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@derfundig wrote:

Its just a few simple phrases that contains patterns with probabilities, and then a layer of probabilities on the main pattern to create “infinite” variations.

Here`s the file in case anyone is interested.
redhoot_3.2_generative_phrase_.xrns (757.4 KB)

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@Raul wrote:

Who does not know NI? Well, September seems like a very important month for this great company.

As I read in a recent article, NI is going to lay off 100 workers, most of whom form the hardware development block and are going to focus on unifying their products and especially on software maintenance in order to “listen to their users” . It seems that they were launching products but then their control software was a bit “abandoned”, ignoring the problems or requests reported by users…

This is somewhat curious and shocking news at the same time. Nobody wants companies that are dedicated to the development of musical products to have serious problems, either because sales do not work as they should, or because the decisions that come from above are not, at times, right.

They seem to want to centralize all their software to be interconnected with the Internet. Maybe so they can have better control over their users and their opinions, suggestions, reports, and probably control piracy more.

Well, you know how these things work. Official statements can make up what really happened. Because the dismissal of a large part of the workforce is something serious. It is not a decision that is taken lightly. It is usually forced for some important reason.

Do you know anything about this subject? Here is a link from a website where real workers of the company give their opinion. Comments are not wasted:

https://www.glassdoor.co.uk/Reviews/Native-Instruments-Reviews-E33496.htm

It really seems that the problem has not been economic, but rather a thoughtful decision of restructuring, to unify all its products more. Other companies are already on the hunt for some engineers who are going to be free now.

I don’t know if all this is 100% true. So take this thread delicately. I use NI software. I hope the company is doing well.

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@gentleclockdivider wrote:

Explained into detail into this thread , it 's sad to see the problem is still present
The envelope and it's quirks Help, Support & Bugs I spend ages recreating a sound in the insstrument editor and I just wasn’t able to do it . The sound was fairly simple ,a fast filter attack of about 7ms from minimum to max and a fast decay from max to almost zero …about 10 ms . The filter attack/decay of the original sound defined the overall character , aware of the fact that every filter has a different scaling / character , I did’t expect renoise filters to sound the same , but I assumed that the envelope would at least be able to achiev…
In the provided example there are two identical instruments , the only difference is that instrument nr .2 has a slope in the decay , this slope prevents the attack stage from going to full range ( controlling filter freq) .
The visual envelope shows the attack peak being lowered when adjusting the decay slope , and that is exactly what happens .

Taktik could you please do something about this , or at least explain why this occurs
I know this can be remedied with adding an operator afterwards but this is just too cumbersome
curve.xrns (6.0 KB)

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@thalamus wrote:

Seems very small.

Clicking on the open icon doesnt seem to do anything. I have to type the name of the VSTi to find it and load.

Anyone getting this?

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@Neuro_No_Neuro wrote:

As always, all sounds, effects, and mixing are done within the native Renoise environment. I even figured out how to make a near-perfect Max/MSP style audio glitcher for non-rhythmic clicks, pops, buzzes, etc., all wrapped up in a doofer. Renoise allows for a great combination of sequenced music and generative effects.

Wavy:

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@KnownUn wrote:

Does anyone know if Renoise has that Digitakt 1:2 or 1:3 function, that the triggering happens every second or third time!?

Thanks in advance!

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@stoiximan wrote:

I have an fx chain in the sampler and want to automate it .Is it possible or a workaround?I want to automate the volume of them.

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@Minty wrote:

I am wondering if there is a way to add a background picture to the Renoise daw as seen in this video:

It is not exactly necessary, but I think it would improve my workflow a bit and get me more excited to make things. Is there a way to add animations to it as well such as gifs? I’ve been searching for the past hour and I havent seen anyone else do this besides in this video.

I really want a cool skin for this daw but changing the colors is just too boring for me. I want an image ahah. Please help if you can thank you!

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@Ron wrote:

Love this sampler but…

Devs can we please add these features to Redux……

• Export slices to midi.

• Playback sample from either the left or right channel in mono with simple L ,R, ST buttons below the sample.

• The ability to move the sample start and finish times within slices
  without have to destructively render them 1st.

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@joule wrote:

I haven’t dealt much with keyzones, so I better ask here before I spend too much time trying to do things the wrong way.

In Milkytracker, I used to do something silly with the instruments in chiptunes. You could create several chip waveforms in an instrument, and then ‘randomize’ them over the keyboard with just the crude act of quickly drawing the various sample numbers over the keyboard legend. The UI wouldn’t catch the mouse movement properly, effectively making the samples ‘kind of’ randomized when you played the instrument.

