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@YoMoFo wrote:

Hi all
A remix I did of stop what youre doing by Apathy and Celph Titled. Anybody else producing hip hop using Renoise?

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@leaphion wrote:

Hey, so, I’m seriously stumped here.

I installed Granite Demo VST2+AU, Granulizer 2 Demo VST2+VST3+AU and Helm VST2+AU to my 10.14.6 OSX Mac Mini. After the installation I tried to find them in my Renoise 3.2.1, but to no avail. All the other plugins installed previous to them were found all fine, but those seemed to be totally missing. My Bitwig and Live 10 Lite found them nicely, so they should be findable.

• I checked that the .vst and .component files were in right directories. They were.
• I checked that the right directories were added to Renoise preferences. They were.
• I tried rescanning them. It did, but didn’t find them.
• I tried booting the machine, just in case if that would magically make them appear. It didn’t.
• I even removed the CachedAUs_x64.db, CachedFailedAUs_x64.db, CachedFailedVSTs_x64.db and CachedVSTs_x64.db. It made them again, but still didn’t find the new plugins.

Where to next? What can I try doing next?

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@RolandCloud wrote:

Coming Soon Introduction Annouces JV-80 VST New Bring Released Features All Including Extra Waveforms Sounds General MIDI Improvement Major Fix Expansion Remember Future GUI’s Unlock Maximum Polyphony Voice Switch Mode For Waiting Requesting

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@beatsgo wrote:

Thanks to Nyquist and Shannon, analog to digital (and vice versa) conversions of audio samples has been thing since for awhile. And Renoise has this implemented into an instrument feature called interpolation (or resampling). Obviously you can read up from the wiki, but what I want to talk about is a certain application: resampling lo-fi audio samples and reproduce analog variants.

Let’s take a A-7 triangle wave generated from the Custom Wave Generator:

If you apply linear interpolation

It’s very clear resampling the audio sample straightens out the waveform and produces a close to representation of a triangle wave. Sometimes due to the nature of the wave being resampled, the signal may not look pleasing at higher frequency.
So why is this important? Space saving! If you’re trying to save space in your project/computer this is great for this application. Now the only trade off is you need to use a little bit of CPU especially on low end PCs. These days CPUs are well made to the point I don’t think there’s not much tradeoff using Linear or Cubic Interpolation. Also depending on how the lofi sample is shaped, the interpolation can reshape it into not exactly what you expect, so experiment and look for different lofi-samples to your disposal!

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@selecta440 wrote:

Hi all, hope everyone is keeping safe I am shy about sharing music but I am working on new things and I thought I would share what I have been working on in case anybody wanted to listen. I sometimes have a story or a scene in my head and then I try to make music for it and that is what I did here. Hope you enjoy (best with headphones)

Please stay safe,
TCA

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@pigfront wrote:

Like title says, it would be nice to have a option turn on/off sandbox for individual plugins.

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@Redman wrote:

[Solved]
Ignore this folks I actually just found out about the focus area in the manual there now so that fixed what I wanted to do

I use a mac and the keyboard shortcuts work but only inside the sample editors waveform window and the main pattern editor window. For as long as I’ve used Renoise I’ve never been able to figure out how to use them in the instruments tab, and sample list in the sample editor. For example when I want to rename a sample I’ll have to right click the sample in the sample list then select rename with the mousepad, if I try to use the keyboard shortcut cmd+R it just defaults to the sample waveform and runs the reverse sample process. How do I stop this and use the keyboard shortcuts the way I need to in the sample list and instrument tab?

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@OlafFerguson wrote:

I recently acquired Orchestral sample libraries that dynamic is naturally associated with velocity.

I’d like to be able to map the keyboard velocity to my Sensel Morph in some way.

IE: This

If there’s some key combination that would set different values for the Velocity, that would also work.

Thank you in advance for your help!

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@Jalex wrote:

Hey Folks!

Its possible and scriptble? )))

What do you think about support adlib instruments file in renoise?

