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@Raul wrote:

Since I have been in the process of acquiring headphones for my home studio, I need to know all the ins and outs about headphone amplifiers with high ohms.

For example, I am interested in 80 ohm headphones. What happens to the 80, 250 or 600 ohm models and the relatively cheap headphone amplifiers (<€ 100)?

In fact, the headphones that I like have a power of 100mW (Custom Studio), when my sound card (Sound Blaster ZxR) only reaches 80mW at the headphone output. I deduce that I will have power problems at a high volume, around 70-80%, although Creative states that they should support headphones with many ohms.

Do these amplifiers do what they promise? Amplify the sound with enough power to perfectly support 80, 250 or 600 ohm headphones while maintaining a high volume level without distortion?

I have seen compact 4-channel models. It really seems that there are not many options, and manufacturers seem to hide the technical specifications of these devices.

Another issue is how the amplifier can influence the audio quality of the original source. I like how my Sound Blaster ZxR counts, and I don’t want an amplifier to transform the sound in any way. That it was exactly the same as the original, but more powerful, obviously, to support the most demanding headphones.

Although he now chose to acquire 80 ohm headphones, perhaps later he acquires one of 250 ohm. It is always better to look to the future.

Can we discuss these things in this thread? Do you have experience on studio headphone amplifiers for PC?

Here is an example: Auna HA-4CH
https://www.auna-multimedia.co.uk/ HA-4CH Headphone Amplifier

The compact auna HA-4CH headphone amplifier provides up to four connected headphones with sufficient power and also offers independently adjustable volume controls. The compact metal construction is suitable for practically all popular headphone...

Price: GBP 38.99

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@Roppenzo wrote:

Hi there, by default all my vst /vsti opens at my second monitor.
How can I disable this?

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@KnownUn wrote:

Enjoy

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@Neuro_No_Neuro wrote:

There kinda/sorta is an FM modulation in Renoise, under the distortion setting called “Fold”, but it’s not subtle, and not really FM. Sounds fun, though!

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@Redman wrote:

Not had much time for music lately but wanted to put something out anyway for the fun of it. This one needs more mixing, and an end section to finish it off. Any suggestions for improvement welcomed.

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@darnellisatwork wrote:

Spotify Rushware

Rushware, an album by DJ DanceAlone on Spotify

My alias DJ DanceAlone. I am an unconventional audio artist. I use Renoise as a means of forcing myself to think outside the box. My style is based heavily around the micro-sampling possibilities that are inherent to Renoise’s workflow (Sxx command). I made this album entirely in Renoise.

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@haelen wrote:

I’m trying to create a voice sample using either the internal mic or a a USB mic

Whichever I choose, no audio signal shows on the sample recorder’s VU.

No source is indicated either (although the manual says that may happen).

I’m using a Mac.

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@Denim wrote:

Hi, if anyone here is a drummer or knows a drummer in the Hamburg area, please let me know. My band is flying to Hamburg for a gig this forthcoming friday/saturday and we need to rent some drum equipment (for € of course). No luck with rental shops yet, and taking equipment on the airplane is a no-go, as it looks now (crazy expensive).

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@phobium wrote:

Hello!

Here is my latest album/track/EP. Not sure what to call it since it’s just a single track, but it is a 30 minute long track. Everything done in Renoise, with great help from Ted’s mastering template.

Free download:

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@gentleclockdivider wrote:

Pretty great sounding .
It only works standalone and it needs a midi loopback device when sequenced from the included sequencer .
The soundengine is stand alone and can be sequencedfrom your hardware seq ( if you have any )
Lot’s of parameters to tweak and it sounds pretty great too

vector808 ページ！ About Us

We the Analog Mafia, lead by Tadao Kikumoto, is the original R&D staffs who developed the Mid-O Series from Roland Corporation. We would like to express full gratitude and respect to all the people who were in Roland, and supported us at that...

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@Neuro_No_Neuro wrote:

The microtonal tunings really bumped up a lot of what I can do melodically, but now I’d like to know if I could incorporate that into a sampler that has a few samples used in a round-robin fashion?

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@Neuro_No_Neuro wrote:

I’m on OS X, don’t know where this “Deprecated” folder is located, because in my searches throughout my hard drive (even in the hidden folders), I cannot seem to find this. Does anybody have a clearer path to these files?

I have the tool, it’s neat, got all kinds of effects, but some of them on the list in the forum do not appear in this list.

I was researching the allpass filter and see that it technically can do some neat stuff. Not much info on it here in this forum.

Thank you for your help!

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@Kubbi wrote:

So I’m about to collect a ton of Renoise project files to prepare an album. However, some of these tracks were made a few years back meaning there were different plugins used, different versions of the plugins and, worst of all, a big portion was made before I made the switch to Mac.

So now I’m trying to load tracks where I can’t get my Serum presets to load. Not due to version incompatibility, but because the song is trying to load “Serum_x64” and not just “Serum” which it for some reason is called on my Mac… seemingly. It’s been the same issue with other VSTIs and effects as well. Cause I can’t really extract the vsti settings in any way and the name of the preset doesn’t tell me which changes I’ve made.

So the fix I want to try now is finding a way to either edit the “name” of the VSTs on my MAC just to be able to collect the presets or to edit the names on the Renoise project files so it loads the right version of the plug. Anyone know how to do this or if there are better fixes?

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@malevito wrote:

I am a newey, I like to install the beta option of Reaper in ubuntu 19, in te Cockos page (https://www.reaper.fm/download.php ) I can download a “build” ( I don’t know what is it) that include a script to install, but I cannot do it;
Someone can help me in a step by step way to install it?
I 'll be most agreee

Than You in advance

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@Neuro_No_Neuro wrote:

Wanting to get more out of Renoise as an ambient music / generative sequencing system, I used the Scala tuning importer to increase the amount of tunings available. Once a pattern had developed that I was pleased with, I exported that, and placed it in Reaper to stretch / flesh it out. Video created via an unsequenced oscilloscope pattern generator found on itch.io

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@ffx wrote:

See this post: The connection between 'chiptune' and fascism?

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@Noise1 wrote:

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“quote end”

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@brinemeister wrote:

Im trying to get the same exact tuning to A4-440Hz with the monowave and sq80 single cycle samples, which I can get in renoise, inside milkytracker.

It doesnt seem to be possible. Renoise tuning gives me an exact 440Hz for all the waveforms but milkytracker tuning will not. Maybe the finetune in milkytracker is less precise or something?

I wonder why milkytracker tuning defaults to relative note F6, finetune -28?

Does anyone know why this is the default? seems a strange choice.

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@midierror wrote:

Can anyone point me in the direction of any beginners guides to OSC? How do I use it to connect two programs…? Never used it, would appreciate any help!

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@joule wrote:

I stumbled upon something that seems like weird behavior… (example attached)

1. The phrase glitches, mostly in pattern 1 at line 104
2. As seen in pattern 2, this can be fixed with GFF effects. Tedious but… ok…
3. Change the tempo from 140bpm to 139bpm and pattern 1 suddenly works.

Is it a possible rounding error with the shuffle algorithm? Maybe the glitch is partly due to the main pattern note not being aligned with the phrase shuffle grid (I don’t think so… ). And it’s still weird that 139bpm works better than 140bpm.

phrase_weird.xrns (5.8 KB)

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