content of the hovered line a row downwards after one has pushed the shortcut.

This would be great to very quickly move and mangle a straight pattern without having to make selections and use the nudge feature and also would accompany the already existing Shift+Del function logically.

Shift+Enter doesn’t yet seem to have any function when pattern edit mode is active as well.

Edit: Also just realized that nudge works differently and pushes multiple notes into new note columns underneath the selection instead of just moving them down in the same note column.

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@dspasic wrote:

Following regularly Chris’s work from “airwindows” - free plugins, most of them are not conventional, but are free and awesome sounding, he has streaming on his channel weekly few times, explaining concepts of anything literally that people ask, beside his plugins, as he develops some hardware stuff as well.
http://www.airwindows.com/

My question here is: is there a good chance of implementing some of his plugins as native devices in renoise?
he has au, vst, lv2… for all platforms, so it seems not as a big deal to implement them?

And are people aware of his work? there are a lot devices very useful, and free ofc

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@dspasic wrote:

Got mail this morning that there is big discount going on right now:
all plugins for 100$ (3 days left)
Tokyo Dawn Records TDR Everything Bundle | Tokyo Dawn Records

The complete range of TDR audio plugins.

i bought that recently for 180
#1 plugins if you ask me
~ they are a bit cpu hogs, but quality is pristine!

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@TheDamnChicken wrote:

I made this thing with many pads and instruments that all sounded hissing/flutey, with some brass and synth for definition. Its quite literally very airy, hence the title. Everybody loves puns, right?

something-breathtaking

I hope you like this thing!

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@dspasic wrote:

Reading daily posts, and really, there are no constructive points of 80% of them (put aside topics asking for tip/help/workaround explicitly)

topics example:

What Renoise sucks at as a DAW

Is this it for Renoise & Trackers as a DAW?

some example
~ posting xyz content without reading posts associated with it (and ignoring workarounds)
~ asking for features just because it’s “standard” ~ and should be implemented (when there are present tools (many of them(~there are free tools as well)))

why shouldn’t you get the job done with the tools that are already there? no? create one more to make you comfortable? sure, make 120312311924 of them, to make everyone comfortable.

i really like renoise, it’s capable enough. If you don’t have ideas what to do with yourself or your music, that is not problem coming from renoise…
tip:
if you cannot decide between 2 daws
example:
1 bitwig < super awesome ultra daw, has everything you eed
2. renoise < not so shiny modular - good looking daw, doesn’t have all you need
< buy bitwig, don’t even bother to cry here as like you were last guy on planet, living off from creating music.
(don’t get me wrong, bitwig is not bad at all, it’s awesome, but don’t buy renoise and put pressure on forum for implementing XYZ feature)

you need multitrack recording? record in reaper/ardour whatever, edit(chop) in peace in renoise afterwards. No problem encountered, it’s rather solved.

Need audio tracks? sync it with reaper/whatever daw really (that already has pitch edit for example, so you don’t have to cry over it as well as i asked few times on forum, but the reality is that before that a lot has to be changed - for the time being, it makes no sense)

~ And the main thing is; try not to bother developers, they will develop how they feel so, imagine reading daily same stuff over and over again over something you made “affordable” and so awesome same time, and people don’t even respect that… (respect is not saying “i respect you” but doing something completely opposite)

Forum is awesome, Renoise is awesome, most of people are awesome… devs are awesome too!

guys, do something, why should we ruin this effort of developers and renoise awesomeness?

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@helltrack wrote:

Have two minimally invasive ideas for the pattern editor.

It would great if one could mute/skip whole pattern rows just like you can X out individual patterns, by simply clicking on the pattern number while holding another key (so the pattern number would get greyed out, or replaced by a X or S for Skip). This should also work on headers in the pattern editor which would automatically make all the pattern underneath it be set to mute/skip till the there is another header

Headers almost function like groups now anyway, if you select them, all the patterns underneath them get selected as well, please add a little downward arrow symbol in the empty black area where there usually is the pattern number (on pattern rows) so on can collapse pattern sections to a single row/group.

