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@fladd wrote:

Deat @taktik,

I am aware that this has been discussed before, but I would like to bring this to your attention again, since it has been years now since Redux has been released:
Currently, Redux is still not really usable under Linux, since it does not receive keyboard focus. I know you last time said this is a problem with the host (Reaper back then), but it seems that the situation is not that simple: https://discourse.ardour.org/t/renoise-redux-not-receiving-key-events/88301. If I understand the Ardour developer correctly, then there does not seem to be a standard way for Linux plugins to handle keyboard focus (for some reason). Would it be possible to get into contact with Paul (Ardour) and Justin (Repaer) to discuss a way (standard or not) to handle this at least in their hosts? Once this is in place, other hosts might follow that implementation then, and you could even propose your way as a “standard” for Linux VST. I am sure that selling a product that does not work properly is also not in your interest, and I really hope that a solution for this can be found soon.

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@Neuro_No_Neuro wrote:

Created entirely in Renoise -

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@lilith wrote:

Don’t find anything in the help files. When navigating in the pattern editor I very often want to move quickly from track to track to the left or right. It seems that this is only possible with the arrow keys which is quite slow. Is there any workround to jump immediately to the next / previous track?

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@lilith wrote:

Maybe someone is interested?

Samples From Mars is a Brooklyn based samples imprint founded by producer Eddie Mars, focusing on the highest quality hardware drum & synth samples.

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@Dry_Eyes wrote:

Project Xaos is my drone project and this is my most interesting drone yet. You might wonder why one should listen to a drone? To be smart, of course!

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@stygmate wrote:

Can’t view tips:

Can’t view window content until mouse go over:

I’m on Max OSX 10.14.6 on a Macbook Pro 2018.
(last version of redux)
edit: DropDown menu and menu are also affected.

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@Raul wrote:

Some time ago I tried Musescore, which is a free music notation software, and for some reason it didn’t convince me.

But lately I have given it another chance, and now I think it’s a great software to compose in sheet music.

I would like to know if anyone knows any way to link Renoise song data, which uses XML files, with data to represent notes in the Musescore scores, which also uses the XML format to save data. This would be to handle only text data, which would be very light.

If Renoise had some kind of relationship with Musescore it would be great.

I doubt that an LUA tool can be built that can convert Renoise XRNS songs, into a direct score for Musescore. I guess the only link would be the XML file data.

If someone is interested and knows these issues, it would be nice to investigate all this.

I imagine a tool that can turn you into a score pattern for Musescore, and it would be extraordinary.

Why Musescore? It is a free, open source software and on top of it it is very well done, surprising to be a free software. It is a luxury that such things exist. It has constant maintenance and a long history. It is compatible with MIDI to play several instruments (use the sound card for that) and among other things it allows you to export the sheet music in PDF.

So, does anyone have any ideas on this subject? I find it very interesting for any musician who uses Renoise.

Initially, I have in mind the problem of note offs to determine the duration of the rhythmic figures, as well as the accumulated notes in the same column, the configuration of continuous notes and all those things. It seems very complicated.

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@stoiximan wrote:

Hello you guys.Here is another one

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@lie2mehrdr wrote:

Hello everyone,

I’m using a Launchpad Pro as my midi controller for the sampler and I notice that when I have Poly aftertouch enabled and engaged while playing a note, the AHDSR envelope doesn’t trigger the release. When I have the launchpad set to either channel aftertouch or aftertouch disabled, the AHDSR triggers as expected. I’m new to Renoise and I’m not that familiar with aftertouch either. Anything I could do to get it Poly aftertouch to trigger the release?

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@nineborn wrote:

I am trying to rewire Renoise 3.2 to Pro Tools 12.0, and I cannot figure it out, or if its even possible. There seems to be very little information on the web.

I used to use Reason, and could rewire easily. I get an rewire error when i load Renoise, after loading Pro Tools.

FWIW im using the demo version. I thought this would be it, but it says it should work on their page (with restrictions).

Im using Renoise 64 bit, and my pro tools is brand new, and i assume its 64 bit.

Anyone?

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@thepathologist wrote:

Hello

Most of my plugins look fine in RN 3.2 on my 4K laptop screen - except Sylenth … can I change this or is it something that needs fixing ?

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@Raul wrote:

R3.2.1 W10
Currently, Renoise has a usability problem with the Instrument Editor tabs. It is a problem of design, of behavior.

The Instrument Editor has 3 main tabs:

1. Sampler
2. Plugin
3. MIDI

The problem is that Renoise always retrieves the Sampler tab when the user changes of instrument slot in the instrument box.

What is expected is that the instrument editor remain in the tab it is on. The user should have control over this.

• If the user is on the “MIDI” tab, when switching instruments, it should remain on the MIDI tab. This does not happen. Renoise jumps to the “Sampler” tab.
• If the user is in the “Plugin” tab, when switching instruments, it should remain in the “Plugin” tab. This does not happen. Renoise jumps to the “Sampler” tab.

The only case that works correctly is if the user is in the “Sampler” tab, because he will always be forced to switch to this tab, every time the user changes the instrument slot.

