Forum
Combi / Sequence presets like Nexus VST
@jdxing wrote:
Love to use Nexus preset sequences to get inspired and building ideas. Are there other VSTs that offer this kind of feature? Thanks.
Posts: 1
Participants: 1
Multiple Master Midi Clock Outs
@dleted wrote:
Renoise currently allows a single device to be chosen as the destination of the midi clock and start/stop controls. Seeing how many midi devices these days have built in clock-able components as well as onboard sequencing, it would be very useful to have more than one destination given the popularity of hardware these days.
A couple of ways to solve this:
- Allow multiple devices to be checked under the midi preference page
- Add a checkbox next for midi clock and start/stop under a midi instrument’s settings
I’m sure I’m not the only one who would enjoy this feature!
Posts: 1
Participants: 1
Instantiate FAILED (failed to load the DLL - error: 126)
@jarzu3 wrote:
Has anyone got any experience with this error. My plugin wont show up. If tried reinstalling renoise / wiping the cachedvst and cachedfailedvst. If tried reinstalling the plugin but both don’t seem to work. Anyone else got any ideas?
Posts: 1
Participants: 1
Oxe FM Synth installation
@stoiximan wrote:
This little synth is amazing i recommend it to everybody.I use it all the time in windows but i cant
get it to work in linux pop os- ubuntu.I placed the .so file in my vst directory but its not working.In the archive i downloaded there is no install sh so what to do?Here is the official repository
Posts: 1
Participants: 1
Covid-19 (Corona virus)
@TheBellows wrote:
Things aren’t going too well in Wuhan. This video is apparently from an independent guy inside wuhan showing how the situation really is.
Not for children.
Posts: 1
Participants: 1
Renoise -> JACK - Bitwig
@Steven_Blair wrote:
Hopefully someone can point me in the correct direction.
I want to achieve the following:
I press start in Renoise and my other music App (Bitwig) starts at the same time
Not having much luck looking online for help, so either I am away down the wrong path, or just doing something wrong.
OS: Windows
I have tried using JACK, but that appears to to only detect Bitwig (and I am not entirely sure JACK is what I need)
Any would would be appreciated.
Posts: 1
Participants: 1
First track made with Renoise
@kriyananda wrote:
Dearest Friends, here’s my first track I composed with Renoise. I hope you like it, it was SO fun to put it together. I am very grateful as well to you guys, this forum is a huge source of help and inspiration.
So, this is some electronic ambient music, with samples taken from two tracks I love, and a spray of breakcore here and there…
Feedback and (constructive) criticism are obviously more than welcome!
Posts: 1
Participants: 1
Sun - Shore (chill electronic)
Nagz renoise LIVE musicmaking
@nagz-again wrote:
Hey there, nagz here, again (forgot my old renoise forum access so had to re-register).
Now I am streaming live how I make tunes in Renoise, tune in: twitch.tv/naaaaaagz
See you there
Posts: 1
Participants: 1
Jack server help Linux
@stoiximan wrote:
So i have installed pop os an ubuntu linux distro and also installed jack with the following commands.
apt-get install qjackctl pulseaudio-module-jack
Then configure qjackctl to run the following command after startup. Copy it into “Setup…” > “Options” > “Execute script after Startup”:
pacmd set-default-sink jack_out
then sudo editing the /etc/pulse/default.pa file to include two lines under the load audio drivers manually section:
load-module module-jack-sink
load-module module-jack-source
This works perfectly now, no matter what app i have open they all have sound.The problem is i cannot control the global volume in pop os.Any help guys?
Posts: 1
Participants: 1
Tips on Sampling vst
@bunja1979 wrote:
im asking here complete beginner
like after ive sampled a vst or sound
can i add pitch bend ( whats a good value )
and what are some good settings for sampling pads or bass or leads cheers people !!
also for sampling stuff with velocity layers like a piano any tips ?
of course this is just for my own use to save cpu cheers
Posts: 1
Participants: 1
Formant Synthesis
@Redman wrote:
I’ve been using the Mac version of CDP/Soundloom today to analyse sounds and impose/replace the envelopes and formants of one sound onto another. The only thing is CDP’s interface is old as shit, I can use it fine it’s just not very intuitive or user friendly to use, plus it actually crashes a lot as well.
So I was wondering if anyone knows of any good alternative software options for doing this kind of thing, or for any kind of spectral sound design editing for that matter?
Example video of someone else doing what I was trying to do today.
Cheers
Posts: 2
Participants: 2
Controlling wet and dry signals at the same time
@Drop_Shadow wrote:
What is the best way to achieve this: a track where there’s both a wet and a dry output, their values dependending on each other in a inversely proportional way (e.g. when dry output is 0%, wet output is 100%; when dry output is 50, wet is also 50 %).
My solution is this.
I set up a #send device on a track, choose “Keep Source”, assign it to a send track where the wet signal is.
I put a gainer after the #send device.
And finally, I put in hydra to control the dry and the wet signal at the same time. The hydra controls the #Send device’s “Amount” and the Gainer’s “Gain”, so that when one is turned up, the other is turned down.
But there must a simpler and better way to achieve this, right? What would you do?
Posts: 1
Participants: 1
Renoise 3.2.x 32bits?
@jam_39_s wrote:
Hello, Is it possible to get us out of the box for the 32bit processors?
I have old machines that work very well that I don’t want to replace.
Thank you!
Posts: 1
Participants: 1
Plugins tab in mixer window (on right side)
@Strotch wrote:
It would be great to have a sub-window in the mixer window for easy access to all your plugins. Similar to the instrument/songs sub-window along the right side in the pattern window.
