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Sun - Screamtronic

made exclusively with Nexus 3

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Hi. New guy here, with the first post and feature request: please add the phrase editor Vol/Pan/Dly/FX toggles with accompanying hexadecimal sliders to the pattern editor. As a new guy I’ll be coming to grips for some time with both the various commands and the hexadecimal system. It’s nice that each toggle has its own specific list of commands, and sliders help a LOT with the process of inputting values. And the whole time I can learn and get good enough to just know what to enter. Sound good or am I missing something? Thanks-

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here’s what I have, but I can only get it to modify note columns in Track 1… feel like I’m missing something incredibly obvious. (changing delay value is just a placeholder for now)

edit - … I’ve been sitting there with only Track 1’s delay column visible, lol. classic tunnel vision and then figure out the problem right after you ask for help

edit 2 - oops, meant to post this in Beginners LUA API Sandbox. my bad

local sel_pattern_index = renoise.song().selected_pattern_index local start_track_index = renoise.song().selection_in_pattern['start_track'] local end_track_index = renoise.song().selection_in_pattern['end_track'] for track_index = start_track_index, end_track_index do for pos, note_column in renoise.song().pattern_iterator:note_columns_in_pattern_track(sel_pattern_index, track_index) do if note_column.is_selected then -- do stuff note_column.delay_value = 42 end end end

edit - better, I think:

local sel_pattern_index = renoise.song().selected_pattern_index local start_track_index = renoise.song().selection_in_pattern['start_track'] local end_track_index = renoise.song().selection_in_pattern['end_track'] for track_index = start_track_index, end_track_index do local curr_track = renoise.song():track(track_index) if not curr_track.delay_column_visible then curr_track.delay_column_visible = true end for pos, note_column in renoise.song().pattern_iterator:note_columns_in_pattern_track(sel_pattern_index, track_index) do if note_column.is_selected then note_column.delay_value = 42 end end end

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Hello,

I am having an issue where I can’t get the Windows plugins to work through Carla and Wine on Renoise Linux. I had this thing working alright just a week ago, but I recently updated my system and Wine started crashing when Carla tried to load the Windows plugins. It turned out that I had to downgrade Wine to version 6.2 from 6.3 to somewhat fix things.

However, after the update I can load Windows plugins on the Carla standalone application, but when I load the Carla rack on Renoise, the “Available tools” in the refresh dialog for plugins does not have support for the carla-discovery-win32, carla-discovery-win64, etc. So there’s no way to use the Windows plugins on Renoise. It just feels weird that now the standalone application works properly but the Renoise plugins are missing certain components, I guess.

I am not really understanding from which directory Renoise pulls the Carla plugins, since the only active environment variables are VST_PATH and VST_PATH3 which both point to ~/.vst, and that location only have my native Linux plugins.

Running Manjaro Linux with these packages installed:
carla-bridges-win 2.2.0-1
carla-git 1:2.3.0.RC1.r11.ga08ed288b-1
wine 6.2-1

I have tried other combinations of the available packages for Carla but this seems to be the only one working at all.

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Why no “176.4 Khz” for final rendering?

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Hi guys,

Now that 3.3 is out, the Reason 11 vst works just fine inside Renoise.

My question: Is it possible to only use one instance of Reason 11 vst inside Renoise all while using multiple Renoise/midi tracks to control each instrument back inside Reason?

For example, I want to use Europa, Malstrom, and Redrum, which are all inside Reason, but I want to use separate Renoise midi tracks to control each of these instruments. (Think Bass, Lead, and Drums).

Yes, I could open up three instances of Reason inside Renoise each as their own tracks, but it hurts the cpu on my budget laptop. This would be the easiest way to solve the issue, but Reason is a vst that has a bunch of mini vsts inside of it.

…If I could use Reason as a single vst, all while using Renoise to control each instrument inside of it, that would be great!

My issue right now is that I have the vst on one track, I layer a Europa and Kong, and both the synth and drum hit play together. I am trying to figure out where the Midi Out device (on Europa and Kong) routes inside Renoise and how I can use a Renoise track to play only drum hits and the other track the Europa.

Again, It would be so cool to have up to 10 tracks all while there is only one vst present.

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It would be fun if you could have multiple looping sections defined in the Pattern Sequencer.

Especially for situations where you are jamming with renoise, it would be nice to define several looping pattern sections that you can jump between.

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The train is coming but nobody pays attention

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Purchased less than a month ago (feb 16th) for 82,28 Euro including VAT. Asking 55 Euro (Paypal).

License is valid until 4.3. I like Renoise as a tracker, however it’s not for me as a DAW. So I’m hoping to sell this and go the VST route with Redux.

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Hello ! I have composed a small theme inspired by various chord progressions in a dark and jazzy key. The problem we have when we compose something is that hearing them hardens our ears and we end up getting used to them and we find no faults in them. And that is something painful. I would like you to comment on everything that you find bad or good on this simple topic. I have used as few instruments as possible, I know you can decorate with more horns and add percussion effects, but the strings eat up almost all the space! Comment thanks !!

Ear it using headphones due bass notes.!

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I noticed that whenever i use the Guitar Rig 5 VST i experience that when i scroll down the pattern with the mouse wheel on the track it becomes very laggy. This is even when Guitar Rig says it only uses 3% CPU.