So, now I want to achieve something similar in Renoise. Some options:

• I noticed samples can only be distributed as coherent ‘blobs’ in the keyzone (?), so I guess that’s not the way to do it, unless I create a massive amount of samples. I only want 4-5 samples, but pretty randomized over the keyboard. Keyzones don’t seem to be the way?

• I could route samples to individual fx lanes. Play all at the same time, but make sure that only one lane is unmuted. This seems possible but would require waaay too much setup imo. Maybe it’s ok, but I hope there is some other way.

• Some simpler way, that I haven’t though of? Maybe some clever way, with maYbe in phrases, that requires a little less setup than individual fx lanes?

PS. It’s ok if the sample choice is randomized all the time. Not necessarily one particular sample per pitch, as it used to be in Milkytracker.

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@ne0 wrote:

In Renoise 3.2 the external editor of Air Music Hybrid 3 is just black. The VST instances still work and I can change parameters using the Instr. Automation device.
All my other VSTs seem to work fine and if I open the exact same project file in Renoise 3.1 the plugin window is rendering correctly.

Since my other VSTs still work it has probably something to do with Hybrid. But then again it worked fine in 3.1 and other DAWs so I’m not sure what’s going on.

Any idea what could be the problem? Scaling is set to 100% in both Renoise and Windows.

Renoise 3.1:

Renoise 3.2:

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@PrinzNika wrote:

Hello there,
I was hoping to find a collections of user made instruments, presets, Doofers or anything else but I can’t seem to find a place where it is all bundled like the tools page for example. can you help me please? <3

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@zbouboutchi wrote:

Hi deer Renoisers,

I enrolled in a remix contest organized by Gleize Events here in France… The winner can get a nice prize (a contract with a label) … The principle is pretty simple, you just have to remix this song: https://www.youtube.com/watch?v=CtP7iMiMbCk (named funkeys) and send your version to gleize.events@gmail.com.

More informations here: https://www.facebook.com/gleize.events/posts/893637167665574 (sorry, this page is in French, I can translate if needed !)

By the way, I already sent my version (I’m the only one who did for the moment so…): https://soundcloud.com/prosper-proper/funkeys-remix … There’s room for anyone who wants to participate !

Cheers

Christophe.

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@hced wrote:

If I came in late when recording a pattern – meaning, I started playing a few bars in the pattern and ended my recording in the actual beginning of the pattern – can I somehow “rotate” the notes so that my actual beginning gets moved to the top of the pattern, and the actual ending doesn’t disappear but rather ends up at the end of the pattern?

It’s a bit tricky to explain, but I think you know what I mean, and I’d very much love to find out that it’s possible. Please say yes…

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@Username-Denied wrote:

Glad to say I found out about Renoise about 2 days ago, and after researching up about the DAW I’ve been completely captivated. I had a bit of fun on the demo and then felt motivated enough to splash the cash and buy in.

Cheers, I will be asking some ridiculous questions from time to time!

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@Raul wrote:

I have been fortunate to visit, again, the theme park and attractions of Terra Mítica in Benidorm, in Spain, last week. It is about 200 km from my town, but unfortunately I do not have the opportunity to go every year.

Being late summer, I decided to travel there and spend a pleasant day between brave attractions and viewing the artists’ shows (something that I love, along with the good music of the show). There was especially a show from Egypt that I liked very much for the thematic dance of the artists, which are undoubtedly the heart of these theme parks. I wish there was more money investment for these artists.

In Terra Mitica there are 3 especially strong attractions, Synkope (I screwed up), Inferno, and Titanide. Years ago I climbed the wooden roller coaster, called Colosus, which finally closed due to its high maintenance cost. Maybe keeping a roller coaster of such distance and size was counterproductive to the park, and that’s why they added Titanide (of metal, smaller and shorter but stronger in some sections.).

On this trip I preferred to combine the attractions with the shows they did there, about Egypt, Greece, Rome, Iberia …

If you travel to Benidorm, you must visit Terra Mítica. I remember that I also visited Port Aventura (near Tarragona) when I was much younger. The entrance is more expensive but I will definitely have to go again.

What amusement and theme parks do you know in Europe and what attractions did you like best?

What have you done this summer to disconnect?

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@stoiximan wrote:

A small tribute to one of my favorite movies

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@sagosen wrote:

It’s a neat freeware synth I used for a track I made in 2004, and I want to continue on my old music, but can’t find it online or in my archives. Anyone have it available and can send it to me or perhaps upload somewhere?

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@Jalex wrote:

Hello!!

I can’t transfer the sample to the native convolver directly from the project browser. is it a bug or a norm?

Thanks!

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@EatMe wrote:

Renoise 3.2

when loading a song with a maximized Renoise window

the interface appears as-if fullscreen mode (alt-enter) has been selected
the taskbar is gone

win10 renoise 3.2 64 bit

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