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@Rhythmersion wrote:

Hi All,
I’ve knocked up a mashup of Laurent Garnier’s ‘The Man With The Red Face’ and Danny Tenaglia’s ‘Music Is The Answer’, hence the title ‘The Man With The Answer’

Great memories of these tracks from back in the day when clubbing in my late teens

Here it is;

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@toimp wrote:

For different genres i would use different templates. Would be nice, we could add more than one template.

Similar posts:
Multiple Song Templates? Beginners Questions - Renoise Hi. I want to save a few different song templates, as I work in 3/4 and 4/4 and 15/8 and 11/8 time. I can only seem to set the “default” song template. Is there a way to save multiple song templates without having to save them as songs? I guess I could just save a blank song instance of each time sig, but as other programs feature a template palette, I was wondering if I have somehow overlooked Renoise’s. Cheers.

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@srdjan wrote:

Hi there,

Does anybody has experience with Air Boom Drum Machine and Renoise?
I remember being able to use patterns in the previous version of Renoise.
Now I can’t use patterns anymore. I am getting only single drum instrument instead…
Thanks,

S

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@le-perv wrote:

Hi! I have been using renoise for a few days, and here are a few major questions that have been flooding my head:

1. How can I view the notes that I am playing at the moment with the keyboard? To know which notes I am playing, I have to actually record them and see what they are. I know I can memorize these, but it would help to have some visual feedback. And with ScaleMate, memorization wouldn’t work since some keys start replicating other keys (would be nice to turn them off instead).

2. It would be cool to see a visual showing the key positions on the keyboard which were used in the track. So I don’t have to find the positions myself. Does something like this exist, as a plugin maybe?

3. How can I make “space” both play from the current cursor position and stop the song?

4. If I download some sample, how do I make sure it’s in tune? That is, if I play D#, how do I know the sample really is in D#?

5. When I play around on the keyboard and find something good, I usually want it recorded. And sometimes I would make a nice piece of sound with my keyboard, but can’t reproduce it anymore. Is there a place where my keypresses are constantly recorded, so that I could easily copy it without having to try to record it again? I find myself losing a lot of time trying to reproduce even a melody that I have nailed, because the escape + space makes me temporarily reposition my fingers and that breaks the flow. And then, to do a retake when I fail, I have to ctrl+z to restore the previous state. (by the way, why the 512 limit on the pattern length?) The solution looks simple: always run a pattern in some other window, which records all you play (and removes the long pauses). If this doesn’t exist, would it be possible to write a plugin and how hard? I am willing to write such a plugin, if it is possible. This is the biggest workflow problem I have so far.

6. Are there any plans to open source renoise? It’s marvelous software. I have read that it’s developed by only a handful of people, which view it mostly as a hobby project and not a truly commercial venture. Which is great, but all the more begs the question of why not release the code? The tools whose sources aren’t released to the public are at a natural risk of becoming defunct (for whatever reasons), and that would be a shame. Have the authors shared their views about this?

Would be glad to hear any insights.

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@robert.random wrote:

I released this album yesterday. Last summer I challenged myself to create an album that has cohesive soundscape and tells a little story and I’m very happy with the outcome. It’s mixed together and flows smoothly from one song to another. Lots of different electronic genres blended together. Always fun to work with Renoise.

Bandcamp:

Other streaming sites:
https://album.link/fi/i/1503992964

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@j105f wrote:

In the “Samples” area of the Sampler (with the “Samples” area in focus/selected):

Renoise crashes when I attempt to paste samples into a “note-off layer” or “note-on layer”.

This is the error:
A fatal error or crash occurred (unhandled exception in thread: GUI).

System specs:
Renoise 3.2.1 (64-bit)
Windows 10 (64-bit)

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@cupcake wrote:

Hi, has anybody found a nice way to use modern IDE features like auto-completion suggestions and jump to definition for editing lua scripts?

I have tried getting Sublime, VS Code, and Vim to work the way i want, but none of them are 100%. Actually, Vim is pretty close but i keep forgetting how i have it configured when i take a break from coding, and the keyboard heavy work style isn’t ideal for my space, i need more mouse.

Both VS Code and Sublime have nice modern features built in, but they don’t work too well with lua, so i’ve been searching out packages and no one single package does it all. I have to have a combo of various ones for different things like linting and tags, using command line back end tools like luacheck. Sublime has trouble finding some of my methods. Whereas VS code just wont jump to definitions at all (at least last time i was using it).