This would allow to test out different versions of verses, choruses, sections, etc. You could then just collapse the ones you don’t like and make them skip and then maybe later copy, drag and activate them to another place in the arrangement. Would make arranging so much easier and flexible without having to introduce new features like a pattern pool, etc. All it really takes would be a simple arrow symbol and a S or X.

Can gladly do a Photoshop mockup if it helps.

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@Dry_Eyes wrote:

Some experimental percussion with polyrhythms…

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@gravedraq wrote:

I would like to be able to control the start/end with a midi controller with sliders for when I cut loops in the Waveform-window.

How do I do that?

I tried hitting CTRL and M, but its does not show as an active midi thing?

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@EETTEE wrote:

Because it’s one shot you can put it over a group/send and reset the custom LFO every time a drum hits and it will activate the LFO turning the gain down. This is a popular way of doing edm sidechain these days and renoise makes it pretty easy.

Sidechain 3.xrnt (3.7 KB)

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@jarzu3 wrote:

Are you guys able to drop samples into tal-sampler straight from your renoise directory?
If i try to drop a sample straight into the plugin it doesnt work, It drops the sample into the main renoise sequencer. Does anybody know how to fix this ? im kinda new to renoise. Im using Tal-sampeler v2.8 and renoise 3.1.1.

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@Redman wrote:

Another track started but not finished. Gotten into the habit of making 1-2 minute tracks, my attention span just isn’t that great I suppose.

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@zklaus wrote:

I finally decided to buy Renoise and currently going through the manual and video tutorials (lots to learn). Was looking at the Effect Commands and noticed the maybe command and how useful that could be for me. Regardless, I think I understand how to use it but I want to make sure. In the a screenshot, YFF will trigger every time, Y20 will trigger the least. I still need to work on my hexadecimal values but the basic idea is the higher the hexadecimal, the more likely it will trigger, right?! Still lots to learn…

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@subcomandante wrote:

Renoise crashes everytime that i try to “render to sample”.
I have been using renoise with rewire but it crashes even when renoise is the only music-program running and rewire is not in use.

I have a PC and a Fireface UC soundcard. I also have a novation launchkey connected to my computer over usb.

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@Raul wrote:

Is there a procedure to detect if the OSC server in Renoise is active or not? (regardless of protocol and port)

Renoise:Edit/Preferences/OSC “Enable Server” checkbox

The API to build tools, does not have at least one Boolean for this?

I know that the OSC is a “delicate” issue because of the security issue. But would it really hurt to have a boleano for this?

Some as this: renoise.Osc.is_enabled = true (or false)

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@Neuro_No_Neuro wrote:

Always looking for another way to keep the plugins native to Renoise, I wondered if I could make a tunable filterbank. With a little bit of routing, and leaving a TON of options open, I created a set of 6 digital filters using the Butterworth algorithm. This is a very rudimentary plugin that will give you a melodic resonance for your tracks. Because I haven’t really finished it off, I am providing the tool to all y’all to give it your own taste.

Tunable Filterbank.xrni (1.8 MB)

I used a pink noise sample, you can get those anywhere, I think I made mine in Audacity. I find the pink noise sample to be the easiest on the ear, but some people prefer brown or white noise. Heck, you could probably replace the noise sample with the sound of a trainwreck and get some nice filter fluctuation.

Why I am considering this to be rudimentary, is because you’ll have to tune the filters yourself - the digital filters in the FX Chain area. Their resonance is all the way up so they hum a tunable tone. Get a chart for kHz tuning and figure it out yourself

You don’t need to be in-tune if you don’t want to be. Sometimes the vibrations of the sounds bouncing off of each other in a semi-detuned way is quite pleasant.

If you’re on a Mac, you can always go buy a plugin, like Hexonator, or use the Michael Norris Super Filterbank (less adjustable), but this’ll do, and it’s native to Renoise.

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@mholloway wrote:

Hi renoise friends,

Today I have released my new IDM / electronica album – ‘Starship Interiors’ by TV HWY.

Full Disclosure: I made this album in Ableton Live 10. However! All of the drum / rhythm sequences were done using Renoise Redux. The combination of Live + Redux is, for me, the ultimate ‘best of both worlds’ approach to making electronic music.

bandcamp link:
starship interiors

Hope you enjoy it, thanks!
-Michael

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