If the user only uses samples in his song, Renoise will be a luxury as it is now.
But if the user uses plugins or MIDI, Renoise is very annoying to control, because it forces to change constantly to the Sampler tab.

• Imagine that the user only uses VSTi plugins in a song. This is a perfectly feasible scenario. Then the user will be continuously fighting between the Sampler and Plugin tabs.
• Imagine that the user constantly uses the MIDI tab, for example, to adjust the routing of various instruments. Then the user will be continuously fighting between the Sampler and MIDI tabs.

The conclusion is that Renoise, as it is now, seems to make this message very clear to the user: “Hey, use only samples, do not use VSTi or anything from MIDI, such as routing. Use only samples!”

From the usability point of view, there is no reason for Renoise to always switch to the Sampler tab, every time it changes the instrument slot in the instrument box. This behavior can drive the user “crazy”!

@taktik. I propose that, if you wish to maintain this behavior, at least offer an option in Preferences, to keep the instrument editor tabs when switching between instrument slots.

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@rainydayshirts wrote:

Wondering if maybe the Convolver could get an update to add some form of visual representation of the the IR waveform and frequency range like in ReaVerb [Reaper].

This would be neat. Maybe make it a disabled by default view that could be enabled like the graphic full view in native EQ5 DSP.

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@ffx wrote:

Hi,

I love the tone of the Renoise EQ. But when it comes to detail work, it is a bit retarded. Here is an idea how to improve workflow with it in a very simple way:

1. Selection of multiple points and then dragging selected points at once. For example, if you transpose something you might simply want to move all eq points accordingly on x-axis. But also on y-axis it might be very helpful.

2. Scaling / stretching of the selected points, by holding down a modifier key and dragging up/down. The mouse position can be the center of the scaling, around which the points will be scaled in distance. Also in x/y-axis.

3. Multi point resonance editing, by selecting mutliple points and dragging while right mouse button drag.

I think these three additions would heavily improve usability and also are only GUI/workflow modifications.

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@TheBellows wrote:

Long time since i posted a track, so i need to step up my game and i’ll start off with this silly thing:

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@ToybOx wrote:

Hi its been a while!Here are some track previews, if you care…

https://soundcloud.com/sick_puppy7/grind-snippet
https://soundcloud.com/sick_puppy7/9dyde03zppqp
https://soundcloud.com/sick_puppy7/bcnhzagnlwjm

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@EatMe wrote:

Penthouse New Mexico

Free download: http://www.eatme.pro/music?search=penthouse%20new%20mexico

Music by EatMe
http://www.eatme.pro/music

Made, mixed and mastered in Renoise 3.2.1

Gm/Eb Bb/G Eb/C Gm/Bb

VST Instruments:
AAS LoungeLizard EP
Acoustica Pianissimo

Piano (chopped):
1791:Piano, Acoustic, Rhythm DixielandMedium Sw 110 (1 count before beat)
Bass (chopped):
1253:Bass, Electric, PopShiningHeldEv 120 (Double-Time)
Guitars:
873:Guitar, Electric, Rhythm ModernRnbRockFunkyOffbeat Ev 065
3245:Guitar, Electric, Rhythm FunkyBluesSol ev16 090
2618:Guitar, Electric, Rhythm Funk16thsMutedWahWah Ev 16 100
Realdrums (alternated):
SmoothCoolBrushes: a: Snare, Hihat b: Snare, Ride
SambaFull^1-a: Sticks , b:Ride Contemporary (Double-Time)
BossaBrushes: a: Sidestick Brushes b: Sidestick, Ride (Double-Time)
BossaRockPerc^1-a: Congas, b:Percussion Busy (Double-Time)
BossaRock^7-a:Sidestick, Hihat Loud , b:Sidestick Ride (Double-Time)

VST effects:
SupaPhaser by Bram
TokyoDawn Labs TDR Kotelnikov (mastering compressor)

Internal Renoise effects:
Compressor
Analog Filter (w/ Drive)
Maximizer (Limiter)
10-bands Equalizer

A lot of fun to make.

Penthouse New Mexico by EatMe
Free download: http://www.eatme.pro/music?search=penthouse%20new%20mexico

Music by EatMe
http://www.eatme.pro/music

Some rights reserved,
see http://www.eatme.pro/about for info
(CC) BY-NC-ND © § 2020 music by EatMe - www.eatme.pro

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@muckleby wrote:

Brief description
0UXX command has strange behaviour on Timestretched samples

Steps to reproduce

• Load sample / instrument
• Enable Beatsync Timestretch
• Enter 0UXX command values in for that instruments notes in the Pattern Editor

Expected results
Pitch slide up at same speed as 0DXX command

Actual results
Much slower (and delayed?) slide than with the 0DXX command

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@muckleby wrote:

Brief description
Pattern Editor Panning column has no effect on Timestretched samples

Steps to reproduce

• Load sample / instrument
• Enable Beatsync Timestretch
• Enter values in Pattern Editors panning column

Expected results
Stereo panning for each note with a panning value

Actual results
Stereo centered audio for all notes

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@midierror wrote:

An interactive music video for the Chemical Brothers - No Geography. Modelled, animated and designed in Unity, with motion capture and additional effects in Resolume controlled by a Novation Launchpad.

midierror

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