I’m going to crack on using Sublime for the moment, have got the luacheck linter running ok, and some ctags set up which seems to be doing the job in vim and possibly sublime too, honestly can’t remember how i did all this. Plus it’s easy to read the code on my screen.

Would be good to hear ideas.

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@J.L wrote:

Hi, I have a song and when I move certain effects or try to add that type it crashes.
It does NOT happen with other of my songs using the same FX. The FX seem to be Verbsuite from Slate, Decapitator from SoundsToys amongst others, all external party. They work fine in other songs. Sometimes If I even dare to move an existing instance of for example Verbsuite, it will start to freeze. No error log is written, it just freezes and Windows asks if you want to continue waiting for it.
I would really like to be able to “fix” this song.
Thanks for any input!

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@stoiximan wrote:

I thought i should share this because i know there are other Greek Renoisers here.
Noiz | Forum και Αγγελίες για Μουσικούς Noiz Lockdown

Διαγωνισμός Noiz Lockdown

Here is my track

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@nateflanigan wrote:

Is it possible to add tools to Redux? If so, how? I can’t find anything in the manual or otherwise.
Thanks!

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@plast1c_tac0 wrote:

These are some ideas in no particular order:

A bit more functionality in “Y” effect: this is a secret gem for creating interesting, generative music. I’d like to see it become a bit more flexible, or perhaps introduce other probability effects if “Y” cannot be further modified.

Example: Instead of “trigger note with probability x” how about “trigger note with probability x unless the track has already done so for another note in the last y lines”?

This gives some more control over when notes appear so that they don’t jumble up on each other. There are other ways to expand the probability aspects of Renoise for the better.

—

Some sort of “seed” or note map for when you have probability (“Y”) in your songs, which is generated each time the song is played or rendered. This ensures that if you render the song twice, it will sound exactly the same despite the probability events as long as the seed or map file of the first render is fed into the settings of the second.

This matters because often times generative music will be rendered and upon playback, especially over repeated listening, it gets a certain character that would be lost if the song is re-rendered with notes falling in a different pattern due to “Y” effects. But what if you like the song you have rendered but need to go back in and change a few things? You’d have to re-render and then lose the character of that initial render. There should be a way to edit the song further and then re-render it but with all the previous “Y” events occurring in their initial way.

—

An ideas or scratchpad section so that you can create either an individual track in a pattern or entire patterns and not have to place them anywhere in the pattern matrix until you want to. Someone once said that phrases accomplish the same thing but in my experience that doesn’t work well.

The Game Boy tracker LSDJ does this very well. You can create little patterns and they each get assigned a number, but you are not obligated to place that pattern anywhere in the song unless you want to. Then, in the pattern matrix you assign pattern numbers at each position to create the song.

This lets you jot ideas as individual parts and then figure out later how to put them into the song. I don’t think Renoise has a good way of doing this yet. Sure, you can just tack on extra “idea” patterns to the end of your song and then mute them or delete them later but it is not a great solution. LSDJ implements it perfectly IMO.

—

As I get more experience with Renoise I feel better about making music inside of it, but often times looking at the patterns while playing a song feels like being in the Matrix. It’s not THAT intuitive, though it can work of course. Instead of reading pitch data as it flies by, how about a visual way of seeing what each track is doing? To help you better analyze your own songs and those of others.

One idea is to have a widget or screen section that displays a tiny row of boxes (sort of like drum pads on a Midi controller but only occupying one row), with one box for each track. As the song plays, each box can change color to signify the pitch, for example if C1 was blue, C4 was green, C8 was red (a rainbow spectrum), each box would change rapidly in color as the notes of each track play. This would give a good visual reference for what each track is doing and help understand pitch and note data a lot faster. There’s many other ways of doing this, too. Whatever would work best from a developer standpoint is fine with me.

—

Perhaps this helps with 3.3 development. Anyway, Renoise is an amazing piece of software and I’m happy to be using it more. Like many of you, current global events have given me more time to enjoy making tracker music.

Stay safe, everyone

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