Currently you can click “more” at the top of the plugins window below to have it extend upwards, but it won’t be permanently affixed there, and it ends up obscuring your first couple of mixer channels beneath. Having it on the right side of the screen would make more sense too not just to feel homogeneous with how instruments work in the edit window, but also because channels start filling up from left to right so the right side is more likely to be “free space”.
Quick mockup:
Posts: 3
Participants: 2
Smoother wavetables
@It_is_the_wrong_code wrote:
Hey everyone! I need some help with Renoise’s wavetable function. How can I make my wavetables (which I have drawn myself) smoother. Sorry if my English sucks, because i live in another country
Eat your veggies
Limpan
Posts: 1
Participants: 1
How did you meet Renoise?
@stoiximan wrote:
I thought this would be an interesting topic.
I think i found out about Renoise in the Computer Music magazine about 10 years ago or more.I remember i just stared at it and go, this is so beautiful but i didn’t have the guts to learn it until a few years back.Whats you story?
Posts: 1
Participants: 1
Be able to choose several effects on the mixer and apply simple grouped commands, such as copy, paste, delete (with confirmation), activate and deactivate the effects (return touch)
@Juca wrote:
For more efficient mixing and less losing time, it will be fine to have the ability to choose several effects on the mixer view and apply simple grouped commands, such as copy, paste, delete (with confirmation), activate and deactivate the effects at same time (return touch).
Posts: 1
Participants: 1
Can has new mewric
@EatMe wrote:
…
<3
Make music and listen to the love.
Still needs a less stereo expanded master to also make this listenable on headphones. Maybe the final sound also is a little too much on the bass region. Sounds great on my simple monitor speakers, but it still needs a mix suitable for both speakers and headphones.
I have typed something here about the track.
162 BPM
key is set to Dm , a lot of half-tone transitions, Dm to D, and C, Cm, and F, Fm
used 19 (of 21, +2 muted, of 24, +3 empty tracks for oversight) tracks
I played a scheme on the Korg M1 synthesizer, preset “Background”.
wrote it down as
G#maj7 G G#maj7/F Fm7
Dm7/Bb Gm Dm7 -
G#maj7/F Gm7 Dm7 -
Bbmin G D -
I programmed that in the tracker Renoise 3.2.1, and then added more chords,
switching from the D to Dm, G to Gm, using a A72b instead of the G, more variation with C, Cm, F, Fm.
VSTi Korg M1 preset “Background” with filter automation in the tracker to make sweepy short plucks.
alternated, all with slow filter and group volume automation:
VSTi Korg M1 preset Analogpad2 altered
VSTi Korg WAVESTATION preset “Dream Strings”
VSTi Korg M1 preset “ClkSoloSyn” altered
I loaded the chords into Band-in-a-Box 2020 by a saved MIDI file.
It translated the chord scheme into 64 bars, being:
Abmaj7 - Gm - Fm7 - - -
BbMaj7 - Gm7 - Dm7 - - -
Fm7 - Gm7 - Dm7 - - -
Bbm - A7 - D - - -
Dm7 - G - C - - -
Cm7 - Gm7 - Dm7 - - -
D - C - Fmaj7 - - -
Fm7 - G - Ebmaj7 - - -
the interpretation by the computer of the Fmaj7 was done as F,
but the bass played an odd note that did not appear with the Fmaj7.
I used the following instrumental tracks from Band-in-a-Box 2020:
Bass guitar:
3114:Bass, Electric, RootsyFunkAlex Ev 16 110 (Half-Time)
Electric guitar single note strumming:
*(repeating the first part of the recording, the guitarist started jamming too much, country riffs…)
3163:Guitar, Baritone Electric, Rhythm BluesyPopSteady8thsBrent Ev 100
Electric piano (part of):
3337:Piano, Electric, Rhythm FunkJeff Ev16 110
Piano (part of):
1993:Piano, Acoustic, Rhythm Jazz4toBar sw 190
Saxophone (part of):
1058, Sax, Alto, Soloist SmoothJazzPoppy Ev16 090 (Half-Time)
Drums:
Realdrums=CongasShuffle[single]: a: Congas b: CongasShuffle[single]
Realdrums=BossaRock^1-a:Blastic, Hihat , b:Sidestick Ride
RealDrums=SambaFull^1-a:Sticks, b: Ride Contemporary (in song set to B part only)
RealDrums=SalsaGuaracha23^1-a:Timbal, B:Bells
RealDrums=RootsyFunkSput^1-a:Sidestick, Kick, b:Ride, Snare (Half-Time)
Samples used:
a kick drum sample cut from the Renoise sample library breakbeats.
a nostalgic Korg M1 Bell hit
a crash cymbal (edited)
a noisy cymbal-like sound (edited)
VST Plugins used:
BassChorus by CloneEnsemble
SupaPhaser by Bram
Freeverb2 (now on Audacity WIKI)
Ozone 8 Elements (Spatializer, can also equalize and limit)
TDR Kotelnikov GE (compressor), on master bus.
otiumFX BassLane (makes bass part mono)
Internal Renoise effects used:
LFO
Hydra
Analog Filter (w/ Drive)
Equalizer 10-bands
Gainer
Bus Compressor
Compressor
Maximizer (Limiter)
Phaser
all put together in Renoise 3.2.1
conversion to flac done with FlicFlac
soon a better final mix and download.
music by EatMe
Posts: 1
Participants: 1
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