I haven’t noticed this problem with any other plugin, so i assume the problem is with the plugin itself, but i thought i’d mention it just in case.

Has anyone else noticed this issue?

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I want to use Surge Synthesizer (VST3) with a midi controller, but if i turn the knobs of my midi controller the VST GUI does not get updated. However, if I hover my mouse over the controls in the GUI of the VST, it gets re-rendered and the sliders are updated.

I thought this was an issue with the VST, since other VST plugins do not show this behaviour in Renoise, but the folks at Surge Synthesize could not reproduce the issue in other DAW’s, so they thought it could be Renoise-related. GitHub issue: GUI is not updating when I turn the knobs on my midi controller · Issue #4050 · surge-synthesizer/surge · GitHub

Does anyone else have this problem or know what might be causing this? I’m using Renoise Renoise 3.3.1 on Windows 10

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Looking to be able to solo and/or mute tracks via key commands… is there an easy way to do this? am I missing something? I scrubbed thru many submenus in the keybindings prefs and couldn’t find solo/mute track as assignable

eternal gratitude if you know

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Hello Renoise gang,

I currently own an Elektron Digitone which I bought to use away from the desk that I am at for 8 hours a day at work, to jam ideas on and then hopefully record into my DAW and edit, sequence and add to. I was using Reason 11 until recently but I sold the licence and the only DAW I now own is Renoise which is fine - I love Renoise and I am still learning new things every day. With the money from selling Reason and a bonus I have just found out I am getting from work I am looking into getting a Digitakt to go with my Digitone.

I am lucky in so far as the Elektron stuff uses the Overbridge VST to connect to DAW and can do audio over USB, I have managed to set up a template for the Digitone to stream it’s four tracks into four tracks in Renoise and apply FX to each one, as well as one master track for automating pattern changes and some automation of parameters. But I am yet to try and commit anything to audio and with any further hardware I decide to get this problem will be compounded. I am tempted to just only bounce to audio when finishing the song, rather than bouncing clips and bits and pieces.

Does anybody else multitrack hardware with Renoise? If/when I get a Digitakt I will need to create a further 9 tracks (one master pattern change, 8 audio tracks). I am loathe to move DAW after simplifying down to just Renoise and am looking for input from anybody else who uses hardware. Part of me also things that perhaps I should separate my hardware endeavours from my software but I think that limits me in some ways, each can compliment the other - it’s just a case of figuring it all out. I have also considered selling my Digitone and using my money for a faster PC to run, dare I say it, more than one instance of Diva (shocked Pikachu.jpeg).

Thanks and sorry for the long post, I felt it necessary to spell out what I do and will need to get the best advice.

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The latest update should have fixed some problems , but it doesn’t load i renoise

AudioRealism Virtual Synthesizers ReDominator VST/AU

ReDominator - Alpha Juno emulator

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Does anybody recognize that sample?
“I’m the fuck you man!”

https://music.youtube.com/watch?v=Ws4eE7QNtlM
^^song: I’m the fuck you man

I love you all and have been programming for 70 hours a week on Your Renoise Tools. Of course I am a very wrong person for doing that. Many got executed and terminated.

Here I am, cripple, unpaid…

I just wanted to say: fuck. fuck fuckerdifuck fuck fuck fuck. fuckerdifuck fuck fuck fuck fuck fuck duck fuck fuck fuck fuck fuck fuck fuck.

You too!?

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All Renoise, all handmade, no algorithms- I present “Object Models”!

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Has anyone attempted (or succeeded) at creating this type of compression in Renoise? I’ve gone as far as loading up 6 OTT’s automating multiple parameters with hydra and I’m no where close to the sound. Does anybody have any idea how this could be achieved using … well ANYTHING AT ALL … lol … I’m desperate at this point.

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Hi there, I’ve got an issue I did not find the answer elsewhere.

First of all I want to note that I have tested demo version of Redux and found out that Redux enlarging DAW’s project file. What is my setup?

I have plenty of sfz files with different volume of attached samples.

My main setup is Ableton + sforzando. Initially sforzando has no AHDSR controls (you can add them by text coding) and limited number of FX (can also be added by text coding with free MDA plugins). You can imagine what job should be done to implement all these stuff to each sfz.

Redux is more promising in respect to all above comparing to sforzando but I was confused with the fact that Ableton’s file with solely Redux track was 30 MB, the same volume as size of listed in sfz samples.

For example Ableton file with same sfz but using sforzando was only 80 kB.
Same situation with Reaper’s project file.

So, my request is to port samples into project only not to embed them into project file.

Is there any feature in Redux to swithch it off?

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Hey all,

Time for another challenge! Bust out your field recorders, because the rules are simple: ALL sound sources must be real-world acoustically generated found sounds.

No musical instruments of any kind, no intentional singing, but speech, sounds of nature/human engineering in the built environment, and anything you can knock on, bang on, stimulate, or excite in any way can be used as a sample. Foley sample packs are fine if you don’t have a way of capturing your own sounds, but no instruments or anything intentionally musical. You can use these acoustic sounds as waveforms for synthesis if you wish, but extra points for NO synthesis. Plug-ins for processing audio are fine for this one.

No time limits, no prizes, just an opportunity to dust off your recording devices and have some fun working with creative constraint within the excellently capable sampler that is renoise. There is a whole world of sound to capture out there… looking forward to hearing what you can do with it!

peace & happy sampling

zensphere

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